Author: SusanLewis Hammond
Publisher: Routledge
ISBN: 1351568833
Category : Music
Languages : en
Pages : 273
Book Description
Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences. Their role is most evident in the emergence of the anthology as the primary vehicle for the distribution of madrigals outside Italy. As a publication type that depended upon the judicious selection and presentation of material, the anthology showcased editorial work. Anthologies offer a valuable case study for examining the impact of editorial decision-making on the cultivation of particular styles, genres, authors and audiences. The book suggests that music editors defined the appropriation of Italian music through the same processes of adaptation, transformation and domestication evident in the broader reception of Italy north of the Alps. Through these studies, Susan Lewis Hammond's work reassesses the importance of northern Europe in the history of the madrigal and its printing. This book will be the first comprehensive study of editors as a distinct group within the network of printers, publishers, musicians and composers that brought the madrigal to northern audiences. The field of Renaissance music printing has a long and venerable scholarly tradition among musicologists and music bibliographers. This study will contribute to recent efforts to infuse these studies with new approaches to print culture that address histories of reading and listening, patronage, marketing, transmission, reception, and their cultural and political consequences.
Editing Music in Early Modern Germany
Author: SusanLewis Hammond
Publisher: Routledge
ISBN: 1351568833
Category : Music
Languages : en
Pages : 273
Book Description
Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences. Their role is most evident in the emergence of the anthology as the primary vehicle for the distribution of madrigals outside Italy. As a publication type that depended upon the judicious selection and presentation of material, the anthology showcased editorial work. Anthologies offer a valuable case study for examining the impact of editorial decision-making on the cultivation of particular styles, genres, authors and audiences. The book suggests that music editors defined the appropriation of Italian music through the same processes of adaptation, transformation and domestication evident in the broader reception of Italy north of the Alps. Through these studies, Susan Lewis Hammond's work reassesses the importance of northern Europe in the history of the madrigal and its printing. This book will be the first comprehensive study of editors as a distinct group within the network of printers, publishers, musicians and composers that brought the madrigal to northern audiences. The field of Renaissance music printing has a long and venerable scholarly tradition among musicologists and music bibliographers. This study will contribute to recent efforts to infuse these studies with new approaches to print culture that address histories of reading and listening, patronage, marketing, transmission, reception, and their cultural and political consequences.
Publisher: Routledge
ISBN: 1351568833
Category : Music
Languages : en
Pages : 273
Book Description
Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences. Their role is most evident in the emergence of the anthology as the primary vehicle for the distribution of madrigals outside Italy. As a publication type that depended upon the judicious selection and presentation of material, the anthology showcased editorial work. Anthologies offer a valuable case study for examining the impact of editorial decision-making on the cultivation of particular styles, genres, authors and audiences. The book suggests that music editors defined the appropriation of Italian music through the same processes of adaptation, transformation and domestication evident in the broader reception of Italy north of the Alps. Through these studies, Susan Lewis Hammond's work reassesses the importance of northern Europe in the history of the madrigal and its printing. This book will be the first comprehensive study of editors as a distinct group within the network of printers, publishers, musicians and composers that brought the madrigal to northern audiences. The field of Renaissance music printing has a long and venerable scholarly tradition among musicologists and music bibliographers. This study will contribute to recent efforts to infuse these studies with new approaches to print culture that address histories of reading and listening, patronage, marketing, transmission, reception, and their cultural and political consequences.
Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 764
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 764
Book Description
A Catalog of Multi-part Instrumental Music for Wind Instruments Or for Undesignated Instrumentation Before 1600
The History and Literature of the Wind Band and Wind Ensemble: A catalog of multi-part instrumental music for wind instruments or for undesignated instrumentation before 1600
Author: David Whitwell
Publisher:
ISBN:
Category : Band music
Languages : en
Pages : 158
Book Description
Publisher:
ISBN:
Category : Band music
Languages : en
Pages : 158
Book Description
Johann Georg Von Werdenstein (1542-1608)
Author: Richard Charteris
Publisher: Sterling Heights, Mich. : Harmonie Park Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 280
Book Description
Publisher: Sterling Heights, Mich. : Harmonie Park Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 280
Book Description
German Baroque Literature
Author: Yale University. Library. Yale Collection of German Literature
Publisher:
ISBN:
Category : German literature
Languages : en
Pages : 552
Book Description
Publisher:
ISBN:
Category : German literature
Languages : en
Pages : 552
Book Description
Newe Teütsche Liedlein mit Fünff Stimmen, welche gantz lieblich zu singen, vnd auff allerley Jnstrumenten zugebrauchen
The Catalogue of Printed Music in the British Library to 1980
Author: British Library. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440
Book Description
The Center for Research Libraries Catalogue: Monographs
Author: Center for Research Libraries (U.S.)
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 504
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 504
Book Description