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Author: St. Louis Art Museum Publisher: 5Continents ISBN: Category : Art Languages : en Pages : 308
Book Description
Despite the incredible artistry and skill evident in the prolific output of New Ireland artists of the late 19th century, their work is still largely unknown. This compelling exhibition catalogue intends to rectify that by presenting a broad panorama of artistic expressions developed in New Ireland, a Pacific island northeast of Papua New Guinea, and home to one of the most sophisticated sculptural traditions in the Pacific region. The works of art featured are of such a quality that the design and craftsmanship would be undeniable in any context. However, the narrow range of time and place are especially important to our understanding of them. There is less than one hundred years between the oldest and newest works on view, yet they represent an artistic tradition that is at least four hundred years old. The story of how these arts flourished before, and even during, the period when contact with the outside world was resulting in a major dislocation of traditional cultural practices, is the subjec
Author: St. Louis Art Museum Publisher: 5Continents ISBN: Category : Art Languages : en Pages : 308
Book Description
Despite the incredible artistry and skill evident in the prolific output of New Ireland artists of the late 19th century, their work is still largely unknown. This compelling exhibition catalogue intends to rectify that by presenting a broad panorama of artistic expressions developed in New Ireland, a Pacific island northeast of Papua New Guinea, and home to one of the most sophisticated sculptural traditions in the Pacific region. The works of art featured are of such a quality that the design and craftsmanship would be undeniable in any context. However, the narrow range of time and place are especially important to our understanding of them. There is less than one hundred years between the oldest and newest works on view, yet they represent an artistic tradition that is at least four hundred years old. The story of how these arts flourished before, and even during, the period when contact with the outside world was resulting in a major dislocation of traditional cultural practices, is the subjec
Author: George A. Corbin Publisher: Routledge ISBN: 0429973055 Category : Art Languages : en Pages : 648
Book Description
This introduction to the art of tribal peoples of North America, Africa, and the South Pacific does not briefly cover the hundreds of artistic traditions in these three vast areas but rather studies in depth thirty-six art styles within all three areas using the methods of art history, including stylistic analysis and iconographic interpretation. Emphasis is on the art in cultural context and as a system of visual communication within each tribal area. Where appropriate for a more complete understanding of the art, data from archaeology, ethnology, linguistics, religion, and other humanistic disciplines are included.Among the peoples and cultures whose art is studied are the Haida, Kwakiutl, and Tlingit; the Hohokam and Mongollon, the Anasazi and Hopi; the Dogon and Bamana of Mali; the Asante of Ghana; the Benin, Yoruba, and Ibo of Nigeria; the Fan, the Bamum, and the Kuba of Central Africa; Australian aboriginal and Island New Guinea art; Island Melanesia art; central and eastern Polynesia; Hawaii and the Maori in Marginal Polynesia.The format of the text and selected illustrations is based on seventeen years of teaching African, North American Indian, and South Pacific art to undergraduate and graduate students at Herbert H. Lehman College (CUNY), New York University, and Columbia University. The book is intended for art history and anthropology students and the interested lay reader or collector. The detailed notes at the end of the book are for further study, research, and understanding of the tribal art style under discussion.
Author: Susan Cochrane Publisher: Cambridge Scholars Publishing ISBN: 1443871001 Category : Art Languages : en Pages : 354
Book Description
This volume investigates Pacific collections held in Australian museums, art galleries and archives, and the diverse group of 19th and 20th century collectors responsible for their acquisition. The nineteen essays reveal varied personal and institutional motivations that eventually led to the conservation, preservation and exhibition in Australia of a remarkable archive of Pacific Island material objects, art and crafts, photographs and documents. Hunting the Collectors benchmarks the importance of Pacific Collections in Australia and is a timely contribution to the worldwide renaissance of interest in Oceanic arts and cultures. The essays suggest that the custodial role is not fixed and immutable but fluctuates with the perceived importance of the collection, which in turn fluctuates with the level of national interest in the Pacific neighbourhood. This cyclical rise and fall of Australian interest in the Pacific Islands means many of the valuable early collections in state and later national repositories and institutions have been rarely exhibited or published. But, as the authors note, enthusiastic museum anthropologists, curators, collection managers and university-based scholars across Australia, and worldwide, have persisted with research on material collected in the Pacific. This volume is a very important one for anyone studying the art and material culture of the Pacific. It focuses on collections now in Australia. Even those well versed in museum collections from the Pacific will learn about many important but little-known collectors as well as better-known figures like the anthropologists F. E. Williams and Thomas Farrell, the husband of Queen Emma. This will be a treat for students and specialist alike. —Professor Robert L. Welsch, University of Dartmouth
Author: Professor Emerita Art History and Executive Director Emerita Usc Museums Selma Holo Publisher: Oxford University Press ISBN: 0197748945 Category : Art Languages : en Pages : 263
Book Description
"In mid-December, 2018, a man stood before one of the most beloved paintings in Europe, Botticelli's The Birth of Venus, and had a heart attack (Henri Neuendorf,ArtNet News, December 19, 2018 https://news.artnet.com/art-world/heart-attack-botticelli-uffizi-1425448). Venus is that painting you're thinking of, the one with the shapely, wheat-haired woman standing in a seashell, with one hand covering her breasts and the other holding her long, golden locks in front of her groin. Floating above her right shoulder are two winged figures with their arms wrapped around each other, who blow air on her like distant kisses. On her left stands a woman (the Hora of Spring?) who holds what looks like a drape and gazes directly at our goddess, whose face, tilted just so, looks toward the viewer with a gentle yet mature glance, as if she was born knowing all one needs to know of love and seduction. Fortunately, the man whose heart failed while looking back at our all-knowing Venus survived, but he was not the first to collapse while viewing art in Florence, and no doubt he will not be the last. It has happened often enough that there is a medical term for the phenomenon named after the first notable man to succumb, "Stendhal Syndrome." Apparently the French author of On Love, a treatise on romantic passion, reported that he fell ill in 1817 after viewing too much Florentine art (Bamforth 945). Is it any wonder that Botticelli's winged figures hang on to each other so tightly? To be awestruck is to be in imminent danger"--
Author: Matei Candea Publisher: Routledge ISBN: 113599871X Category : Biography & Autobiography Languages : en Pages : 304
Book Description
The social sciences and humanities are now being swept by a Tardean revival, a rediscovery and reappraisal of the work of this truly unique thinker, for whom ‘everything is a society and every science a sociology’. Tarde is being brought forward as the misrecognised forerunner of a post-Durkheimian era. Reclaimed from a century of near-oblivion, his sociology has been linked to Foucaultian microphysics of power, to Deleuze's philosophy of difference, and most recently to the spectrum of approaches related to Actor Network Theory. In this connection, Bruno Latour hailed Tarde’s sociology as "an alternative beginning for an alternative social science". This volume asks what such an alternative social science might look like.
Author: Graeme Were Publisher: University of Hawaii Press ISBN: 0824860489 Category : Social Science Languages : en Pages : 217
Book Description
Building on historical and contemporary literature in anthropology and art theory, Lines That Connect treats pattern as a material form of thought that provokes connections between disparate things through processes of resemblance, memory, and transformation. Pattern is constantly in a state of motion as it traverses spatial and temporal divides and acts as an endless source for innovation through its inherent transformability. Graeme Were argues that it is the ideas carried by pattern’s relational capacity that allows Pacific islanders to express their links to land, genealogy, and resources in the most economic ways. In doing so, his book is a timely and unique contribution to the analysis of pattern and decorative art in the Pacific amid growing debates in anthropology and art history. This striking and original study brings together objects and photographs, historical literature and contemporary ethnographic case studies to explore pattern in its logical workings. It presents the first-ever analysis of the well-known patterned shell valuable called kapkap as revealed in New Ireland mortuary feasts. Innovative research in the study of Christianity and the Baha’i faithful in the region shows how pattern has been appropriated in new religious communities. Were argues that pattern is used in various guises in performances, church architecture, and funerary images to contrasting effect. He explores the conditions under which pattern facilitates a connecting of old and new ideas and how missionary processes are implicated in this flow. He then considers the mechanisms under which pattern is internalized, paying particular attention to its embeddedness in spatial and numerical thinking. Finally, he examines how pattern carries new materials and technologies, which in turn provide new resources for sustaining old beliefs. Drawing on a multitude of fields (anthropology; art history; Pacific, museum, and religious studies; education; ethnomathematics), Lines That Connect raises key questions about the capacity of pattern across the Pacific to bind and sustain ideas about place, body, and genealogy in the most logical of ways.
Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art ISBN: 1588392384 Category : Aboriginal Australians Languages : en Pages : 370
Book Description
Includes detailed chapters devoted to each of the five major cultural regions of the Pacific: Australia, Melanesia, Micronesia, Polynesia, and the islands of Southeast Asia.
Author: St. Louis Art Museum
Author: St. Louis Art Museum
Author: George A. Corbin
Author: Susan Cochrane
Author: Heritage Auction Galleries (Dallas, Tex.)
Author: Michael Gunn
Author: Edwin Swift Balch
Author: Professor Emerita Art History and Executive Director Emerita Usc Museums Selma Holo
Author: Matei Candea
Author: Graeme Were
Author: Metropolitan Museum of Art (New York, N.Y.)