New Principles of Linear Perspective: PDF Download

Author: Brook Taylor
Publisher:
ISBN:
Category : Perspective
Languages : en
Pages : 80

View

Book Description

Author: Kirsti Andersen
Publisher: Springer Science & Business Media
ISBN: 9780387974866
Category : Art
Languages : en
Pages : 282

View

Book Description
A Study of Taylors Role in the History of Perspective Geometry. Including Facsimiles of Taylors̀ Two Books on Perspective.

Author: Brook TAYLOR
Publisher:
ISBN:
Category :
Languages : en
Pages : 150

View

Book Description

Author: Samuel Y. Edgerton
Publisher: Cornell University Press
ISBN: 9780801474804
Category : Art
Languages : en
Pages : 222

View

Book Description
Edgerton shows how linear perspective emerged in early fifteenth-century Florence out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives and ultimately undermined medieval Christian cosmology.

Author: Kirsti Andersen
Publisher: Springer Science & Business Media
ISBN: 1461209358
Category : Mathematics
Languages : en
Pages : 260

View

Book Description
The aim of this book is to make accessible the two important but rare works of Brook Taylor and to describe his role in the history of linear perspective. Taylor's works, Linear Perspective and New Principles on Linear Perspective, are among the most important sources in the history of the theory of perspective. This text focuses on two aspects of this history. The first is the development, starting in the beginning of the 17th century, of a mathematical theory of perspective where gifted mathematicians used their creativity to solve basic problems of perspective and simultaneously were inspired to consider more general problems in the projective geometry. Taylor was one of the key figures in this development. The second aspect concerns the problem of transmitting the knowledge gained by mathematicians to the practitioners. Although Taylor's books were mathematical rather than challenging, he was the first mathematician to succeed in making the practitioners interested in teaching the theoretical foundation of perspective. He became so important in the development that he was named "the father of modern perspective" in England. The English school of Taylor followers contained among others the painter John Kirby and Joseph Highmore and the scientist Joseph Priestley. After its translation to Italian and French in the 1750s, Taylor's work became popular on the continent.

Author: Tim Maudlin
Publisher:
ISBN: 0198701306
Category : Mathematics
Languages : en
Pages : 374

View

Book Description
Tim Maudlin sets out a completely new method for describing the geometrical structure of spaces, and thus a better mathematical tool for describing and understanding space-time. He presents a historical review of the development of geometry and topology, and then his original Theory of Linear Structures.

Author: Sarah Haley
Publisher: Tempe Digital
ISBN: 0986163775
Category : Art
Languages : en
Pages : 268

View

Book Description
Perspective Drawing is a definitive handbook covering all the major concepts of linear perspective. Written in a straightforward style, this textbook provides clear explanations of one-point, two-point, and three-point perspective drawing, and explores the perspective grid, shadows, reflections, plans and elevations, and fisheye and panoramic views. The book employs a highly visual design, with step-by-step illustrations and contemporary examples that connect theory with practice. Perspective Drawing is intended for both the beginning student and the skilled practitioner. Presented in a compact format, this text covers introductory topics and more advanced techniques. The foundational skills of linear perspective are relevant to any creative field, including fine art, graphic design, advertising, illustration, animation, and interior design. Perspective Drawing is an essential addition to any art and design library. TABLE OF CONTENTS Chapter 1 - Linear Perspective Chapter 2 - Tools & Techniques Chapter 3 - One-Point Perspective Chapter 4 - Two-Point Perspective Chapter 5 - Three-Point Perspective Chapter 6 - Non-Rectangular Forms Chapter 7 - Proportion & Scaling Chapter 8 - The Cone of Vision Chapter 9 - Grids, Squares & Cubes Chapter 10 - Plans & Elevations Chapter 11 - Dynamic Planes Chapter 12 - Combining Perspectives Chapter 13 - Cast Shadows Chapter 14 - Reflections Chapter 15 - Multi-Point Perspective Chapter 16 - Shade & Texture

Author: Alphonso Dunn
Publisher: Three Minds Press
ISBN: 9780997046502
Category :
Languages : en
Pages : 142

View

Book Description
PEN AND INK DRAWING WORKBOOK is perfect for anyone looking for a book that provides lots of practice for developing and refining ink drawing skills and technique. It is appropriate for learners on all levels and is filled with over 100 engaging drills and exercises. The exercises in this comprehensive workbook are thoughtfully designed to take you from the essential elements like pen control, line consistency, basic strokes and variations to more advanced concepts such as, blending values, controlling gradations, shading compound forms, and rendering textures. It covers all the major pen and ink shading techniques including cross-hatching, stippling, scribbling, and more. In addition, there are 30 inspiring drawing exercises on a variety of subjects, which allows you to draw right inside the book. This book is the complementary workbook for PEN AND INK DRAWING: A SIMPLE GUIDE. However, it can still be used on its own as a general workbook for refining your skills and helping you to create stunning ink drawings with confidence!

Author: Brook Taylor
Publisher: Gale Ecco, Print Editions
ISBN: 9781379521884
Category :
Languages : en
Pages : 96

View

Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Medical theory and practice of the 1700s developed rapidly, as is evidenced by the extensive collection, which includes descriptions of diseases, their conditions, and treatments. Books on science and technology, agriculture, military technology, natural philosophy, even cookbooks, are all contained here. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T134042 London: printed for John Ward, 1749. 80p.,13plates; 8°

Author: Erwin Panofsky
Publisher: Princeton University Press
ISBN: 0942299477
Category : Art
Languages : en
Pages : 172

View

Book Description
Erwin Panofsky’s Perspective as Symbolic Form is one of the great works of modern intellectual history, the legendary text that has dominated all art-historical and philosophical discussions on the topic of perspective in this century. Finally available in English, this unrivaled example of Panofsky’s early method places him within broader developments in theories of knowledge and cultural change. Here, drawing on a massive body of learning that ranges over ancient philosophy, theology, science, and optics as well as the history of art, Panofsky produces a type of “archaeology” of Western representation that far surpasses the usual scope of art historical studies. Perspective in Panofsky’s hands becomes a central component of a Western “will to form,” the expression of a schema linking the social, cognitive, psychological, and especially technical practices of a given culture into harmonious and integrated wholes. He demonstrates how the perceptual schema of each historical culture or epoch is unique and how each gives rise to a different but equally full vision of the world. Panofsky articulates these distinct spatial systems, explicating their particular coherence and compatibility with the modes of knowledge, belief, and exchange that characterized the cultures in which they arose. Our own modernity, Panofsky shows, is inseparable from its peculiarly mathematical expression of the concept of the infinite, within a space that is both continuous and homogenous.