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Author: Paula Olmos Publisher: Springer ISBN: 3319568833 Category : Philosophy Languages : en Pages : 237
Book Description
This book presents reflections on the relationship between narratives and argumentative discourse. It focuses on their functional and structural similarities or dissimilarities, and offers diverse perspectives and conceptual tools for analyzing the narratives’ potential power for justification, explanation and persuasion. Divided into two sections, the first Part, under the title “Narratives as Sources of Knowledge and Argument”, includes five chapters addressing rather general, theoretical and characteristically philosophical issues related to the argumentative analysis and understanding of narratives. We may perceive here how scholars in Argumentation Theory have recently approached certain topics that have a close connection with mainstream discussions in epistemology and the cognitive sciences about the justificatory potential of narratives. The second Part, entitled “Argumentative Narratives in Context”, brings us six more chapters that concentrate on either particular functions played by argumentatively-oriented narratives or particular practices that may benefit from the use of special kinds of narratives. Here the focus is either on the detailed analysis of contextualized examples of narratives with argumentative qualities or on the careful understanding of the particular demands of certain well-defined situated activities, as diverse as scientific theorizing or war policing, that may be satisfied by certain uses of narrative discourse.
Author: Paula Olmos Publisher: Springer ISBN: 3319568833 Category : Philosophy Languages : en Pages : 237
Book Description
This book presents reflections on the relationship between narratives and argumentative discourse. It focuses on their functional and structural similarities or dissimilarities, and offers diverse perspectives and conceptual tools for analyzing the narratives’ potential power for justification, explanation and persuasion. Divided into two sections, the first Part, under the title “Narratives as Sources of Knowledge and Argument”, includes five chapters addressing rather general, theoretical and characteristically philosophical issues related to the argumentative analysis and understanding of narratives. We may perceive here how scholars in Argumentation Theory have recently approached certain topics that have a close connection with mainstream discussions in epistemology and the cognitive sciences about the justificatory potential of narratives. The second Part, entitled “Argumentative Narratives in Context”, brings us six more chapters that concentrate on either particular functions played by argumentatively-oriented narratives or particular practices that may benefit from the use of special kinds of narratives. Here the focus is either on the detailed analysis of contextualized examples of narratives with argumentative qualities or on the careful understanding of the particular demands of certain well-defined situated activities, as diverse as scientific theorizing or war policing, that may be satisfied by certain uses of narrative discourse.
Author: Emma Kafalenos Publisher: Ohio State University Press ISBN: 0814210252 Category : Language Arts & Disciplines Languages : en Pages : 264
Book Description
Narrative Causalities offers both an argument and a methodology. The argument is that interpretations of the consequences and causes of events are contextual and that narratives, by determining the context in which events are perceived, shape interpretations. The methodology, on which the argument is based, is a theory of functions. A function, in this theory, is a position in a causal sequence. A set of functions provides a vocabulary to analyze and compare interpretations of the causes and consequences of events-in our world, in narratives about our world, and in fictional narratives.
Author: Khamaiel Aoda Wahib Al Tamimi Publisher: ISBN: Category : Languages : en Pages : 0
Book Description
In this dissertation I attempt to accomplish three goals. The first goal is to develop a narrative account of argumentation. I show that storytelling serves as a legitimate mode of argumentation. I develop an account of narrative argument based on generalized features of narrative and a conception of argument that is rhetorical and in line with Charles Willards notion of argument as an interaction. I identify features of narrative argument that enable narrative to function as an argument and thus to provide reasons for a claim in the context of disagreement. As a result, I synthesize literatures on narrative and argumentation to provide a definition of narrative argument. The second goal of the dissertation is to argue for maintaining the narrative as a process without reconstructing the narrative into the dominant model of argument. In this part of the dissertation, I elaborate on the definition of narrative argument and argue that narrative argument must be understood as a process, and not as a product of argument. While the product view focuses on the form and structure of an argument as being linear, explicit, and containing premises and a conclusion, and treats arguments as things, the process view focuses on the whole act of arguing, thus highlighting the importance of the context of argumentation and the people involved. In support of this thesis, I show that reducing the narrative into premises and a conclusion is problematic because it deprives it of some of its persuasive force. Reducing the narrative into a product removes the real argumentpart of which is implicitfrom its context, its unique situation, and its complex social setting. The third goal of this dissertation is to develop an account of argument evaluation that is suitable for narrative argument understood as a process. I offer an account of how to evaluate narratives using the virtuous audience, combining theories of virtue argumentation and rhetorical audiences. In sum, this dissertation provides a definition of narrative argument, stipulates the conditions of narrative arguments that make them successful, and offers ways of evaluating the narrative while maintaining its form as a process.
Author: Henrique Jales Ribeiro Publisher: Springer ISBN: 3319063340 Category : Language Arts & Disciplines Languages : en Pages : 298
Book Description
The present volume assembles a relevant set of studies of argument by analogy, which address this topic in a systematic fashion, either from an essentially theoretical perspective or from the perspective of it being applied to different fields like politics, linguistics, literature, law, medicine, science in general and philosophy. All result from original research conducted by their authors for this publication. Thus, broadly speaking, this is an exception which we find worthy of occupying a special place in the sphere of the bibliography on the argument by analogy. In effect, most of the contexts of the publications on this topic focus on specific areas, for example everyday discourse, science or law theory, while underestimating or sometimes even ignoring other interdisciplinary scopes, as is the case of literature, medicine or philosophy. The idiosyncrasy of this volume is that the reader and the researcher may follow the development of different theoretical outlooks on argument by analogy, while measuring the scope of its (greater or lesser) application to the aforementioned areas as a whole.
Author: Gregory Currie Publisher: Oxford University Press, USA ISBN: 0199282609 Category : Language Arts & Disciplines Languages : en Pages : 264
Book Description
Gregory Currie offers a reflection on the nature and significance of narrative in human communication. He shows that narratives are devices for manifesting the intentions of their makers in stories, argues that human tendencies to imitation and to joint attention underlie the pleasure of narrative, and discusses authorship, character, and irony.
Author: Eleftheria Thanouli Publisher: Bloomsbury Publishing USA ISBN: 1501340794 Category : Performing Arts Languages : en Pages : 297
Book Description
A Choice Outstanding Academic Title History and Film: A Tale of Two Disciplines addresses the representation of history in cinema, a much-argued debate on the need to understand cinematic history in its own terms and develop a certain vocabulary for discussing historical films, their relation to public history, and their impact on public historical consciousness. Eleftheria Thanouli does this by changing the agenda altogether - combining a macro-level perspective with a micro-level one in order to argue that cinematic history is the dominant form of historiography in the 20th century, as it succeeded in remediating and repurposing the key formal, rhetorical, and ideological practices of 19th-century professional historiography. With case studies ranging from The Thin Red Line and Life is Beautiful, to The Fog of War and The Last Bolshevik, Thanouli bridges the gap between history and film studies and lays the foundations for a new visual historiography.
Author: Walter R. Fisher Publisher: Univ of South Carolina Press ISBN: 1643362429 Category : Language Arts & Disciplines Languages : en Pages : 219
Book Description
This book addresses questions that have concerned rhetoricians, literary theorists, and philosophers since the time of the pre-Socratics and the Sophists: How do people come to believe and to act on the basis of communicative experiences? What is the nature of reason and rationality in these experiences? What is the role of values in human decision making and action? How can reason and values be assessed? In answering these questions, Professor Fisher proposes a reconceptualization of humankind as homo narrans, that all forms of human communication need to be seen as stories—symbolic interpretations of aspects of the world occurring in time and shaped by history, culture, and character; that individuated forms of discourse should be considered "good reasons"—values or value-laden warrants for believing or acting in certain ways; and that a narrative logic that all humans have natural capacities to employ ought to be conceived of as the logic by which human communication is assessed.
Author: Nassim Nicholas Taleb Publisher: Random House Digital, Inc. ISBN: 0812979184 Category : Forecasting Languages : en Pages : 388
Book Description
In the author's point of view, a black swan is an improbable event with three principal characteristics - It is unpredictable; it carries a massive impact; and, after the fact, we concoct an explanation that makes it appear less random, and more predictable, than it was. Why do we not acknowledge the phenomenon of black swans until after they occur? Part of the answer, according to Taleb, is that humans are hardwired to learn specifics when they should be focused on generalities. We concentrate on things we already know and time and time again fail to take into consideration what we don't know. We are, therefore, unable to truly estimate opportunities, too vulnerable to the impulse to simplify, narrate, and categorize, and not open enough to rewarding those who can imagine the 'impossible'.
Author: Paula Olmos
Author: Paula Olmos
Author: Richard Andrews
Author: Emma Kafalenos
Author: Khamaiel Aoda Wahib Al Tamimi
Author: Henrique Jales Ribeiro
Author: Gregory Currie
Author: Eleftheria Thanouli
Author: Walter R. Fisher
Author: Stefan Berger
Author: Nassim Nicholas Taleb