Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download New Objectivity PDF full book. Access full book title New Objectivity by Stephanie Barron. Download full books in PDF and EPUB format.
Author: Stephanie Barron Publisher: Prestel ISBN: 9783791354316 Category : Art and society Languages : en Pages : 0
Book Description
Between the end of World War I and the Nazi assumption of power, Germany's Weimar Republic (1919-1933) functioned as a thriving laboratory of art and culture. As the country experienced unprecedented and often tumultuous social, economic and political upheaval, many artists rejected Expressionism in favour of a new realism to capture this emerging society. Dubbed Neue Sachlichkeit - New Objectivity - its adherents turned a cold eye on the new Germany: its desperate prostitutes and crippled war veterans, its alienated urban landscapes, its decadent underworld where anything was available for a price. Showcasing 150 works by more than 50 artists, this book reflects the full diversity and strategies of this art form. Organised around five thematic sections, it mixes photography, works on paper and painting to bring them into a visual dialogue. Artists such as Otto Dix, George Grosz and Max Beckmann are included alongside figures such as Christian Schad, Alexander Kanoldt, Georg Schrimpf, August Sander, Lotte Jacobi and Aenne Biermann. Also included are numerous essays that examine the politics of New Objectivity and its legacy, the relation of this new realism to international art movements of the time; the context of gender roles and sexuality; and the influence of new technology and consumer goods. Published in association with the Los Angeles County Museum of Art. AUTHOR: Stephanie Barron is a Senior Curator and heads the Modern Art department at the Los Angeles Contemporary Museum of Art. Sabine Eckmann is the William T. Kemper Director and Chief Curator of the Mildred Lane Kemper Art Museum in St. Louis, Missouri. 300 colour illustrations
Author: Stephanie Barron Publisher: Prestel ISBN: 9783791354316 Category : Art and society Languages : en Pages : 0
Book Description
Between the end of World War I and the Nazi assumption of power, Germany's Weimar Republic (1919-1933) functioned as a thriving laboratory of art and culture. As the country experienced unprecedented and often tumultuous social, economic and political upheaval, many artists rejected Expressionism in favour of a new realism to capture this emerging society. Dubbed Neue Sachlichkeit - New Objectivity - its adherents turned a cold eye on the new Germany: its desperate prostitutes and crippled war veterans, its alienated urban landscapes, its decadent underworld where anything was available for a price. Showcasing 150 works by more than 50 artists, this book reflects the full diversity and strategies of this art form. Organised around five thematic sections, it mixes photography, works on paper and painting to bring them into a visual dialogue. Artists such as Otto Dix, George Grosz and Max Beckmann are included alongside figures such as Christian Schad, Alexander Kanoldt, Georg Schrimpf, August Sander, Lotte Jacobi and Aenne Biermann. Also included are numerous essays that examine the politics of New Objectivity and its legacy, the relation of this new realism to international art movements of the time; the context of gender roles and sexuality; and the influence of new technology and consumer goods. Published in association with the Los Angeles County Museum of Art. AUTHOR: Stephanie Barron is a Senior Curator and heads the Modern Art department at the Los Angeles Contemporary Museum of Art. Sabine Eckmann is the William T. Kemper Director and Chief Curator of the Mildred Lane Kemper Art Museum in St. Louis, Missouri. 300 colour illustrations
Author: Sergiusz Michalski Publisher: Taschen ISBN: 9783822823729 Category : Art Languages : en Pages : 232
Book Description
Drawing on new research from local archives as well as reinterpretations of published literature,Power and the Peopledescribes how England remained governable between 1525 and 1640, despite the wars, famine, epidemics, and dynastic and religious crises of the period. The book surveys the mechanisms of authority at various levels, from the street and alehouse to the manor and the royal court. Maintaining order was a difficult challenge, given that England had no standing army or professional police, and Alison Wall investigates everything from the roles of village constables to the social cohesiveness that came from civic celebrations and participatory politics. Her book provides students with a rich perspective on the social world and political culture of early modern England.
Author: Lorraine Daston Publisher: Princeton University Press ISBN: 1942130619 Category : Philosophy Languages : en Pages : 345
Book Description
Objectivity has a history, and it is full of surprises. In Objectivity, Lorraine Daston and Peter Galison chart the emergence of objectivity in the mid-nineteenth-century sciences — and show how the concept differs from alternatives, truth-to-nature and trained judgment. This is a story of lofty epistemic ideals fused with workaday practices in the making of scientific images. From the eighteenth through the early twenty-first centuries, the images that reveal the deepest commitments of the empirical sciences — from anatomy to crystallography — are those featured in scientific atlases: the compendia that teach practitioners of a discipline what is worth looking at and how to look at it. Atlas images define the working objects of the sciences of the eye: snowflakes, galaxies, skeletons, even elementary particles. Galison and Daston use atlas images to uncover a hidden history of scientific objectivity and its rivals. Whether an atlas maker idealizes an image to capture the essentials in the name of truth-to-nature or refuses to erase even the most incidental detail in the name of objectivity or highlights patterns in the name of trained judgment is a decision enforced by an ethos as well as by an epistemology. As Daston and Galison argue, atlases shape the subjects as well as the objects of science. To pursue objectivity — or truth-to-nature or trained judgment — is simultaneously to cultivate a distinctive scientific self wherein knowing and knower converge. Moreover, the very point at which they visibly converge is in the very act of seeing not as a separate individual but as a member of a particular scientific community. Embedded in the atlas image, therefore, are the traces of consequential choices about knowledge, persona, and collective sight. Objectivity is a book addressed to any one interested in the elusive and crucial notion of objectivity — and in what it means to peer into the world scientifically.
Author: Otto Dix Publisher: ISBN: 9783775734912 Category : Art Languages : en Pages : 0
Book Description
This is the first publication to illuminate Neue Sachlichkeit against the backdrop of the Weimar Republic and National Socialism. Dix's works--including the key Metropolis triptych (1928-29), the great psychological portraits, and, last but not least, the landscapes with their hidden symbolism, painted during the years he spent at Lake Constance--form the starting point for this exploration of his oeuvre. They are placed in a context with works of art by George Grosz, Rudolf Schlichter, and Christian Schad, creating a new perspective on this crucial chapter in German art history.
Author: Lewis Raven Wallace Publisher: University of Chicago Press ISBN: 022666743X Category : Language Arts & Disciplines Languages : en Pages : 246
Book Description
A look at the history of the idea of the objective journalist and how this very ideal can often be used to undercut itself. In The View from Somewhere, Lewis Raven Wallace dives deep into the history of “objectivity” in journalism and how its been used to gatekeep and silence marginalized writers as far back as Ida B. Wells. At its core, this is a book about fierce journalists who have pursued truth and transparency and sometimes been punished for it—not just by tyrannical governments but by journalistic institutions themselves. He highlights the stories of journalists who question “objectivity” with sensitivity and passion: Desmond Cole of the Toronto Star; New York Times reporter Linda Greenhouse; Pulitzer Prize-winner Rachel Kaadzi Ghansah; Peabody-winning podcaster John Biewen; Guardian correspondent Gary Younge; former Buzzfeed reporter Meredith Talusan; and many others. Wallace also shares his own experiences as a midwestern transgender journalist and activist who was fired from his job as a national reporter for public radio for speaking out against “objectivity” in coverage of Trump and white supremacy. With insightful steps through history, Wallace stresses that journalists have never been mere passive observers. Using historical and contemporary examples—from lynching in the nineteenth century to transgender issues in the twenty-first—Wallace offers a definitive critique of “objectivity” as a catchall for accurate journalism. He calls for the dismissal of this damaging mythology in order to confront the realities of institutional power, racism, and other forms of oppression and exploitation in the news industry. The View from Somewhere is a compelling rallying cry against journalist neutrality and for the validity of news told from distinctly subjective voices.
Author: David T.Z. Mindich Publisher: NYU Press ISBN: 0814764150 Category : Language Arts & Disciplines Languages : en Pages : 313
Book Description
A “superb” history of journalism’s most respected tenet—objectivity—and the challenges of achieving it in today’s world (Christian Science Monitor). If American journalism were a religion, as it has been called, then its supreme deity would be “objectivity.” The high priests of the profession worship the concept, while the iconoclasts of advocacy journalism, new journalism, and cyberjournalism consider objectivity a golden calf. Meanwhile, a groundswell of tabloids and talk shows and the increasing infringement of market concerns make a renewed discussion of the validity, possibility, and aim of objectivity a crucial pursuit. Despite its position as the orbital sun of journalistic ethics, objectivity—until now—has had no historian. David T.Z. Mindich reaches back to the nineteenth century to recover the lost history and meaning of this central tenet of American journalism. His book draws on high-profile cases, showing the degree to which journalism and its evolving commitment to objectivity altered—and in some cases limited—the public’s understanding of events and issues. Mindich devotes each chapter to a particular component of this ethic—detachment, nonpartisanship, the inverted pyramid style, facticity, and balance. Through this combination of history and cultural criticism, he provides a profound meditation on the structure, promise, and limits of objectivity in the age of digital media. “There is a growing unhappiness about the direction of news coverage. Readers and viewers want ‘objectivity’ back. The first step toward doing that is to understand where ‘objective’ journalism came from in the first place. Just the Facts is a good place to begin.” —The Washington Monthly
Author: Peter Novick Publisher: Cambridge University Press ISBN: 110726829X Category : Political Science Languages : en Pages : 580
Book Description
The aspiration to relate the past 'as it really happened' has been the central goal of American professional historians since the late nineteenth century. In this remarkable history of the profession, Peter Novick shows how the idea and ideal of objectivity were elaborated, challenged, modified, and defended over the last century. Drawing on the unpublished correspondence as well as the published writings of hundreds of American historians from J. Franklin Jameson and Charles Beard to Arthur Schlesinger, Jr., and Eugene Genovese, That Noble Dream is a richly textured account of what American historians have thought they were doing, or ought to be doing, when they wrote history - how their principles influenced their practice and practical exigencies influenced their principles.
Author: David Usborne Publisher: ISBN: 9780500515013 Category : Industrial design Languages : en Pages : 0
Book Description
This miscellany of mysterious objects celebrates the beauty of simple, useful things. If you have ever thatched a roof, measured a skull, stuffed a rabbit or walked on a whale, you may well recognize some of these tools. If you haven't, but admire the work of, say, Miró, Duchamp and Cornell, you will appreciate these accidental masterpieces of the everyday. These are the tools of life, some developed according to our basic human needs, some for less obvious ends, still others from vanishing trades, yet all display a beauty and meaning beyond their function. There is something in these objects that will touch the designer, artist, inventor or collector in us all.
Author: Albert Renger-Patzsch Publisher: MIT Press (MA) ISBN: Category : Photography, Artistic Languages : en Pages : 184
Book Description
A rich exposition of Renger-Patzsch's life and work, including many lesser-known photographs, selected writings, and comprehensive bibliography.
Author: Frederick Farrand Publisher: University Press of America ISBN: 0761852867 Category : Law Languages : en Pages : 222
Book Description
Mostly theory. Arguing for an objective theory -- More preliminary discussion of practical applications -- Structural form -- Mostly practical applications. Further issues and applications -- Other further issues and applications.
Author: Stephanie Barron
Author: Stephanie Barron
Author: Sergiusz Michalski
Author: Lorraine Daston
Author: Otto Dix
Author: Lewis Raven Wallace
Author: David T.Z. Mindich
Author: Peter Novick
Author: David Usborne
Author: Albert Renger-Patzsch
Author: Frederick Farrand