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Author: Lisa Hopkins Publisher: Routledge ISBN: 1317102762 Category : Performing Arts Languages : en Pages : 278
Book Description
Magical Transformations on the Early Modern Stage furthers the debate about the cultural work performed by representations of magic on the early modern English stage. It considers the ways in which performances of magic reflect and feed into a sense of national identity, both in the form of magic contests and in its recurrent linkage to national defence; the extent to which magic can trope other concerns, and what these might be; and how magic is staged and what the representational strategies and techniques might mean. The essays range widely over both canonical plays-Macbeth, The Tempest, The Winter’s Tale, The Merry Wives of Windsor, Doctor Faustus, Bartholomew Fair-and notably less canonical ones such as The Birth of Merlin, Fedele and Fortunio, The Merry Devil of Edmonton, The Devil is an Ass, The Late Lancashire Witches and The Witch of Edmonton, putting the two groups into dialogue with each other and also exploring ways in which they can be profitably related to contemporary cases or accusations of witchcraft. Attending to the representational strategies and self-conscious intertextuality of the plays as well as to their treatment of their subject matter, the essays reveal the plays they discuss as actively intervening in contemporary debates about witchcraft and magic in ways which themselves effect transformation rather than simply discussing it. At the heart of all the essays lies an interest in the transformative power of magic, but collectively they show that the idea of transformation applies not only to the objects or even to the subjects of magic, but that the plays themselves can be seen as working to bring about change in the ways that they challenge contemporary assumptions and stereotypes.
Author: Lisa Hopkins Publisher: Routledge ISBN: 1317102762 Category : Performing Arts Languages : en Pages : 278
Book Description
Magical Transformations on the Early Modern Stage furthers the debate about the cultural work performed by representations of magic on the early modern English stage. It considers the ways in which performances of magic reflect and feed into a sense of national identity, both in the form of magic contests and in its recurrent linkage to national defence; the extent to which magic can trope other concerns, and what these might be; and how magic is staged and what the representational strategies and techniques might mean. The essays range widely over both canonical plays-Macbeth, The Tempest, The Winter’s Tale, The Merry Wives of Windsor, Doctor Faustus, Bartholomew Fair-and notably less canonical ones such as The Birth of Merlin, Fedele and Fortunio, The Merry Devil of Edmonton, The Devil is an Ass, The Late Lancashire Witches and The Witch of Edmonton, putting the two groups into dialogue with each other and also exploring ways in which they can be profitably related to contemporary cases or accusations of witchcraft. Attending to the representational strategies and self-conscious intertextuality of the plays as well as to their treatment of their subject matter, the essays reveal the plays they discuss as actively intervening in contemporary debates about witchcraft and magic in ways which themselves effect transformation rather than simply discussing it. At the heart of all the essays lies an interest in the transformative power of magic, but collectively they show that the idea of transformation applies not only to the objects or even to the subjects of magic, but that the plays themselves can be seen as working to bring about change in the ways that they challenge contemporary assumptions and stereotypes.
Author: T. T. Carter Publisher: BoD – Books on Demand ISBN: 3382140462 Category : Fiction Languages : en Pages : 202
Book Description
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author: Russell Shorto Publisher: Open Road Media ISBN: 1453265910 Category : Psychology Languages : en Pages : 315
Book Description
From the New York Times–bestselling author: “Each chapter . . . offers a window on a different intersection of psychiatry and spirituality” (New Age). In Saints and Madmen, bestselling author Russell Shorto explains how modern science is beginning to reconcile centuries of religious experiences with current psychiatric theories. Psychotic patients sometimes believe they’re developing mystical powers, speaking to animals or conversing with God during their episodes. As one patient said, psychosis can be life’s greatest joy, and also its worst hell. Traditional psychiatry has approached the existence of these occurrences as a treatable medical problem, a case of unbalanced chemicals in the brain. But could it be more? In Saints and Madmen, Shorto writes about the scientists who reject the Freudian view of religious experience as narrow-minded, and shows us how their findings could change how we understand our own minds and spirits.
Author: William H. Galperin Publisher: University of Pennsylvania Press ISBN: 0812202015 Category : Literary Criticism Languages : en Pages : 296
Book Description
Selected by Choice magazine as an Outstanding Academic Title Jane Austen, arguably the most beloved of all English novelists, has been regarded both as a feminist ahead of her time and as a social conservative whose satiric comedies work to regulate rather than to liberate. Such viewpoints, however, do not take sufficient stock of the historical Austen, whose writings, as William Galperin shows, were more properly oppositional rather than either disciplinary or subversive. Reading the history of her novels' reception through other histories—literary, aesthetic, and social—The Historical Austen is a major reassessment of Jane Austen's achievement as well as a corrective to the historical Austen that abides in literary scholarship. In contrast to interpretations that stress the conservative aspects of the realistic tradition that Austen helped to codify, Galperin takes his lead from Austen's contemporaries, who were struck by her detailed attention to the dynamism of everyday life. Noting how the very act of reading demarcates an horizon of possibility at variance with the imperatives of plot and narrative authority, The Historical Austen sees Austen's development as operating in two registers. Although her writings appear to serve the interests of probability in representing "things as they are," they remain, as her contemporaries dubbed them, histories of the present, where reality and the prospect of change are continually intertwined. In a series of readings of the six completed novels, in addition to the epistolary Lady Susan and the uncompleted Sanditon, Galperin offers startling new interpretations of these texts, demonstrating the extraordinary awareness that Austen maintained not only with respect to her narrative practice—notably, free indirect discourse—but also with attention to the novel's function as a social and political instrument.
Author: Richard David Kennedy Publisher: Lulu.com ISBN: 1312727349 Category : Fiction Languages : en Pages : 409
Book Description
The Encuentro isn't just another novel. A fairy tale in novel form- told as a farce, presented like a play, and executed like a movie, it is indeed "novel" in every way. It is very much as advertised: "A Risque Fairy Tale For Contemporary Adults"- very mature adults. It is also Kennedy as his innovated best- "pulling out all the stops," and turning the medium on its head to make a gut-busting spoof that turns out not to be such a "spoof" after all. So, while the subject matter is bawdy, the humor outrageous and the wit nonpareil, it is, to be sure, a deeply profound exposition of the nature and meaning of life at the end of the day. It is, as he has stated, "probably (my) best symphony yet," and destined to be an instant classic. Where else will you find a novel's author portraying himself in his own book as a "movie director?""
Author: Lisa Hopkins
Author: Lisa Hopkins
Author: T. T. Carter
Author: Gerald Birney Smith
Author: W. B. Yeats
Author: Courtney H. Horine
Author: Russell Shorto
Author: William H. Galperin
Author: Elinor Chipp
Author: Herbert Ernest Bates
Author: Richard David Kennedy