Musical tradition of Tamil Nadu PDF Download

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ISBN:
Category :
Languages : en
Pages : 0

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Author: T. K. Venkatasubramanian
Publisher: Primus Books
ISBN: 9380607067
Category : History
Languages : en
Pages : 174

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Recent scholarship on the history of music in South Asia has examined the processes by which music as an art form was reinvented for nationalist purposes, yet, the disciplined study of music (and its aesthetics) remains only a few centuries old. Studying music through a historical lens has opened new approaches to interdisciplinary studies. Music as History in Tamilnadu examines how history can be interpreted through aesthetics and music and vice versa. Musicologists focus on the study of musical activity, while ethnomusicologists examine this activity first-hand using the 'field' research methods of cultural anthropology. The historian's task, then, is to interpret the musical past as part of cultural production and thereafter relate music to general historical trends. This collection of essays seeks to establish the interdisciplinarity between music (the Karnatak system) and the history of Tamilnadu, south India.

Author: Mu Aruṇācalam
Publisher:
ISBN:
Category : Carnatic music
Languages : en
Pages : 400

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Author: Zoe C. Sherinian
Publisher: Indiana University Press
ISBN: 025300585X
Category : Music
Languages : en
Pages : 380

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Zoe C. Sherinian shows how Christian Dalits (once known as untouchables or outcastes) in southern India have employed music to protest social oppression and as a vehicle of liberation. Her focus is on the life and theology of a charismatic composer and leader, Reverend J. Theophilus Appavoo, who drew on Tamil folk music to create a distinctive form of indigenized Christian music. Appavoo composed songs and liturgy infused with messages linking Christian theology with critiques of social inequality. Sherinian traces the history of Christian music in India and introduces us to a community of Tamil Dalit Christian villagers, seminary students, activists, and theologians who have been inspired by Appavoo's music to work for social justice. Multimedia components available online include video and audio recordings of musical performances, religious services, and community rituals.

Author: M. Arunachalam
Publisher:
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Category :
Languages : it
Pages : 361

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Author: Geetha Rajagopal
Publisher:
ISBN:
Category : Hindu music
Languages : en
Pages : 324

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The book presents a wealth of information on the music rituals in temples at various places in south India. Following visits to a number of temples and based on interviews with temple artistes, the author shows that the musical traditions of temples differ from temple to temple, particularly from Vaishnavite to Shaivite temples. Beginning with the place of music in the Vedas, the book discusses music itself as a form of worship and the role of temples in promoting it. It focuses on the musical contributions of Nayanmars and Alvars whose hymns are sung today as a daily ritual in many temples, and compares their music. It concentrates on both vocal and instrumental music, dance forms as rituals in temples, and music and singing involved in temple festivals. Many interesting inscriptions and sculptures related to dance and music have also been taken up for discussion. In a fascinating attempt, the author has dealt with unique music traditions in some temples of south India like ragas associated with specific temples only and the tradition of nadasvaram playing in Tiruvarur temple. The volume will enthral scholars of Indology, particularly those involved in study of religious art and music traditions.

Author: Cēlam Es Ceyalaṭcumi
Publisher:
ISBN:
Category : Carnatic music
Languages : en
Pages : 260

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Author: Harry Tekell
Publisher: Richards Education
ISBN:
Category : Music
Languages : en
Pages : 146

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Folk Music Traditions: Stories from Around the World takes readers on a captivating journey through the rich and diverse world of folk music. This comprehensive guide explores the origins, evolution, and cultural significance of folk music across continents, from the ancient melodies of Europe to the vibrant rhythms of Africa and beyond. Each chapter delves into regional traditions, the instruments that define them, and the stories that have been passed down through generations. Discover how folk music has shaped social movements, influenced modern genres, and continues to thrive in the digital age. With detailed insights into the preservation and promotion of folk traditions, this book is an essential resource for music enthusiasts, scholars, and anyone interested in the powerful role of music in human history. Dive into the heart of folk music and uncover the stories behind the songs that connect us all.

Author: Alison Arnold
Publisher: Routledge
ISBN: 1351544381
Category : Music
Languages : en
Pages : 1126

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In this volume, sixty-eight of the world's leading authorities explore and describe the wide range of musics of India, Pakistan, Bangladesh, Sri Lanka, Kashmir, Nepal and Afghanistan. Important information about history, religion, dance, theater, the visual arts and philosophy as well as their relationship to music is highlighted in seventy-six in-depth articles.

Author: William Tallotte
Publisher: Taylor & Francis
ISBN: 1000829251
Category : Music
Languages : en
Pages : 293

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Music and Temple Ritual in South India: Performing for Śiva documents the musical practices of the periya mēḷam, a South Indian instrumental ensemble of professional musicians who perform during the rituals and festivals of high-caste (Brahmanical) Tamil Hindu temples dedicated to the Pan-Indian god Śiva – an important patron of music since at least the tenth century. It explores the ways in which music and ritual are mutually constitutive, illuminating the cultural logics whereby performing and listening are integral to the kinetic, sensory and affective experiences that enable, shape and stimulate ritual communication in present-day devotional Hinduism. More than a rich and vivid ethnographic description of a local tradition, the book also develops a comprehensive and original analytical model, in which music is understood as both a situated and creative activity, and where the fluid relationship between humans and non-humans, in this case divine beings, is truly taken into consideration.