Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521013161
Category : Drama
Languages : en
Pages : 108

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Book Description
Provides an international forum where theatrical scholarship and practice can meet.

Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521013147
Category : Drama
Languages : en
Pages : 100

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Book Description
Provides an international forum where theatrical scholarship and practice can meet.

Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521589024
Category : Drama
Languages : en
Pages : 100

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Book Description
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.

Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521565028
Category : Drama
Languages : en
Pages : 108

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Book Description
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives. The books are aimed at drama and theatre teachers, advanced students in schools and colleges, arts authorities, actors, playwrights, critics and directors.

Author: Simon Trussler
Publisher: Cambridge University Press
ISBN: 9780521603270
Category : Drama
Languages : en
Pages : 108

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Book Description
Provides an international forum where theatrical scholarship and practice can meet.

Author: Simon Trussler
Publisher: Cambridge University Press
ISBN: 9780521535885
Category : Drama
Languages : en
Pages : 98

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Book Description
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. Articles in volume 73 include: Performance, Embodiment, Voice: the Theatre/Dance Cross-overs of Dodin, Bausch, and Forsythe; The Performative Self: Improvisation for Self and Other; The Events of June 1848: the 'Monte Cristo' Riots and the Politics of Protest; Culture, Memory, and American Performer Training; 'The Maker and the Tool': Charles Parker, Documentary Performance, and the Search for a Popular Culture; Simple Pleasures: the Ten-Minute Play, Overnight Theatre, and the Decline of the Art of Storytelling; Archive or Memory? The Detritus of Live Performance; NTQ Reports and Announcements; NTQ Book Reviews.

Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521001472
Category : Drama
Languages : en
Pages : 108

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Book Description
Provides an international forum where theatrical scholarship and practice can meet.

Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521558426
Category : Drama
Languages : en
Pages : 98

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Book Description
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.

Author: Simon Trussler
Publisher: Cambridge University Press
ISBN: 9780521535892
Category : Drama
Languages : en
Pages : 108

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Book Description
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 74 include: Joan Littlewood's Key to Creativity: 'Go on Stage to Fail'; Grandfathers and Orphans: the Family Saga of European Theatre; Decoding Myths in the Nepalese Festival of Indra Jatra; Theatre in Education in Britain: Current Practice and Future Potential; From Object to Subject: the Israeli Theatre of the Battered Women; 'The Spirits Wouldn't Let Me Be Anything Else': Shamanic Dimensions in Theatre Practice Today; The Contaminated Audience: Researching Amateur Theatre in Wales before 1939.

Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521483216
Category : Drama
Languages : en
Pages : 108

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Book Description
New Theatre Quarterly provides a valuable international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance.