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Author: Elizabeth B. Crist Publisher: Oxford University Press ISBN: 0199888809 Category : History Languages : en Pages : 266
Book Description
In the 1930s, Aaron Copland began to write in an accessible style he described as "imposed simplicity." Works like El Salón México, Billy the Kid, Lincoln Portrait, and Appalachian Spring feature a tuneful idiom that brought the composer unprecedented popular success and came to define an American sound. Yet the cultural substance of that sound--the social and political perspective that might be heard within these familiar pieces--has until now been largely overlooked. While it has long been acknowledged that Copland subscribed to leftwing ideals, Music for the Common Man is the first sustained attempt to understand some of Copland's best-known music in the context of leftwing social, political, and cultural currents of the Great Depression and Second World War. Musicologist Elizabeth Crist argues that Copland's politics never merely accorded with mainstream New Deal liberalism, wartime patriotism, and Communist Party aesthetic policy, but advanced a progressive vision of American society and culture. Copland's music can be heard to accord with the political tenets of progressivism in the 1930s and '40s, including a fundamental sensitivity toward those less fortunate, support of multiethnic pluralism, belief in social democracy, and faith that America's past could be put in service of a better future. Crist explores how his works wrestle with the political complexities and cultural contradictions of the era by investing symbols of America--the West, folk song, patriotism, or the people--with progressive social ideals. Much as been written on the relationship between politics and art in the 1930s and '40s, but very little on concert music of the era. Music for the Common Man offers fresh insights on familiar pieces and the political context in which they emerged.
Author: Elizabeth B. Crist Publisher: Oxford University Press ISBN: 0199888809 Category : History Languages : en Pages : 266
Book Description
In the 1930s, Aaron Copland began to write in an accessible style he described as "imposed simplicity." Works like El Salón México, Billy the Kid, Lincoln Portrait, and Appalachian Spring feature a tuneful idiom that brought the composer unprecedented popular success and came to define an American sound. Yet the cultural substance of that sound--the social and political perspective that might be heard within these familiar pieces--has until now been largely overlooked. While it has long been acknowledged that Copland subscribed to leftwing ideals, Music for the Common Man is the first sustained attempt to understand some of Copland's best-known music in the context of leftwing social, political, and cultural currents of the Great Depression and Second World War. Musicologist Elizabeth Crist argues that Copland's politics never merely accorded with mainstream New Deal liberalism, wartime patriotism, and Communist Party aesthetic policy, but advanced a progressive vision of American society and culture. Copland's music can be heard to accord with the political tenets of progressivism in the 1930s and '40s, including a fundamental sensitivity toward those less fortunate, support of multiethnic pluralism, belief in social democracy, and faith that America's past could be put in service of a better future. Crist explores how his works wrestle with the political complexities and cultural contradictions of the era by investing symbols of America--the West, folk song, patriotism, or the people--with progressive social ideals. Much as been written on the relationship between politics and art in the 1930s and '40s, but very little on concert music of the era. Music for the Common Man offers fresh insights on familiar pieces and the political context in which they emerged.
Author: Merle Haggard Publisher: Hal Leonard Corporation ISBN: 9780634032950 Category : Music Languages : en Pages : 228
Book Description
Merle Haggard is known as "the poet of the common man." His songs are some of the most important and influential in the history of country music, on par with the likes of those by Jimmie Rodgers and Hank Williams. Through a life as tumultuous as his music, scarred by struggles with inner demons, incarceration and addiction - all of which he has brutally and directly confronted through his lyrics - Haggard has emerged with an American songbook that captures the rough side of life with an unblinking eye gazing on the workings of the human heart. This collection comes on the heels of his acclaimed album If I Could Only Fly, his first new studio album in four years, which finds the former wildman coping with aging, taking on familial responsibilities, and learning to appreciate the wonders of home life versus the pitfalls of the highway. Haggard's lyrics demonstrate why this acclaimed member of the Country Music Hall of Fame is a legend who will live forever.
Author: Dr. Verel R. Salmon Publisher: Xlibris Corporation ISBN: 1477106898 Category : Biography & Autobiography Languages : en Pages : 810
Book Description
This is the never before told story of hundreds of Americans who went to war in defense of their beliefs, to seek adventure and to see some of the world beyond their rural Pennsylvania neighborhoods. Developed largely in the words of the soldiers of the 145th Pennsylvania Infantry, Common Men highlights some of the men's lives before the war and then carries the reader through trials and triumphs from enlistment, Jubilant send-off, action from Antietam through Gettysburg and casualty, Democracy and the Union are sustained through the actions of common men, men not always given the best of orders.
Author: Joseph Horowitz Publisher: W. W. Norton & Company ISBN: 0393881253 Category : Music Languages : en Pages : 256
Book Description
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
Author: Maurice Manning Publisher: HarperCollins ISBN: 0547487304 Category : Poetry Languages : en Pages : 113
Book Description
The Common Man, Maurice Manning’s fourth collection, is a series of ballad-like narratives, set down in loose, unrhymed iambic tetrameter, that honors the strange beauty of the Kentucky mountain country he knew as a child, as well as the idiosyncratic adventures and personalities of the oldtimers who were his neighbors, friends, and family. Playing off the book’s title, Manning demonstrates that no one is common or simple. Instead, he creates a detailed, complex, and poignant portrait—by turns serious and hilarious, philosophical and speculative, but ultimately tragic—of a fast-disappearing aspect of American culture. The Common Man’s accessibility and its enthusiastic and sincere charms make it the perfect antidote to the glib ironies that characterize much contemporary American verse. It will also help to strengthen Manning’s reputation as one of his generation’s most important and original voices.
Author: R. K. Laxman Publisher: Penguin India ISBN: 9780143418719 Category : Caricatures and cartoons Languages : en Pages : 200
Book Description
For half a century, the Times of India has thoughtfully provided an antidote to all the bad news brimming on its front pages. It s a sketch, a single box, inked by R.K. Laxman, the country s sharpest cartoonist and political satirist. Each morning, Laxman s frazzled character, known as the Common Man, confronts India s latest heartbreak with a kind of wry resignation. . . . What s common about this character is that like most Indians, he sees his country being forced through endless indignities by its leaders and yet doesn t even whimper in protest.
Author: Sally Bick Publisher: University of Illinois Press ISBN: 025205167X Category : Music Languages : en Pages : 242
Book Description
The Hollywood careers of Aaron Copland and Hanns Eisler brought the composers and their high art sensibility into direct conflict with the premier producer of America's potent mass culture. Drawn by Hollywood's potential to reach—and edify—the public, Copland and Eisler expertly wove sophisticated musical ideas into Hollywood and, each in their own distinctive way, left an indelible mark on movie history. Sally Bick's dual study of Copland and Eisler pairs interpretations of their writings on film composing with a close examination of their first Hollywood projects: Copland's music for Of Mice and Men and Eisler's score for Hangmen Also Die! Bick illuminates the different ways the composers treated a film score as means of expressing their political ideas on society, capitalism, and the human condition. She also delves into Copland's and Eisler's often conflicted attempts to adapt their music to fit Hollywood's commercial demands, an enterprise that took place even as they wrote hostile critiques of the film industry.
Author: Elizabeth B. Crist
Author: Elizabeth B. Crist
Author: Merle Haggard
Author: Howard Pollack
Author: EDWIN. PREVOST
Author: Dr. Verel R. Salmon
Author: Joseph Horowitz
Author: Maurice Manning
Author: R. K. Laxman
Author: Sally Bick
Author: Gabriel Miller