My Recollections of African M.E. Ministers PDF Download

Author: Alexander Walker Wayman
Publisher:
ISBN:
Category : African American Methodists
Languages : en
Pages : 290

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Author: Alexander Walker Wayman
Publisher:
ISBN:
Category : African American Methodists
Languages : en
Pages :

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Book Description

Author:
Publisher:
ISBN: 9789333481014
Category : African American Methodists
Languages : en
Pages : 250

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Book Description

Author: Alexander W. Wayman
Publisher:
ISBN:
Category :
Languages : en
Pages : 250

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Author: Donald Yacovone
Publisher: Chicago Review Press
ISBN: 1556525214
Category : History
Languages : en
Pages : 609

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Book Description
Presents a collection of primary documents by African Americans describing their experiences and perspectives of the Civil War.

Author: A. Owens
Publisher: Springer
ISBN: 1137342374
Category : Religion
Languages : en
Pages : 207

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Book Description
This book explores the parameters of the African Methodist Episcopal Church's dual existence as evangelical Christians and as children of Ham, and how the denomination relied on both the rhetoric of evangelicalism and heathenism.

Author: Larry G. Murphy
Publisher: Routledge
ISBN: 1135513384
Category : Religion
Languages : en
Pages : 1005

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Book Description
Preceded by three introductory essays and a chronology of major events in black religious history from 1618 to 1991, this A-Z encyclopedia includes three types of entries: * Biographical sketches of 773 African American religious leaders * 341 entries on African American denominations and religious organizations (including white churches with significant black memberships and educational institutions) * Topical articles on important aspects of African American religious life (e.g., African American Christians during the Colonial Era, Music in the African American Church)

Author: Laurie F. Maffly-Kipp
Publisher: Harvard University Press
ISBN: 9780674050792
Category : History
Languages : en
Pages : 356

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Book Description
As early as the 1780s, African Americans told stories that enabled them to survive and even thrive in the midst of unspeakable assault. Tracing previously unexplored narratives from the late eighteenth century to the 1920s, Laurie Maffly-Kipp brings to light an extraordinary trove of sweeping race histories that African Americans wove together out of racial and religious concerns. Asserting a role in God's plan, black Protestants sought to root their people in both sacred and secular time. A remarkable array of chroniclers—men and women, clergy, journalists, shoemakers, teachers, southerners and northerners—shared a belief that narrating a usable past offered hope, pride, and the promise of a better future. Combining Christian faith, American patriotism, and racial lineage to create a coherent sense of community, they linked past to present, Africa to America, and the Bible to classical literature. From collected shards of memory and emerging intellectual tools, African Americans fashioned stories that helped to restore meaning and purpose to their lives in the face of relentless oppression. In a pioneering work of research and discovery, Maffly-Kipp shows how blacks overcame the accusation that they had no history worth remembering. African American communal histories imagined a rich collective past in order to establish the claim to a rightful and respected place in the American present. Through the transformative power of storytelling, these men and women led their people—and indeed, all Americans—into a more profound understanding of their interconnectedness and their prospects for a common future.

Author: Isaac Shearn
Publisher: Rowman & Littlefield
ISBN: 1538156148
Category : History
Languages : en
Pages : 221

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Book Description
Laurel Cemetery was incorporated in 1852 as a nondenominational cemetery for African Americans of Baltimore, Maryland. It was the final resting place for thousands of Baltimoreans and many prominent members of the community, including religious leaders, educators, political organizers, and civil rights activists. During its existence, the privately owned cemetery changed hands several times, and by the 1930s, the site was overgrown, and garbage strewn from years of improper maintenance and neglect. In the 1950s, legislation was adopted permitting the demolition and sale of the property for commercial purposes. Despite controversy over the new legislation, local opposition to the demolition, numerous lawsuits, and NAACP supported court appeals, the cemetery was demolished in 1958 to make room for the development of a shopping center. Prior to the bulldozing of the cemetery, a few hundred gravestones and an unknown number of burials (fewer than 200) were exhumed and relocated to a new site in Carroll County. Ongoing archival research has thus far documented over 18,000 (projected to be over 40,000) original burials, most of which still remain interred beneath the Belair-Edison Crossing shopping center property, which occupies the footprint of the old cemetery. This book highlights and historicizes underexplored and forgotten people and events associated with the cemetery, stressing the importance of their work in laying the social, economic, and political foundation for Baltimore’s African American community. Additionally, this text details the unsuccessful fight to prevent the cemetery’s destruction and the more recent grassroots formation of the Laurel Cemetery Memorial Project to research and commemorate the site and the people buried there.

Author: Bryan Sinche
Publisher: UNC Press Books
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 275

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Book Description
Publication is an act of power. It brings a piece of writing to the public and identifies its author as a person with an intellect and a voice that matters. Because nineteenth-century Black Americans knew that publication could empower them, and because they faced numerous challenges getting their writing into print or the literary market, many published their own books and pamphlets in order to garner social, political, or economic rewards. In doing so, these authors nurtured a tradition of creativity and critique that has remained largely hidden from view. Bryan Sinche surveys the hidden history of African American self-publication and offers new ways to understand the significance of publication as a creative, reformist, and remunerative project. Full of surprising turns, Sinche's study is not simply a look at genre or a movement; it is a fundamental reassessment of how print culture allowed Black ideas and stories to be disseminated to a wider reading public and enabled authors to retain financial and editorial control over their own narratives.