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Author: Nam June Paik Publisher: Guggenheim Museum ISBN: Category : Art Languages : en Pages : 152
Book Description
No artist has had greater influence in imagining and realizing the artistic potential of video and television than Nam June Paik. Through a vast array of installations, videotapes, global television productions, films and performances, he has reshaped our perceptions of the temporal image in contemporary art.
Author: Nam June Paik Publisher: Guggenheim Museum ISBN: Category : Art Languages : en Pages : 152
Book Description
No artist has had greater influence in imagining and realizing the artistic potential of video and television than Nam June Paik. Through a vast array of installations, videotapes, global television productions, films and performances, he has reshaped our perceptions of the temporal image in contemporary art.
Author: Sook-Kyung Lee Publisher: National Geographic Books ISBN: 3791359533 Category : Art Languages : en Pages : 0
Book Description
Explore the ground-breaking work of 20th-century, avant-garde artist Nam June Paik, the pioneer of video art, and discover his impact on the digital age. Nam June Paik was one of the most presciently visionary artists of his generation, one who foresaw the ascendance of the screen in modern life, coined the phrase "electronic superhighway", and celebrated these developments with a humor and whimsy that counteracts some of the darker aspects of our technological age. This book features works from throughout Paik's five-decade career--from robots made from old TV screens to stills from his innovative video works and views of his renowned room-sized installations. Archival materials and excerpts of Paik's own writings offer a deeper understanding of the artist's extraordinary collaborative career. He had exchanges with avant-garde artists, musicians, and choreographers, including Charlotte Moorman, John Cage, Merce Cunningham, Joseph Beuys, and members of the Fluxus movement. Essays explore how Paik influenced a global network of artists and pioneered a radical and cutting-edge art practice. They also consider how Paik's transnational approach to art presaged today's issues around borders, immigration, cultural appropriation, and nationalism. By envisioning a future that has become a reality, Paik's work--and its humanity, scope, and optimism--is perhaps more important than ever. Published with Tate
Author: Melissa Chiu Publisher: ISBN: 9780300209211 Category : Art, Modern Languages : en Pages : 0
Book Description
This new, fully illustrated catalogue on the celebrated progenitor of video art, Nam June Paik (1932-2006), brings together a host of scholars, artists, and Paik's own collaborators to illuminate the work of this innovative artist. An essay by curator Michelle Yun takes readers through Paik's highly original career, providing insight into his radical and witty experiments with technology, especially in relation to the body, which he viewed as vital platforms for the future of art, science, and popular culture. Scholars David Joselit and John Maeda contribute texts examining the artist's interest in new media and popular culture. A roundtable discussion with three of Paik's own artistic collaborators and contemporary artists' statements shed light on the collaborative process and Paik's enduring influence on artistic practice today. Drawing on the newly established Nam June Paik Archive at the Smithsonian American Art Museum, this book also features never-before-published primary sources that highlight Paik's prescient attitude towards the integration of increasingly indispensable technologies into modern life. Distributed for Asia Society Museum Exhibition Schedule: Asia Society Museum (09/05/14-01/04/15)
Author: Jennifer Liese Publisher: ISBN: 9780979757587 Category : Art Languages : en Pages : 530
Book Description
"Since the turn of the millennium, artists have been writing, and circulating their writing, like never before. The seventy-five texts gathered here--essays, criticism, manifestos, fiction, diaries, scripts, blog posts, and tweets--chart a complex era in the art world and the world at large, weighing in on the exigencies of our times in unexpected and inventive ways." -- Publisher's description.
Author: David Joselit Publisher: ISBN: Category : Art Languages : en Pages : 240
Book Description
In a world where politics is conducted through images, the tools of art history can be used to challenge the privatized antidemocratic sphere of American television. American television embodies a paradox: it is a privately owned and operated public communications network that most citizens are unable to participate in except as passive specators. Television creates an image of community while preventing the formation of actual social ties because behind its simulated exchange of opinions lies a highly centralized corporate structure that is profoundly antidemocratic. In Feedback, David Joselit describes the privatized public sphere of television and recounts the tactics developed by artists and media activists in the 1960s and 1970s to break open its closed circuit. The figures whose work Joselit examines--among them Nam June Paik, Dan Graham, Joan Jonas, Abbie Hoffman, Andy Warhol, and Melvin Van Peebles--staged political interventions within television's closed circuit. Joselit identifies three kinds of image-events: feedback, which can be both disabling noise and rational response--as when Abbie Hoffman hijacked television time for the Yippies with flamboyant stunts directed to the media; the image-virus, which proliferates parasitically, invading, transforming, and even blocking systems--as in Nam June Paik's synthesized videotapes and installations; and the avatar, a quasi-fictional form of identity available to anyone, which can function as a political actor--as in Melvin Van Peebles's invention of Sweet Sweetback, an African-American hero who appealed to a broad audience and influenced styles of Black Power activism. These strategies, writes Joselit, remain valuable today in a world where the overlapping information circuits of television and the Internet offer different opportunities for democratic participation. In Feedback, Joselit analyzes such midcentury image-events using the procedures and categories of art history. The trope of figure/ground reversal, for instance, is used to assess acts of representation in a variety of media--including the medium of politics. In a televisual world, Joselit argues, where democracy is conducted through images, art history has the capacity to become a political science.
Author: F. Javier Panera Cuevas Publisher: Pera Müzesi ISBN: 6054642502 Category : Art and music Languages : tr Pages : 63
Book Description
Bu Bir Aşk Şarkısı Değil: Video Sanatı ve Pop Müzik İlişkisi sergi kataloğu, video sanatının pop müzik ile ilişkisini ele alıyor ve aralarındaki etkileşimlere odaklanıyor, 1960’lardan günümüze pop müzik ile video sanatının kesiştiği yolların izini sürüyor. Serginin küratörü F. Javier Panera Cuevas’ın video sanatı ve pop müzik ilişkisini ele alan metni ile Pop İçinde Sanat / Sanat İçinde Pop, Histeri ve Din, Rock ve Kavramsal Sanat: ‘Müzisyen Olmayanlar’ ile ‘Sanatçı Olmayanlar’ Karşı Karşıya, Rock ve İkizi: Bir “Alet Çantası” Olarak Pop Müzik ve Dans Müziği Politikaları başlıklı beş bölümden oluşan sergi kataloğu, sergide yer alan işlerle ilgili detaylı bilgiler içeriyor. Bu Bir Aşk Şarkısı Değil, müzik ile görsel sanatlar arasındaki ilişkinin son dönemde müzisyenler ile sanatçıların kendilerini egemen kültürel sistemin aktörü olarak konumlandırdığı veya o sistemde ardında, Greil Marcus’un deyişiyle, “silindikten sonra hafızamızda derin bir iz bırakan ruj lekesi gibi” geçici ama yoğun izler bırakarak küçük direniş biçimleri benimseyip muhaliflere dönüştüğü başka bir sanat tarihi üzerine düşünmeye teşvik ediyor. ---- This is Not a Love Song: Video Art and Pop Music Crossovers exhibition catalogue traces the genealogy of the relations between video art and pop music from the 1960s to today in which video art and pop music crossed roads. The catalogue features a substantial essay on video art and pop music relationship by curator F. Javier Panera Cuevas. The five chapters in the catalogue Art in Pop, Pop in Art, Hysteria and Religion, ‘Non-Musicians’ vs ‘Non-Artists’ Rock and Conceptual Art, Rock and Its Double: Pop Music as a ‘Toolbox’ and Dance Music Politics present a deeper look into the works in the exhibition. This is Not a Love Song suggests that the relations between music and the visual arts force us to reconsider another history of art, in which musicians and artists can position themselves either as actors in the hegemonic cultural system or as critical radicals whose traces, as Greil Marcus would say, can be as intense and as short-lived 'as a lipstick stain that is removed but leaves a profound imprint on our memory.
Author: Tatiana Bazzichelli Publisher: BoD – Books on Demand ISBN: 8791810086 Category : Computers Languages : en Pages : 338
Book Description
Networking means to create nets of relations, where the publisher and the reader, the artist and the audience, act on the same level. The book is a first tentative reconstruction of the history of artistic networking in Italy, through an analysis of media and art projects which during the past twenty years have given way to a creative, shared and aware use of technologies, from video to computers, contributing to the creation of Italian hacker communities. The Italian network proposes a form of critical information, disseminated through independent and collective projects where the idea of freedom of expression is a central theme. In Italy, thanks to the alternative use of Internet, during the past twenty years a vast national network of people who share political, cultural and artistic views has been formed. The book describes the evolution of the Italian hacktivism and net culture from the 1980s till today. It builds a reflection on the new role of the artist and author who becomes a networker, operating in collective nets, reconnecting to Neoavant-garde practices of the 1960s (first and foremost Fluxus), but also Mail Art, Neoism and Luther Blissett. A path which began in BBSes, alternative web platforms spread in Italy through the 1980s even before the Internet even existed, and then moved on to Hackmeetings, to Telestreet and networking art by different artists such as 0100101110101101.ORG, [epidemiC], Jaromil, Giacomo Verde, Giovanotti Mondani Meccanici, Correnti Magnetiche, Candida TV, Tommaso Tozzi, Federico Bucalossi, Massimo Contrasto, Mariano Equizzi, Pigreca, Molleindustria, Guerriglia Marketing, Sexyshock, Phag Off and many others.
Author: Hosam Mohamed Aboul-Ela Publisher: Northwestern University Press ISBN: 0810137518 Category : Literary Criticism Languages : en Pages : 338
Book Description
Domestications traces a genealogy of American global engagement with the Global South since World War II. Hosam Aboul-Ela reads American writers contrapuntally against intellectuals from the Global South in their common—yet ideologically divergent—concerns with hegemony, world domination, and uneven development. Using Edward Said’s Culture and Imperialism as a model, Aboul-Ela explores the nature of U.S. imperialism’s relationship to literary culture through an exploration of five key terms from the postcolonial bibliography: novel, idea, perspective, gender, and space. Within this framework the book examines juxtapositions including that of Paul Bowles’s Morocco with North African intellectuals’ critique of Orientalism, the global treatment of Vietnamese liberation movements with the American narrative of personal trauma in the novels of Tim O’Brien and Hollywood film, and the war on terror’s philosophical idealism with Korean and post-Arab nationalist materialist archival fiction. Domestications departs from other recent studies of world literature in its emphases not only on U.S. imperialism but also on intellectuals working in the Global South and writing in languages other than English and French. Although rooted in comparative literature, its readings address issues of key concern to scholars in American studies, postcolonial studies, literary theory, and Middle Eastern studies.
Author: Nam June Paik
Author: Nam June Paik
Author: Sook-Kyung Lee
Author: John G. Hanhardt
Author: Melissa Chiu
Author: Nam June Paik
Author: Jennifer Liese
Author: David Joselit
Author: F. Javier Panera Cuevas
Author: Tatiana Bazzichelli
Author: Hosam Mohamed Aboul-Ela