Author:
Publisher: Hal Leonard Corporation
ISBN: 9781574671049
Category : Music
Languages : en
Pages : 324
Book Description
(Amadeus). This classic work is perhaps Bernstein's finest collection of conversations on the meaning and wonder of music. This book is a must for all music fans who wish to experience music more fully and deeply through one of the most inspired, and inspiring, music intellects of our time. Employing the creative device of "Imaginary Conversations" in the first section of his book, Bernstein illuminates the importance of the symphony in America, the greatness of Beethoven, and the art of composing. The book also includes a photo section and a third section with the transcripts from his televised Omnibus music series, including "Beethoven's Fifth Symphony," "The World of Jazz," "Introduction to Modern Music," and "What Makes Opera Grand."
The Joy of Music
Author:
Publisher: Hal Leonard Corporation
ISBN: 9781574671049
Category : Music
Languages : en
Pages : 324
Book Description
(Amadeus). This classic work is perhaps Bernstein's finest collection of conversations on the meaning and wonder of music. This book is a must for all music fans who wish to experience music more fully and deeply through one of the most inspired, and inspiring, music intellects of our time. Employing the creative device of "Imaginary Conversations" in the first section of his book, Bernstein illuminates the importance of the symphony in America, the greatness of Beethoven, and the art of composing. The book also includes a photo section and a third section with the transcripts from his televised Omnibus music series, including "Beethoven's Fifth Symphony," "The World of Jazz," "Introduction to Modern Music," and "What Makes Opera Grand."
Publisher: Hal Leonard Corporation
ISBN: 9781574671049
Category : Music
Languages : en
Pages : 324
Book Description
(Amadeus). This classic work is perhaps Bernstein's finest collection of conversations on the meaning and wonder of music. This book is a must for all music fans who wish to experience music more fully and deeply through one of the most inspired, and inspiring, music intellects of our time. Employing the creative device of "Imaginary Conversations" in the first section of his book, Bernstein illuminates the importance of the symphony in America, the greatness of Beethoven, and the art of composing. The book also includes a photo section and a third section with the transcripts from his televised Omnibus music series, including "Beethoven's Fifth Symphony," "The World of Jazz," "Introduction to Modern Music," and "What Makes Opera Grand."
Musical Comedy in America
Author: Cecil A. Smith
Publisher: Routledge
ISBN: 1136556753
Category : Performing Arts
Languages : en
Pages : 404
Book Description
First Published in 1987. This is the second edition with an additional foreword. The purpose of this book—the first to recount the history of the popular musical stage on Broadway and its intersecting streets—is to tell what the various entertainments were like, how they looked and sounded, who was in them, and why they made people laugh or cry. The values employed in the book are changeable and inconsistent. Sometimes an affable smile is bestowed upon a musical comedy, burlesque, or revue that was really very bad. Sometimes a harsh verdict is brought in against an entertainment that received widespread approval and praise.
Publisher: Routledge
ISBN: 1136556753
Category : Performing Arts
Languages : en
Pages : 404
Book Description
First Published in 1987. This is the second edition with an additional foreword. The purpose of this book—the first to recount the history of the popular musical stage on Broadway and its intersecting streets—is to tell what the various entertainments were like, how they looked and sounded, who was in them, and why they made people laugh or cry. The values employed in the book are changeable and inconsistent. Sometimes an affable smile is bestowed upon a musical comedy, burlesque, or revue that was really very bad. Sometimes a harsh verdict is brought in against an entertainment that received widespread approval and praise.
Musical Comedy in America
Author: Cecil Michener Smith
Publisher: Psychology Press
ISBN: 9780878305643
Category : Music
Languages : en
Pages : 404
Book Description
First Published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Psychology Press
ISBN: 9780878305643
Category : Music
Languages : en
Pages : 404
Book Description
First Published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
American Musical Comedy
Author: Gerald Martin Bordman
Publisher: New York : Oxford University Press
ISBN:
Category : Music
Languages : en
Pages : 280
Book Description
A companion volume to American Operetta, this book traces the historical development of that quintessential American art form, the musical comedy. Full of fascinating details and telling insights, it also includes the long-lost text of the 1884 hit Adonis, the first musical comedy to run over 500 performances on Broadway.
Publisher: New York : Oxford University Press
ISBN:
Category : Music
Languages : en
Pages : 280
Book Description
A companion volume to American Operetta, this book traces the historical development of that quintessential American art form, the musical comedy. Full of fascinating details and telling insights, it also includes the long-lost text of the 1884 hit Adonis, the first musical comedy to run over 500 performances on Broadway.
Musical Comedy in America
Celebrated Comedians of Light Opera and Musical Comedy in America
Author: Lewis Clinton Strang
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 346
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 346
Book Description
The World of Musical Comedy
Author: Stanley Green
Publisher: South Brunswick : A. S. Barnes
ISBN:
Category : Literary Criticism
Languages : en
Pages : 614
Book Description
"Acclaimed through three editions for its uniquely informative and entertaining style, this fourth edition of Stanley Green's World of Musical Comedy updates and enlarges the theatrical scope to includ"
Publisher: South Brunswick : A. S. Barnes
ISBN:
Category : Literary Criticism
Languages : en
Pages : 614
Book Description
"Acclaimed through three editions for its uniquely informative and entertaining style, this fourth edition of Stanley Green's World of Musical Comedy updates and enlarges the theatrical scope to includ"
The Development of Musical Comedy in America
Company
Author: Stephen Sondheim
Publisher:
ISBN:
Category : Musicals
Languages : en
Pages : 0
Book Description
This performance, directed by Lonny Price, is a 2011 staged concert performance of the 1971 musical 'Company.'
Publisher:
ISBN:
Category : Musicals
Languages : en
Pages : 0
Book Description
This performance, directed by Lonny Price, is a 2011 staged concert performance of the 1971 musical 'Company.'
Stephen Sondheim and the Reinvention of the American Musical
Author: Robert L. McLaughlin
Publisher: Univ. Press of Mississippi
ISBN: 1496808568
Category : Performing Arts
Languages : en
Pages : 284
Book Description
From West Side Story in 1957 to Road Show in 2008, the musicals of Stephen Sondheim (1930–2021) and his collaborators have challenged the conventions of American musical theater and expanded the possibilities of what musical plays can do, how they work, and what they mean. Sondheim's brilliant array of work, including such musicals as Company, Follies, Sweeney Todd, Sunday in the Park with George, and Into the Woods, established him as the preeminent composer/lyricist of his, if not all, time. Stephen Sondheim and the Reinvention of the American Musical places Sondheim's work in two contexts: the exhaustion of the musical play and the postmodernism that, by the 1960s, deeply influenced all the American arts. Sondheim's musicals are central to the transition from the Rodgers and Hammerstein-style musical that had dominated Broadway stages for twenty years to a new postmodern musical. This new style reclaimed many of the self-aware, performative techniques of the 1930s musical comedy to develop its themes of the breakdown of narrative knowledge and the fragmentation of identity. In his most recent work, Sondheim, who was famously mentored by Oscar Hammerstein II, stretches toward a twenty-first-century musical that seeks to break out of the self-referring web of language. Stephen Sondheim and the Reinvention of the American Musical offers close readings of all of Sondheim's musicals and finds in them critiques of the operation of power, questioning of conventional systems of knowledge, and explorations of contemporary identity.
Publisher: Univ. Press of Mississippi
ISBN: 1496808568
Category : Performing Arts
Languages : en
Pages : 284
Book Description
From West Side Story in 1957 to Road Show in 2008, the musicals of Stephen Sondheim (1930–2021) and his collaborators have challenged the conventions of American musical theater and expanded the possibilities of what musical plays can do, how they work, and what they mean. Sondheim's brilliant array of work, including such musicals as Company, Follies, Sweeney Todd, Sunday in the Park with George, and Into the Woods, established him as the preeminent composer/lyricist of his, if not all, time. Stephen Sondheim and the Reinvention of the American Musical places Sondheim's work in two contexts: the exhaustion of the musical play and the postmodernism that, by the 1960s, deeply influenced all the American arts. Sondheim's musicals are central to the transition from the Rodgers and Hammerstein-style musical that had dominated Broadway stages for twenty years to a new postmodern musical. This new style reclaimed many of the self-aware, performative techniques of the 1930s musical comedy to develop its themes of the breakdown of narrative knowledge and the fragmentation of identity. In his most recent work, Sondheim, who was famously mentored by Oscar Hammerstein II, stretches toward a twenty-first-century musical that seeks to break out of the self-referring web of language. Stephen Sondheim and the Reinvention of the American Musical offers close readings of all of Sondheim's musicals and finds in them critiques of the operation of power, questioning of conventional systems of knowledge, and explorations of contemporary identity.