Author: Mary BlackPublisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 142
Book Description
American Advertising Posters of the Nineteenth Century
Author: Mary BlackPublisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 142
Book Description
The Intimacy of Paper in Early and Nineteenth-century American Literature
Author: Jonathan SenchynePublisher: Studies in Print Culture and t
ISBN: 9781625344731
Category : History
Languages : en
Pages : 0
Book Description
The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race.
In the Company of Books
Author: Sarah WadsworthPublisher: Liverpool University Press
ISBN: 9781558495418
Category : Literary Criticism
Languages : en
Pages : 302
Book Description
Tracing the segmentation of the literary marketplace in 19th century America, this book analyses the implications of the subdivided literary field for readers, writers, and literature itself.
Vincent Van Gogh
Author: Vincent van GoghPublisher: Metropolitan Museum of Art
ISBN: 1588391655
Category : Art
Languages : en
Pages : 394
Book Description
Presents a collection of the drawings of Vincent Van Gogh, providing images of his works in charcoal, chalk, ink, graphite, and watercolor, and including essays the place each drawing in its historical context, explaining its significance.
Personal Impressions
Author: Elizabeth M. HarrisPublisher: David R. Godine Publisher
ISBN: 9781567922684
Category : History
Languages : en
Pages : 212
Book Description
"This complete, definitive, and illustrated survey of small nineteenth-century printing presses, written by a former curator at the Smithsonian Institution, is the first history of these lovely, useful, and varied machines. For there were, in those days, small printing presses created for every purpose. And there were, as well, innumerable boys and countless men eager to make their fortunes by investing in one, buying a few fonts of type, printing for a local clientele, and, with luck, building a printing or publishing empire." "What the desktop computer is to today, these small iron workhorses were to the nineteenth century. This book catalogues, describes, and illustrates over a hundred, with their makers, giving machine specifications as well as patent information. It provides a mine of previously undocumented printing information. No one seriously interested in the history of printing technology can afford to be without it."--BOOK JACKET.
The Color Explosion
Author: Jay T. LastYoung America
Author: Claire PerryPublisher: Yale University Press
ISBN: 9780300106206
Category : Art
Languages : en
Pages : 258
Book Description
A delightful look at how nineteenth-century American artists portrayed children and childhood
Art Work
Author: April F. MastenPublisher: University of Pennsylvania Press
ISBN: 0812291743
Category : Art
Languages : en
Pages : 328
Book Description
"I was in high spirits all through my unwise teens, considerably puffed up, after my drawings began to sell, with that pride of independence which was a new thing to daughters of that period."—The Reminiscences of Mary Hallock Foote Mary Hallock made what seems like an audacious move for a nineteenth-century young woman. She became an artist. She was not alone. Forced to become self-supporting by financial panics and civil war, thousands of young women moved to New York City between 1850 and 1880 to pursue careers as professional artists. Many of them trained with masters at the Cooper Union School of Design for Women, where they were imbued with the Unity of Art ideal, an aesthetic ideology that made no distinction between fine and applied arts or male and female abilities. These women became painters, designers, illustrators, engravers, colorists, and art teachers. They were encouraged by some of the era's best-known figures, among them Tribune editor Horace Greeley and mechanic/philanthropist Peter Cooper, who blamed the poverty and dependence of both women and workers on the separation of mental and manual labor in industrial society. The most acclaimed artists among them owed their success to New York's conspicuously egalitarian art institutions and the rise of the illustrated press. Yet within a generation their names, accomplishments, and the aesthetic ideal that guided them virtually disappeared from the history of American art. Art Work: Women Artists and Democracy in Mid-Nineteenth-Century New York recaptures the unfamiliar cultural landscape in which spirited young women, daring social reformers, and radical artisans succeeded in reuniting art and industry. In this interdisciplinary study, April F. Masten situates the aspirations and experience of these forgotten women artists, and the value of art work itself, at the heart of the capitalist transformation of American society.
Star Territory
Author: Gordon FraserPublisher: University of Pennsylvania Press
ISBN: 0812297903
Category : History
Languages : en
Pages : 231
Book Description
The United States has been a space power since its founding, Gordon Fraser writes. The white stars on its flag reveal the dream of continental elites that the former colonies might constitute a "new constellation" in the firmament of nations. The streets and avenues of its capital city were mapped in reference to celestial observations. And as the nineteenth century unfolded, all efforts to colonize the North American continent depended upon the science of surveying, or mapping with reference to celestial movement. Through its built environment, cultural mythology, and exercise of military power, the United States has always treated the cosmos as a territory available for exploitation. In Star Territory Fraser explores how from its beginning, agents of the state, including President John Adams, Admiral Charles Henry Davis, and astronomer Maria Mitchell, participated in large-scale efforts to map the nation onto cosmic space. Through almanacs, maps, and star charts, practical information and exceptionalist mythologies were transmitted to the nation's soldiers, scientists, and citizens. This is, however, only one part of the story Fraser tells. From the country's first Black surveyors, seamen, and publishers to the elected officials of the Cherokee Nation and Hawaiian resistance leaders, other actors established alternative cosmic communities. These Black and indigenous astronomers, prophets, and printers offered ways of understanding the heavens that broke from the work of the U.S. officials for whom the universe was merely measurable and exploitable. Today, NASA administrators advocate public-private partnerships for the development of space commerce while the military seeks to control strategic regions above the atmosphere. If observers imagine that these developments are the direct offshoots of a mid-twentieth-century space race, Fraser brilliantly demonstrates otherwise. The United States' efforts to exploit the cosmos, as well as the resistance to these efforts, have a history that starts nearly two centuries before the Gemini and Apollo missions of the 1960s.
Nineteenth Century Art
Author: Stephen EisenmanPublisher:
ISBN: 9780500237939
Category : Art
Languages : en
Pages : 428
Book Description
"The revised and expanded edition of Nineteenth Century Art: A Critical History embraces many aspects of the so-called 'new' art history - attention to issues of class and gender, reception and spectatorship, racism and Eurocentrism - while at the same time recovering the remarkable vitality, salience and subversiveness of the era's best art. Indeed, the authors insist that there is a profound sympathy between these new perspectives and the art under examination. For it was nineteenth-century artists who first addressed the issues that preoccupy audiences and scholars today: the relation between popular and elite culture, the legacy of the Enlightenment, the question of the canon, and the representation of workers, women and non-whites."--BOOK JACKET.