Author: Katherine Butler (Music tutor)
Publisher: Boydell & Brewer Ltd
ISBN: 1843839814
Category : Biography & Autobiography
Languages : en
Pages : 273
Book Description
Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.
Music in Elizabethan Court Politics
Author: Katherine Butler (Music tutor)
Publisher: Boydell & Brewer Ltd
ISBN: 1843839814
Category : Biography & Autobiography
Languages : en
Pages : 273
Book Description
Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.
Publisher: Boydell & Brewer Ltd
ISBN: 1843839814
Category : Biography & Autobiography
Languages : en
Pages : 273
Book Description
Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.
Music from the Age of Shakespeare
Author: Suzanne Lord
Publisher: Bloomsbury Publishing USA
ISBN: 0313052689
Category : Music
Languages : en
Pages : 264
Book Description
This book introduces every important aspect of the Elizabethan music world. In ten scrupulously researched yet accessible chapters, Lord examines the lives of composers, the evolution of musical instruments, the Elizabethan system of musical notation, and the many textures and traditions of Elizabethan music. Biographical entries introduce the most significant and prolific composers as well as the members of royal society who influenced Elizabethan musical culture. Both familiar and obscure instruments of the era are described with focus on their musical and social contexts. Various types of music are defined and illustrated, along with an explanation of the musical notation used during this era. Chapter bibliographies, glossaries, and an index provide additional tools for both the novice and the experienced student of music and music history. When Elizabeth ascended to the throne in 1558, England was undergoing tremendous upheaval. Power struggles between Protestants and Catholics shaped the English music world as musicians' livelihoods were directly linked to their religious allegiances. Music became a form of strategy within court politics, and secular music evolved through the musical and poetic influences of the Italian Renaissance. Events of the day were told and retold through music, class and social differences were sung with relish, and rituals of love and life were set to story and song. When England defeated the vaunted Spanish Armada in 1588, a victorious nation expressed its jubilance through music.
Publisher: Bloomsbury Publishing USA
ISBN: 0313052689
Category : Music
Languages : en
Pages : 264
Book Description
This book introduces every important aspect of the Elizabethan music world. In ten scrupulously researched yet accessible chapters, Lord examines the lives of composers, the evolution of musical instruments, the Elizabethan system of musical notation, and the many textures and traditions of Elizabethan music. Biographical entries introduce the most significant and prolific composers as well as the members of royal society who influenced Elizabethan musical culture. Both familiar and obscure instruments of the era are described with focus on their musical and social contexts. Various types of music are defined and illustrated, along with an explanation of the musical notation used during this era. Chapter bibliographies, glossaries, and an index provide additional tools for both the novice and the experienced student of music and music history. When Elizabeth ascended to the throne in 1558, England was undergoing tremendous upheaval. Power struggles between Protestants and Catholics shaped the English music world as musicians' livelihoods were directly linked to their religious allegiances. Music became a form of strategy within court politics, and secular music evolved through the musical and poetic influences of the Italian Renaissance. Events of the day were told and retold through music, class and social differences were sung with relish, and rituals of love and life were set to story and song. When England defeated the vaunted Spanish Armada in 1588, a victorious nation expressed its jubilance through music.
Music and Instruments of the Elizabethan Age
Author: Michael Fleming
Publisher: Boydell & Brewer
ISBN: 1783274212
Category : MUSIC
Languages : en
Pages : 326
Book Description
Uses the rare depictions of musical instruments and musical sources found on the Eglantine Table to understand the musical life of the Elizabethan age and its connection to aspects of culture now treated as separate disciplines ofhistorical study.
Publisher: Boydell & Brewer
ISBN: 1783274212
Category : MUSIC
Languages : en
Pages : 326
Book Description
Uses the rare depictions of musical instruments and musical sources found on the Eglantine Table to understand the musical life of the Elizabethan age and its connection to aspects of culture now treated as separate disciplines ofhistorical study.
Walter Ralegh
Author: Alan Gallay
Publisher: Basic Books
ISBN: 1541645782
Category : Biography & Autobiography
Languages : en
Pages : 606
Book Description
From a Bancroft Prize-winning historian, a biography of the famed poet, courtier, and colonizer, showing how he laid the foundations of the English Empire Sir Walter Ralegh was a favorite of Queen Elizabeth. She showered him with estates and political appointments. He envisioned her becoming empress of a universal empire. She gave him the opportunity to lead the way. In Walter Ralegh,Alan Gallay shows that, while Ralegh may be best known for founding the failed Roanoke colony, his historical importance vastly exceeds that enterprise. Inspired by the mystical religious philosophy of hermeticism, Ralegh led English attempts to colonize in North America, South America, and Ireland. He believed that the answer to English fears of national decline resided overseas -- and that colonialism could be achieved without conquest. Gallay reveals how Ralegh launched the English Empire and an era of colonization that shaped Western history for centuries after his death.
Publisher: Basic Books
ISBN: 1541645782
Category : Biography & Autobiography
Languages : en
Pages : 606
Book Description
From a Bancroft Prize-winning historian, a biography of the famed poet, courtier, and colonizer, showing how he laid the foundations of the English Empire Sir Walter Ralegh was a favorite of Queen Elizabeth. She showered him with estates and political appointments. He envisioned her becoming empress of a universal empire. She gave him the opportunity to lead the way. In Walter Ralegh,Alan Gallay shows that, while Ralegh may be best known for founding the failed Roanoke colony, his historical importance vastly exceeds that enterprise. Inspired by the mystical religious philosophy of hermeticism, Ralegh led English attempts to colonize in North America, South America, and Ireland. He believed that the answer to English fears of national decline resided overseas -- and that colonialism could be achieved without conquest. Gallay reveals how Ralegh launched the English Empire and an era of colonization that shaped Western history for centuries after his death.
Prodigality in Early Modern Drama
Author: Ezra Horbury
Publisher: Boydell & Brewer
ISBN: 1843845423
Category : Drama
Languages : en
Pages : 299
Book Description
Examination of the motif of the prodigal son as treated in early modern drama, from Shakespeare to Beaumont and Fletcher.
Publisher: Boydell & Brewer
ISBN: 1843845423
Category : Drama
Languages : en
Pages : 299
Book Description
Examination of the motif of the prodigal son as treated in early modern drama, from Shakespeare to Beaumont and Fletcher.
Henry VIII's Children
Author: Caroline Angus
Publisher: Pen and Sword History
ISBN: 1399095897
Category : Biography & Autobiography
Languages : en
Pages : 258
Book Description
Of the five Tudor monarchs, only one was ever born to rule. While much of King Henry VIII’s reign is centered on his reckless marriage choices, it was the foundations laid by Henry and Queen Katherine of Aragon that shaped the future of the crown. Among the suffering of five lost heirs, the royal couple placed all their hopes in the surviving Princess Mary. Her early life weaves a tale of promise, diplomacy, and pageantry never again seen in King Henry’s life, but a deep-rooted desire for a son, a legacy of his own scattered childhood, pushed Henry VIII to smother Mary’s chance to rule. An affair soon produced an unlikely heir in Henry Fitzroy, and while one child was pure royalty, the other illegitimate, the comparison of their childhoods would show a race to throne closer than many wished to admit. King Henry’s cruelty saw his heirs’ fates pivot as wives came and went, and the birth Princess Elizabeth, saw long-term plans upended for short-term desires. With the death of one heir hidden from view, the birth of Prince Edward finally gave the realm an heir born to rule, but King Henry’s personal desires and paranoia left his heirs facing constant uncertainty for another decade until his death. Behind the narrative of Henry VIII’s wives, wars, reformation and ruthlessness, there were children, living lives of education among people who cared for them, surrounded by items in generous locations which symbolized their place in their father’s heart. They faced excitement, struggles, and isolation which would shape their own reigns. From the heights of a surviving princess destined and decreed to influence Europe, to illegitimate children scattered to the winds of fortune, the childhoods of Henry VIII’s heirs is one of ambition, destiny, heartache, and triumph.
Publisher: Pen and Sword History
ISBN: 1399095897
Category : Biography & Autobiography
Languages : en
Pages : 258
Book Description
Of the five Tudor monarchs, only one was ever born to rule. While much of King Henry VIII’s reign is centered on his reckless marriage choices, it was the foundations laid by Henry and Queen Katherine of Aragon that shaped the future of the crown. Among the suffering of five lost heirs, the royal couple placed all their hopes in the surviving Princess Mary. Her early life weaves a tale of promise, diplomacy, and pageantry never again seen in King Henry’s life, but a deep-rooted desire for a son, a legacy of his own scattered childhood, pushed Henry VIII to smother Mary’s chance to rule. An affair soon produced an unlikely heir in Henry Fitzroy, and while one child was pure royalty, the other illegitimate, the comparison of their childhoods would show a race to throne closer than many wished to admit. King Henry’s cruelty saw his heirs’ fates pivot as wives came and went, and the birth Princess Elizabeth, saw long-term plans upended for short-term desires. With the death of one heir hidden from view, the birth of Prince Edward finally gave the realm an heir born to rule, but King Henry’s personal desires and paranoia left his heirs facing constant uncertainty for another decade until his death. Behind the narrative of Henry VIII’s wives, wars, reformation and ruthlessness, there were children, living lives of education among people who cared for them, surrounded by items in generous locations which symbolized their place in their father’s heart. They faced excitement, struggles, and isolation which would shape their own reigns. From the heights of a surviving princess destined and decreed to influence Europe, to illegitimate children scattered to the winds of fortune, the childhoods of Henry VIII’s heirs is one of ambition, destiny, heartache, and triumph.
Syrene Soundes
Author: Eleanor Chan
Publisher: Oxford University Press
ISBN: 0197748198
Category : Music
Languages : en
Pages : 426
Book Description
False relations remain one of the great enigmas of English Renaissance musical culture. Contemporary theoretical treatises explicitly discouraged their use, and yet these deliberate dissonances are hallmarks of English Renaissance music. Over the centuries they have accumulated a surfeit of subsequent connotations that have obscured how they once functioned, yet they have never been fully critically explored or elucidated in an English context. In Syrene Soundes, author Eleanor Chan excavates beneath strata of accumulated meanings to uncover the way that false relations delighted and confounded their original listeners and performers. The book offers a holistic investigation of the false relations phenomenon, examining the cultural, literary, visual, and material understanding of such dissonances in relation to the broader culture of incongruity, surprise and error, and metaphors of harmony that captured the imagination of the English in the sixteenth and seventeenth centuries. Chan argues that interdisciplinary angles can galvanise understanding of technical musical theoretical tropes like the false relation. She demonstrates that the false relation and its graphic ephemerality can productively be explored through the lens of English Renaissance visual culture and its idiosyncratic representational strategies. By anchoring it within the milieu of the English Reformation, burgeoning aspirations towards empire, and the increasing need for a self-fashioned collective English identity, Chan reveals that the false relation was key to the mythology of an inherited English tradition of music-making. Syrene Soundes concerns itself not just with the notes on the page, but with the way that they influenced the broader culture of the time, both as the performable music they represented, as the idea of music, and as the visual, inky marks they are made of. It provides an accessible introduction to false relations which will be of use to musicologists and non-music specialists alike. Ultimately, Chan argues for the value of integrated interdisciplinary analysis in exploring the musical culture of the English Renaissance and embraces the blurring of musical, visual, material, and literary forms of expression that fed contemporary understanding of music, harmony, and falseness.
Publisher: Oxford University Press
ISBN: 0197748198
Category : Music
Languages : en
Pages : 426
Book Description
False relations remain one of the great enigmas of English Renaissance musical culture. Contemporary theoretical treatises explicitly discouraged their use, and yet these deliberate dissonances are hallmarks of English Renaissance music. Over the centuries they have accumulated a surfeit of subsequent connotations that have obscured how they once functioned, yet they have never been fully critically explored or elucidated in an English context. In Syrene Soundes, author Eleanor Chan excavates beneath strata of accumulated meanings to uncover the way that false relations delighted and confounded their original listeners and performers. The book offers a holistic investigation of the false relations phenomenon, examining the cultural, literary, visual, and material understanding of such dissonances in relation to the broader culture of incongruity, surprise and error, and metaphors of harmony that captured the imagination of the English in the sixteenth and seventeenth centuries. Chan argues that interdisciplinary angles can galvanise understanding of technical musical theoretical tropes like the false relation. She demonstrates that the false relation and its graphic ephemerality can productively be explored through the lens of English Renaissance visual culture and its idiosyncratic representational strategies. By anchoring it within the milieu of the English Reformation, burgeoning aspirations towards empire, and the increasing need for a self-fashioned collective English identity, Chan reveals that the false relation was key to the mythology of an inherited English tradition of music-making. Syrene Soundes concerns itself not just with the notes on the page, but with the way that they influenced the broader culture of the time, both as the performable music they represented, as the idea of music, and as the visual, inky marks they are made of. It provides an accessible introduction to false relations which will be of use to musicologists and non-music specialists alike. Ultimately, Chan argues for the value of integrated interdisciplinary analysis in exploring the musical culture of the English Renaissance and embraces the blurring of musical, visual, material, and literary forms of expression that fed contemporary understanding of music, harmony, and falseness.
The Child in Shakespeare
Author: Charlotte Scott
Publisher: Oxford University Press
ISBN: 0192563777
Category : Drama
Languages : en
Pages : 224
Book Description
This book examines the child on Shakespeare's stage. As a life force, an impassioned plea for justice, a legacy, history, memory or image of love or violence, children are everywhere in Shakespeare's plays. Focusing on Shakespeare's unique interest in the young body, the life stage, and the parental and social dynamic, this book offers the first sustained account of the role and representation of the child in Shakespeare's dramatic imagination. Drawing on a vast range of contemporary texts, including parenting manuals and household and pedagogic texts, as well as books on nursing and maternity, child birth, and child rearing, The Child in Shakespeare explores the contexts in which the idea of the child is mobilised as a body and image on the early modern stage. Understanding the child, not only as a specific life stage, but also as a role and an abstraction of feeling, this book examines why Shakespeare, who showed little interest in writing for children in the playing companies, wrote so powerfully about them on his stage.
Publisher: Oxford University Press
ISBN: 0192563777
Category : Drama
Languages : en
Pages : 224
Book Description
This book examines the child on Shakespeare's stage. As a life force, an impassioned plea for justice, a legacy, history, memory or image of love or violence, children are everywhere in Shakespeare's plays. Focusing on Shakespeare's unique interest in the young body, the life stage, and the parental and social dynamic, this book offers the first sustained account of the role and representation of the child in Shakespeare's dramatic imagination. Drawing on a vast range of contemporary texts, including parenting manuals and household and pedagogic texts, as well as books on nursing and maternity, child birth, and child rearing, The Child in Shakespeare explores the contexts in which the idea of the child is mobilised as a body and image on the early modern stage. Understanding the child, not only as a specific life stage, but also as a role and an abstraction of feeling, this book examines why Shakespeare, who showed little interest in writing for children in the playing companies, wrote so powerfully about them on his stage.
Court Festivals of the European Renaissance
Author: J.R. Mulryne
Publisher: Taylor & Francis
ISBN: 1351947990
Category : Art
Languages : en
Pages : 426
Book Description
19 Ephemeral Ceremonial Architecture in Prague, Vienna and Cracow in the Sixteenth and Early Seventeenth Centuries -- Index of Names
Publisher: Taylor & Francis
ISBN: 1351947990
Category : Art
Languages : en
Pages : 426
Book Description
19 Ephemeral Ceremonial Architecture in Prague, Vienna and Cracow in the Sixteenth and Early Seventeenth Centuries -- Index of Names
Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918
Author: Kirsten Gibson
Publisher: Routledge
ISBN: 1317156420
Category : Music
Languages : en
Pages : 521
Book Description
Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents a range of historical case studies on the sounding worlds of the European past. The chapters in this volume explore ways of thinking about sound historically, and seek to understand how people have understood and negotiated their relationships with the sounding world in Europe from the Middle Ages through to the early twentieth century. They consider, in particular: sound and music in the later Middle Ages; the politics of sound in the early modern period; the history of the body and perception during the Ancien Régime; and the sounds of the city in the nineteenth century and sound and colonial rule at the fin de siècle. The case studies also range in geographical orientation to include considerations not only of Britain and France, the countries most considered in European historical sound studies in English-language scholarship to date, but also Bosnia-Herzegovina, British Colonial India, Germany, Italy and Portugal. Out of this diverse group of case studies emerge significant themes that recur time and again, varying according to time and place: sound, power and identity; sound as a marker of power or violence; and sound, physiology and sensory perception and technologies of sound, consumption and meaning.
Publisher: Routledge
ISBN: 1317156420
Category : Music
Languages : en
Pages : 521
Book Description
Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents a range of historical case studies on the sounding worlds of the European past. The chapters in this volume explore ways of thinking about sound historically, and seek to understand how people have understood and negotiated their relationships with the sounding world in Europe from the Middle Ages through to the early twentieth century. They consider, in particular: sound and music in the later Middle Ages; the politics of sound in the early modern period; the history of the body and perception during the Ancien Régime; and the sounds of the city in the nineteenth century and sound and colonial rule at the fin de siècle. The case studies also range in geographical orientation to include considerations not only of Britain and France, the countries most considered in European historical sound studies in English-language scholarship to date, but also Bosnia-Herzegovina, British Colonial India, Germany, Italy and Portugal. Out of this diverse group of case studies emerge significant themes that recur time and again, varying according to time and place: sound, power and identity; sound as a marker of power or violence; and sound, physiology and sensory perception and technologies of sound, consumption and meaning.