Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 762
Book Description
New Oxford History of Music: The Age of Enlightenment, 1745-1790
Historical Dictionary of Choral Music
Author: Melvin P. Unger
Publisher: Rowman & Littlefield
ISBN: 1538124343
Category : Music
Languages : en
Pages : 699
Book Description
A Library Journal Starred Review (March 2024) praises the book as a "remarkable resource that will please both musical professionals and amateurs, along with teachers and their students, and conductors and singers.” Throughout the ages, people have wanted to sing in a communal context. This desire apparently stems from a deeply rooted human instinct. Consequently, choral performance historically has often been related to human rituals and ceremonies, especially rites of a religious nature. Historical Dictionary of Choral Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1,300 cross-referenced entries on composers, conductors, choral ensembles, choral genres, and choral repertoire. This book is an excellent resource for students, researchers, and anyone wanting to know more about choral music.
Publisher: Rowman & Littlefield
ISBN: 1538124343
Category : Music
Languages : en
Pages : 699
Book Description
A Library Journal Starred Review (March 2024) praises the book as a "remarkable resource that will please both musical professionals and amateurs, along with teachers and their students, and conductors and singers.” Throughout the ages, people have wanted to sing in a communal context. This desire apparently stems from a deeply rooted human instinct. Consequently, choral performance historically has often been related to human rituals and ceremonies, especially rites of a religious nature. Historical Dictionary of Choral Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1,300 cross-referenced entries on composers, conductors, choral ensembles, choral genres, and choral repertoire. This book is an excellent resource for students, researchers, and anyone wanting to know more about choral music.
A History of the Concerto
Author: Michael Thomas Roeder
Publisher: Hal Leonard Corporation
ISBN: 0931340616
Category : Concerto
Languages : en
Pages : 487
Book Description
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
Publisher: Hal Leonard Corporation
ISBN: 0931340616
Category : Concerto
Languages : en
Pages : 487
Book Description
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
A Concise Guide to Understanding Music
Author: Graham Wade
Publisher: Mel Bay Publications
ISBN: 1609742826
Category : Music
Languages : en
Pages : 193
Book Description
A Concise Guide to Understanding Music offers guidance on many aspects of musical form, the creative concepts of major composers over the centuries, and developments ranging from early notation to the present day. the book is profusely illustrated and also contains an extensive bibliography as well as detailed lists of compositions for the reader to listen to and enjoy. for those who wish to understand more about all kinds of music, this is the book to help you.
Publisher: Mel Bay Publications
ISBN: 1609742826
Category : Music
Languages : en
Pages : 193
Book Description
A Concise Guide to Understanding Music offers guidance on many aspects of musical form, the creative concepts of major composers over the centuries, and developments ranging from early notation to the present day. the book is profusely illustrated and also contains an extensive bibliography as well as detailed lists of compositions for the reader to listen to and enjoy. for those who wish to understand more about all kinds of music, this is the book to help you.
Checklist of Writings on American Music, 1640-1992
Author: Guy A. Marco
Publisher: Scarecrow Press
ISBN: 9780810831339
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
Cumulative index to all three volumes of Literature of American Music in Books and Folk Music Collections.
Publisher: Scarecrow Press
ISBN: 9780810831339
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
Cumulative index to all three volumes of Literature of American Music in Books and Folk Music Collections.
Music and the Silent Film
Author: Martin Miller Marks
Publisher: Oxford University Press
ISBN: 0195361636
Category : Music
Languages : en
Pages : 320
Book Description
In this book, a leading authority on film music examines scores of the silent film era. The first of three projected volumes investigating music written for films, this thoughtful and pathbreaking study demonstrates the richness of silent film music as it details the way in which scores were often planned from the start as an integral part of the whole cinematic experience. Following an introductory chapter that outlines several key theoretical questions and surveys eight decades of writing on film music, Martin Miller Marks focuses on those scores created between 1895 and 1924. He begins by considering two early examples, one German (written by persons unknown for Skladanowsky's Bioskop exhibitions in 1895 and 1896) and one French (scored by Camille Saint-Saëns for the 1908 film L'Assassinat du Duc de Guise). Subsequent chapters fully discuss Walter Cleveland Simon's music for the American film An Arabian Tragedy (1912) as well as the Joseph Breil accompaniment to D. W. Griffith's Birth of a Nation (1915). As described in this book, Breil's memorable score--though a compilation derived from many sources--was played by an orchestra as Griffith's sweeping images filled the screen, thus contributing significantly to the great film's success while also achieving remarkable power in its own right. Marks then concludes with a look at Erik Satie's witty and innovative music for the French film Entr'acte (1924), which was the first film score of consequence by an avant-garde composer. Giving unprecedented attention to a vibrant, important, and oft-neglected facet of twentieth-century music, Music and the Silent Film will interest scholars of film theory, film history, modern music, and modern aesthetics.
Publisher: Oxford University Press
ISBN: 0195361636
Category : Music
Languages : en
Pages : 320
Book Description
In this book, a leading authority on film music examines scores of the silent film era. The first of three projected volumes investigating music written for films, this thoughtful and pathbreaking study demonstrates the richness of silent film music as it details the way in which scores were often planned from the start as an integral part of the whole cinematic experience. Following an introductory chapter that outlines several key theoretical questions and surveys eight decades of writing on film music, Martin Miller Marks focuses on those scores created between 1895 and 1924. He begins by considering two early examples, one German (written by persons unknown for Skladanowsky's Bioskop exhibitions in 1895 and 1896) and one French (scored by Camille Saint-Saëns for the 1908 film L'Assassinat du Duc de Guise). Subsequent chapters fully discuss Walter Cleveland Simon's music for the American film An Arabian Tragedy (1912) as well as the Joseph Breil accompaniment to D. W. Griffith's Birth of a Nation (1915). As described in this book, Breil's memorable score--though a compilation derived from many sources--was played by an orchestra as Griffith's sweeping images filled the screen, thus contributing significantly to the great film's success while also achieving remarkable power in its own right. Marks then concludes with a look at Erik Satie's witty and innovative music for the French film Entr'acte (1924), which was the first film score of consequence by an avant-garde composer. Giving unprecedented attention to a vibrant, important, and oft-neglected facet of twentieth-century music, Music and the Silent Film will interest scholars of film theory, film history, modern music, and modern aesthetics.
Sourcebook for Research in Music
Author: Phillip Crabtree
Publisher: Indiana University Press
ISBN: 9780253213235
Category : Bibliographical literature
Languages : en
Pages : 258
Book Description
This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.
Publisher: Indiana University Press
ISBN: 9780253213235
Category : Bibliographical literature
Languages : en
Pages : 258
Book Description
This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.
American Musicological Society
Author: Mark Germer
Publisher: The AMS
ISBN:
Category : Bulletin of the American Musicological Society
Languages : en
Pages : 162
Book Description
Publisher: The AMS
ISBN:
Category : Bulletin of the American Musicological Society
Languages : en
Pages : 162
Book Description
Roots of the Classical
Author: Peter Van der Merwe
Publisher: OUP Oxford
ISBN: 9780191513268
Category : Music
Languages : en
Pages : 588
Book Description
Roots of the Classical identifies and traces to their sources the patterns that make Western classical music unique, setting out the fundamental laws of melody and harmony, and sketching the development of tonality between the fifteenth and eighteenth centuries. The author then focuses on the years 1770-1910, treating the Western music of this period - folk, popular, and classical - as a single, organically developing, interconnected unit in which the popular idiom was constantly feeding into 'serious' music, showing how the same patterns underlay music of all kinds.
Publisher: OUP Oxford
ISBN: 9780191513268
Category : Music
Languages : en
Pages : 588
Book Description
Roots of the Classical identifies and traces to their sources the patterns that make Western classical music unique, setting out the fundamental laws of melody and harmony, and sketching the development of tonality between the fifteenth and eighteenth centuries. The author then focuses on the years 1770-1910, treating the Western music of this period - folk, popular, and classical - as a single, organically developing, interconnected unit in which the popular idiom was constantly feeding into 'serious' music, showing how the same patterns underlay music of all kinds.
The Cambridge History of Twentieth-Century Music
Author: Nicholas Cook
Publisher: Cambridge University Press
ISBN: 9780521662567
Category : Music
Languages : en
Pages : 848
Book Description
Publisher Description
Publisher: Cambridge University Press
ISBN: 9780521662567
Category : Music
Languages : en
Pages : 848
Book Description
Publisher Description