Author: Christi-Anne Castro
Publisher: OUP USA
ISBN: 0199746400
Category : History
Languages : en
Pages : 245
Book Description
A cultural history of the Philippines during the 20th century, this title focuses on the relationships between music, performance, and ideologies of the nation. Christi-Anne Castro reveals how individuals and groups negotiate with and contest the power of the Philippine state to define the nation as a modern and hybrid entity.
Musical Renderings of the Philippine Nation
Author: Christi-Anne Castro
Publisher: OUP USA
ISBN: 0199746400
Category : History
Languages : en
Pages : 245
Book Description
A cultural history of the Philippines during the 20th century, this title focuses on the relationships between music, performance, and ideologies of the nation. Christi-Anne Castro reveals how individuals and groups negotiate with and contest the power of the Philippine state to define the nation as a modern and hybrid entity.
Publisher: OUP USA
ISBN: 0199746400
Category : History
Languages : en
Pages : 245
Book Description
A cultural history of the Philippines during the 20th century, this title focuses on the relationships between music, performance, and ideologies of the nation. Christi-Anne Castro reveals how individuals and groups negotiate with and contest the power of the Philippine state to define the nation as a modern and hybrid entity.
Musical Renderings of the Philippine Nation
Author: Christi-Anne Castro
Publisher: Oxford University Press
ISBN: 0199876843
Category : Music
Languages : en
Pages : 245
Book Description
The first cultural history of the Philippines during the twentieth century, Musical Renderings of the Philippine Nation focuses on the relationships between music, performance, and ideologies of nation. Spanning the hundred years from the Filipino-American War to the 1998 Centennial celebration of the nation's independence from Spain, the book has added emphasis on the period after World War II. Author Christi-Anne Castro describes the narratives of nation embedded in several major musical genres, such as classical music and folkloric song and dance, and enacted by the most well-known performers of the country, including Bayanihan, The Philippine National Dance Company and the Philippine Madrigal Singers. Castro delves into the ideas and works of prominent native composers, from the popular art music of Francisco Santiago and Lucio San Pedro to the People Power anthem of 1986 by Jim Paredes of the group Apo Hiking Society. Through both archival research and ethnographic fieldwork, Castro reveals how individuals and groups negotiate with and contest the power of the state to define the nation as a modern and hybrid entity within a global community.
Publisher: Oxford University Press
ISBN: 0199876843
Category : Music
Languages : en
Pages : 245
Book Description
The first cultural history of the Philippines during the twentieth century, Musical Renderings of the Philippine Nation focuses on the relationships between music, performance, and ideologies of nation. Spanning the hundred years from the Filipino-American War to the 1998 Centennial celebration of the nation's independence from Spain, the book has added emphasis on the period after World War II. Author Christi-Anne Castro describes the narratives of nation embedded in several major musical genres, such as classical music and folkloric song and dance, and enacted by the most well-known performers of the country, including Bayanihan, The Philippine National Dance Company and the Philippine Madrigal Singers. Castro delves into the ideas and works of prominent native composers, from the popular art music of Francisco Santiago and Lucio San Pedro to the People Power anthem of 1986 by Jim Paredes of the group Apo Hiking Society. Through both archival research and ethnographic fieldwork, Castro reveals how individuals and groups negotiate with and contest the power of the state to define the nation as a modern and hybrid entity within a global community.
Theatre and Music in Manila and the Asia Pacific, 1869-1946
Author: meLĂȘ yamomo
Publisher: Springer
ISBN: 3319691767
Category : Performing Arts
Languages : en
Pages : 275
Book Description
This book examines the intersection between sound and modernity in dramatic and musical performance in Manila and the Asia-Pacific between 1869 and 1948. During this period, tolerant political regimes resulted in the globalization of capitalist relations and the improvement of transcontinental travel and worldwide communication. This allowed modern modes of theatre and music consumption to instigate the uniformization of cultural products and processes, while simultaneously fragmenting societies into distinct identities, institutions, and nascent nation-states. Taking the performing bodies of migrant musicians as the locus of sound, this book argues that the global movement of acoustic modernities was replicated and diversified through its multiple subjectivities within empire, nation, and individual agencies. It traces the arrival of European travelling music and theatre companies in Asia which re-casted listening into an act of modern cultural consumption, and follows the migration of Manila musicians as they engaged in the modernization project of the neighboring Asian cities.
Publisher: Springer
ISBN: 3319691767
Category : Performing Arts
Languages : en
Pages : 275
Book Description
This book examines the intersection between sound and modernity in dramatic and musical performance in Manila and the Asia-Pacific between 1869 and 1948. During this period, tolerant political regimes resulted in the globalization of capitalist relations and the improvement of transcontinental travel and worldwide communication. This allowed modern modes of theatre and music consumption to instigate the uniformization of cultural products and processes, while simultaneously fragmenting societies into distinct identities, institutions, and nascent nation-states. Taking the performing bodies of migrant musicians as the locus of sound, this book argues that the global movement of acoustic modernities was replicated and diversified through its multiple subjectivities within empire, nation, and individual agencies. It traces the arrival of European travelling music and theatre companies in Asia which re-casted listening into an act of modern cultural consumption, and follows the migration of Manila musicians as they engaged in the modernization project of the neighboring Asian cities.
The Musical Arts in the New Society
Author: Antonio C. Hila
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 170
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 170
Book Description
Musika Jornal
An Audiovisual Exploration of Philippine Music
Author: Yoshitaka Terada
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 134
Book Description
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 134
Book Description
Philippine Modernities
Author: José Semblante Buenconsejo
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 554
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 554
Book Description
Compendium of the Humanities of the Philippines
Author:
Publisher: National Research
ISBN:
Category : Music
Languages : en
Pages : 228
Book Description
Publisher: National Research
ISBN:
Category : Music
Languages : en
Pages : 228
Book Description
The Cambridge Companion to Music and Romanticism
Author: Benedict Taylor
Publisher: Cambridge University Press
ISBN: 1108475434
Category : History
Languages : en
Pages : 403
Book Description
A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.
Publisher: Cambridge University Press
ISBN: 1108475434
Category : History
Languages : en
Pages : 403
Book Description
A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.
Babaylan Sing Back
Author: Grace Nono
Publisher: Cornell University Press
ISBN: 1501760114
Category : History
Languages : en
Pages : 252
Book Description
Babaylan Sing Back depicts the embodied voices of Native Philippine ritual specialists popularly known as babaylan. These ritual specialists are widely believed to have perished during colonial times, or to survive on the margins in the present-day. They are either persecuted as witches and purveyors of superstition, or valorized as symbols of gender equality and anticolonial resistance. Drawing on fieldwork in the Philippines and in the Philippine diaspora, Grace Nono's deep engagement with the song and speech of a number of living ritual specialists demonstrates Native historical agency in the 500th year anniversary of the contact between the people of the Philippine Islands and the European colonizers.
Publisher: Cornell University Press
ISBN: 1501760114
Category : History
Languages : en
Pages : 252
Book Description
Babaylan Sing Back depicts the embodied voices of Native Philippine ritual specialists popularly known as babaylan. These ritual specialists are widely believed to have perished during colonial times, or to survive on the margins in the present-day. They are either persecuted as witches and purveyors of superstition, or valorized as symbols of gender equality and anticolonial resistance. Drawing on fieldwork in the Philippines and in the Philippine diaspora, Grace Nono's deep engagement with the song and speech of a number of living ritual specialists demonstrates Native historical agency in the 500th year anniversary of the contact between the people of the Philippine Islands and the European colonizers.