Nightmare on the Scottie PDF Download

Author: Stephen D. Orsini
Publisher:
ISBN: 9781638640004
Category : Biography & Autobiography
Languages : en
Pages : 0

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"Dreaming of a tropical cruise through sun-drenched Caribbean waters, two college seniors with summer commercial fishing experience sign on as part of a small crew delivering a boat to Seattle via the Panama Canal. They barely escape with their lives-and one outrageous, thrilling sea story"--

Author: Dan Callahan
Publisher: Oxford University Press, USA
ISBN: 0197515320
Category : Performing Arts
Languages : en
Pages : 273

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The first book on Hitchcock that focuses exclusively on his work with actors Alfred Hitchcock is said to have once remarked, "Actors are cattle," a line that has stuck in the public consciousness ever since. For Hitchcock, acting was a matter of contrast and counterpoint, valuing subtlety and understatement over flashiness. He felt that the camera was duplicitous, and directed actors to look and act conversely. In The Camera Lies, author Dan Callahan spotlights the many nuances of Hitchcock's direction throughout his career, from Cary Grant in Notorious (1946) to Janet Leigh in Psycho (1960). Delving further, he examines the ways that sex and sexuality are presented through Hitchcock's characters, reflecting the director's own complex relationship with sexuality. Detailing the fluidity of acting -- both what it means to act on film and how the process varies in each actor's career -- Callahan examines the spectrum of treatment and direction Hitchcock provided well- and lesser-known actors alike, including Ingrid Bergman, Henry Kendall, Joan Barry, Robert Walker, Jessica Tandy, Kim Novak, and Tippi Hedren. As Hitchcock believed, the best actor was one who could "do nothing well" - but behind an outward indifference to his players was a sophisticated acting theorist who often drew out great performances. The Camera Lies unpacks Hitchcock's legacy both as a director who continuously taught audiences to distrust appearance, and as a man with an uncanny insight into the human capacity for deceit and misinterpretation.

Author: Sidney Gottlieb
Publisher: Indiana University Press
ISBN: 086196988X
Category : Art
Languages : en
Pages : 250

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When Richard Schickel stated unequivocally in 1972 that "We're living in a Hitchcock world, all right", he did so without even mentioning the film that now stands at the top of the Sight & Sound Greatest Films of All Time poll: Vertigo. That omission needs to be redressed when we think about the Hitchcock world we live in now. Haunted by Vertigo: Hitchcock's Masterpiece Then and Now gathers essays that offer a variety of approaches to what many consider to be Hitchcock's signature film, one that shows him operating at full strength as a cinematic artist portraying some of the defining elements of modern life: romantic exhilaration and anxiety, the attractiveness and elusiveness of love, and the interpenetration of pain, pleasure, life, and death in our psyche and our culture. The pieces in this volume explore numerous aspects of how, broadly speaking, Vertigo is about characters haunted by memories and desires; how the film itself is haunted by numerous literary and cinematic fore- bearers; and how it continues to haunt not only filmmakers but artists working in other media as well. Essays that concentrate on formative or interpretive contexts of the film, including Greek mythology, early German cinema, film noir, an ensemble of (mostly) French writers and filmmakers, andmodern and postmodern art are complemented by others that present close readings of hidden details in the film, its use of multiple gazes that underscore its meaning and drama, the darker sides of even gestures of love and hospitality, and how the film embodies Hitchcock's "late style". Taken together the essays in the volume reinforce how Vertigo is, like the majestic trees visited by the two main characters in the film, sempervirens – an enduring masterpiece of then, now, and, we can safely say, the future.

Author: Royal S. Brown
Publisher: Univ of California Press
ISBN: 0520914775
Category : Performing Arts
Languages : en
Pages : 408

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Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences' fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music scholar and critic Royal S. Brown invites readers not only to "hear" the film score, but to understand it in relation to what they "see." Unlike earlier books, which offered historical, technical, and sociopolitical analyses, Overtones and Undertones draws on film, music, and narrative theory to provide the first comprehensive aesthetics of film music. Focusing on how the film/score interaction influences our response to cinematic situations, Brown traces the history of film music from its beginnings, covering both American and European cinema. At the heart of his book are close readings of several of the best film/score interactions, including Psycho, Laura, The Sea Hawk, Double Indemnity, and Pierrot le Fou. In revealing interviews with Bernard Herrmann, Miklós Rósza, Henry Mancini, and others, Brown also allows the composers to speak for themselves. A complete discography and bibliography conclude the volume.

Author: Alecia Nichols
Publisher: Lulu.com
ISBN: 0557129427
Category : Fiction
Languages : en
Pages : 187

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The Sandman is a fictional character, a popular figure in Western folklore that brings good sleep and dreams by sprinkling magical sand onto the eyes of children. Or so the legend goes; but no one should believe in legends. The Sandman slips through houses in search of nightmares, intending to kill them with his lustrous dagger. There is more to the Sandman than typical humans can believe. There is a world of mysterious Sand Recruits, hourglasses that toll the brink of death, nightmares that prey on tears, and sands. Is the Sandman really a fictional character? Believe what you want. We have our own convictions. This is our story. -Angela Rooiakker, Michael Rooiakker, Scottie Rooiakker, and Leo Belmont

Author: Dennis S. Carroll
Publisher: Xlibris Corporation
ISBN: 145682032X
Category : Fiction
Languages : en
Pages : 524

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Is it a case of genius or criminal behavior? Have a brilliant innkeeper and her husband, a retired wildlife photographer, relied on genius or hidden cameras to reveal the love lives of their guests? These questions stir the controversy at the center of The Ultimate Voyeur. The owners of a Southern inn renowned for hospitality, Catherine Morgan and her husband are uncanny in their way of breaching barriers that people hide behind. Each chapter of The Ultimate Voyeur explores the innkeepers personal story and includes an episode involving guests. One guest, a talented scriptwriter, learns about the several hundred files compiled by Catherine and turns them with the innkeepers help into a massively popular TV program airing once a week. The episodes unfold the hidden love lives of the guests, extending from ingenious bedroom farce (The Jinx in High Jinks) to passionate romance (The Ten-Million-Dollar Wedding Ring) to something sinister (Whodunit to the Famous Mystery Writer?). The portrayal of the mystery writer strikes too close to home. Infuriated at his loss of privacy and sure that hidden cameras are to blame, he finds ambiguous evidence at the inn and plots his vengeance. In his wild retaliation that transcends his cardboard characters, the separate realms of life and art explode on contact to reveal the innkeepers inmost secrets. At the climax, one is led to fundamental insights into secrets at the heart of everybody and the chaos or compassion that results from their disclosure.

Author: Robert J. Corber
Publisher: Duke University Press
ISBN: 9780822313861
Category : Performing Arts
Languages : en
Pages : 278

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In the Name of National Security exposes the ways in which the films of Alfred Hitchcock, in conjunction with liberal intellectuals and political figures of the 1950s, fostered homophobia so as to politicize issues of gender in the United States. As Corber shows, throughout the 1950s a cast of mind known as the Cold War consensus prevailed in the United States. Promoted by Cold War liberals--that is, liberals who wanted to perserve the legacies of the New Deal but also wished to separate liberalism from a Communist-dominated cultural politics--this consensus was grounded in the perceived threat that Communists, lesbians, and homosexuals posed to national security. Through an analysis of the films of Alfred Hitchcock, combined with new research on the historical context in which these films were produced, Corber shows how Cold War liberals tried to contain the increasing heterogeneity of American society by linking questions of gender and sexual identity directly to issues of national security, a strategic move that the films of Hitchcock both legitimated and at times undermined. Drawing on psychoanalytic and Marxist theory, Corber looks at such films as Rear Window, Strangers on a Train, and Psycho to show how Hitchcock manipulated viewers' attachments and identifications to foster and reinforce the relationship between homophobia and national security issues. A revisionary account of Hitchcock's major works, In the Name of National Security is also of great interest for what it reveals about the construction of political "reality" in American history.

Author: Graham Ward
Publisher: Bloomsbury Publishing
ISBN: 1786734087
Category : Philosophy
Languages : en
Pages : 264

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What we imagine can crush us or create us, destroy us or heal us; it can pitch us into battles with demons or set us among the songs of angels. It has roots beneath consciousness and is expressed in moods, rhythms, tones and textures of experience that are as much mental as physiological. In his new book, a sequel to the earlier Unbelievable, one of Britain's most exciting writers on religion here presents a nuanced and many-dimensional portrait of the mystery and creativity of the human imagination. Traversing landscapes that are both physical and emotional, palpable and intangible, the author enlists the company of fellow-travellers William Wordsworth, William Turner, Samuel Palmer and Ralph Vaughan Williams – alongside many other creative artists – to try to get to the bottom of the true meanings of originality and memory. Drawing the while on his own rich and varied encounters with belief, he asks why it is that the imagination is so fundamental to who and what we are. Using metaphor and story to unpeel the hidden motivations and architecture of the mind, and show what might lie beneath, Graham Ward grapples here with profound questions of ultimacy and transcendence. He reveals that, in understanding what it really means to be human, what cannot be imagined invariably means as much as what can.

Author: Sarina Bowen
Publisher: Tuxbury Publishing LLC
ISBN: 1942444230
Category : Fiction
Languages : en
Pages : 352

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There's a first time for everything. Lark Wainright used to be fearless. Her life was a series of adventures, each one more exhilarating than the last. But her recent overseas adventure was one too many. Now she’s home and in one piece. Mostly. But her nights are filled with terror. When her best friend offers her a stay at the orchard in exchange for help at the farmers’ markets, Lark jumps at the chance to spend fall in Vermont. But her nightmares don’t stop. Desperate to keep her fragile state a secret, she relies on the most soft-spoken resident of the Shipley Farm to soothe her when her dreams prove too much. Zachariah is a survivor, too. It’s been four years since he was tossed aside by the polygamist cult where he grew up. He’s found a peaceful existence on the Shipley’s farm, picking apples and fixing machinery. But getting thrown away by your own people at nineteen leaves a mark on a guy. He doesn’t always know what to make of a world where movie quotes are the primary means of communication. Before hitchhiking to Vermont, he’d never watched TV or spoken on the phone. Actually, there are a lot of things he’s never done. Zach and Lark slowly grow to trust one another. One night they become even closer than they’d planned. But Lark may still be too broken to trust anyone. When she pushes Zach away, he will have to prove to himself that he's good for much more than farm labor. Praise for the True North series: “Utterly fantastic. Well-written romance that runs the full gamut of emotions. Oh, and did I mention steamy? This series has it all. ” — Red Hot & Blue Reads “I’m crazy about this series. In love with Jude and Sophie, the Shipley’s, just the whole family dynamic. EVERYTHING IS WOW.” — Angie's Dreamy Reads “A world that pulled me in and had me wishing I could read all day!” — Shh Mom’s Reading “5-stars, Top Pick! This story will break your heart and stitch it back together again.” — Harlequin Junkie “Another fantastic book by Sarina Bowen! I couldn’t turn the pages fast enough.” — The Book Hookup "Smart, funny and super sexy, Bittersweet is full of the kind of writing that makes Sarina Bowen one of my favorite author crushes." —Author Sarah Mayberry For fans of: Melanie Harlow, Corinne Michaels, Meghan March, Lauren Blakely, Julia Kent, Elle Kennedy, Tijan, CD Reiss, Kendall Ryan, Vi Keeland, Penelope Ward, Jana Aston, K Bromberg, Katy Evans, Jessica Hawkins, Kristen Proby, Penny Reid, Helena Hunting, Sally Thorne, Kristen Ashley, Helen Hoang, Kylie Scott, Christina Lauren, Jana Aston, Sawyer Bennett, Lexi Ryan, Karina Halle, Skye Warren, Kennedy Ryan, Jodi Ellen Mapas, Zoe York, Kristan Higgins, Jill Shalvis. Keywords: virgin hero, survivors, cult members, kidnapping, contemporary romance, PTSD, Vermont, coming of age.

Author: R. Barton Palmer
Publisher: State University of New York Press
ISBN: 1438463863
Category : Performing Arts
Languages : en
Pages : 344

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In his essays and interviews, Alfred Hitchcock was guarded about substantive matters of morality, preferring instead to focus on discussions of technique. That has not, however, discouraged scholars and critics from trying to work out what his films imply about such moral matters as honesty, fidelity, jealousy, courage, love, and loyalty. Through discussions and analyses of such films as Strangers on a Train, Rear Window, Vertigo, North by Northwest, and Frenzy, the contributors to this book strive to throw light on the way Hitchcock depicts a moral—if not amoral or immoral—world. Drawing on perspectives from film studies, philosophy, literature, and other disciplines, they offer new and compelling interpretations of the filmmaker's moral gaze and the inflection point it provides for modern cinema.