Author: Amanda Eubanks Winkler
Publisher: A-R Editions, Inc.
ISBN: 0895795477
Category : Music
Languages : en
Pages : 130
Book Description
xx + 104 pp.Performance parts available.
Music for Macbeth
Author: Amanda Eubanks Winkler
Publisher: A-R Editions, Inc.
ISBN: 0895795477
Category : Music
Languages : en
Pages : 130
Book Description
xx + 104 pp.Performance parts available.
Publisher: A-R Editions, Inc.
ISBN: 0895795477
Category : Music
Languages : en
Pages : 130
Book Description
xx + 104 pp.Performance parts available.
Music in Shakespeare
Author: Christopher R. Wilson
Publisher: A&C Black
ISBN: 1472557522
Category : Literary Criticism
Languages : en
Pages : 434
Book Description
With an A-Z of over 300 entries, Music in Shakespeare is the most comprehensive study of all the musical terms found in Shakespeare's complete works. It includes a definition of each musical term in its historical and theoretical context, and explores the diverse extent of musical imagery across the full range of Shakespeare's dramatic and poetic work, as well as analysing the usage of instruments and sound effects on the Shakespearean stage. This is a comprehensive reference guide for scholars and students with interests in the thematic and allegorical relevance of music in Shakespeare, and the history of performance. Identifying all musical terms found in the Shakespeare canon, it will also be of use to the growing number of directors and actors concerned with recovering the staging conditions of the early modern theatre.
Publisher: A&C Black
ISBN: 1472557522
Category : Literary Criticism
Languages : en
Pages : 434
Book Description
With an A-Z of over 300 entries, Music in Shakespeare is the most comprehensive study of all the musical terms found in Shakespeare's complete works. It includes a definition of each musical term in its historical and theoretical context, and explores the diverse extent of musical imagery across the full range of Shakespeare's dramatic and poetic work, as well as analysing the usage of instruments and sound effects on the Shakespearean stage. This is a comprehensive reference guide for scholars and students with interests in the thematic and allegorical relevance of music in Shakespeare, and the history of performance. Identifying all musical terms found in the Shakespeare canon, it will also be of use to the growing number of directors and actors concerned with recovering the staging conditions of the early modern theatre.
Macbeth, the Musical Comedy
Author: John Heath
Publisher:
ISBN: 9781886588189
Category :
Languages : en
Pages :
Book Description
WHAT IT IS: This fun and hilarious musical play helps you teach the standards while bringing your classroom to life! Easy-to-do play comes with script, audio CD, and teacher's guide. NO music or drama experience is required¿you don't have to sing or play a note! Go big and perform on stage, keep it simple with a classroom performance, or simply do reader's theater in class. No fancy sets, costumes, or performance spaces are needed, so it's all up to you! Flexible casting for 8-40 students and permission to edit the script and songs make it easy to tailor the play to the needs of your class and community. Your purchase of one copy per teacher includes permission to photocopy the script for students. /// SYNOPSIS: "Macbeth, the Musical Comedy" is a hilariously fractured version of Shakespeare's famous tale. Macbeth, a tad confused, keeps spouting lines from Hamlet (much to the annoyance of the other characters), Lady Macbeth is obsessed with dry-cleaning the castle drapes, and King Duncan boasts that he invented plaid. 35 minutes; grades 6-12+. /// WHAT IT DOES: "Macbeth, the Musical Comedy" is a great complement to your curriculum resources in language arts. And, like all Bad Wolf Press plays, this show can be used to improve reading comprehension, vocabulary, performance and speaking skills, class camaraderie and teamwork, and school engagement and parental involvement¿all while enabling students to be part of a truly fun and creative experience they will never forget!
Publisher:
ISBN: 9781886588189
Category :
Languages : en
Pages :
Book Description
WHAT IT IS: This fun and hilarious musical play helps you teach the standards while bringing your classroom to life! Easy-to-do play comes with script, audio CD, and teacher's guide. NO music or drama experience is required¿you don't have to sing or play a note! Go big and perform on stage, keep it simple with a classroom performance, or simply do reader's theater in class. No fancy sets, costumes, or performance spaces are needed, so it's all up to you! Flexible casting for 8-40 students and permission to edit the script and songs make it easy to tailor the play to the needs of your class and community. Your purchase of one copy per teacher includes permission to photocopy the script for students. /// SYNOPSIS: "Macbeth, the Musical Comedy" is a hilariously fractured version of Shakespeare's famous tale. Macbeth, a tad confused, keeps spouting lines from Hamlet (much to the annoyance of the other characters), Lady Macbeth is obsessed with dry-cleaning the castle drapes, and King Duncan boasts that he invented plaid. 35 minutes; grades 6-12+. /// WHAT IT DOES: "Macbeth, the Musical Comedy" is a great complement to your curriculum resources in language arts. And, like all Bad Wolf Press plays, this show can be used to improve reading comprehension, vocabulary, performance and speaking skills, class camaraderie and teamwork, and school engagement and parental involvement¿all while enabling students to be part of a truly fun and creative experience they will never forget!
Shakespeare, Madness, and Music
Author: Kendra Preston Leonard
Publisher: Scarecrow Press
ISBN: 0810869586
Category : Performing Arts
Languages : en
Pages : 165
Book Description
Shakespeare's three political tragedies_Hamlet, Macbeth, and King Lear_have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and expectation, political unrest, and, ultimately, truth, as excavated by characters so afflicted. Music has long been associated with madness, and was often used as an audible symptom of a victim's disassociation from their surroundings and societal rules, as well as their loss of self-control. In Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations, Kendra Preston Leonard examines the use of music in Hamlet, Macbeth, and King Lear. Whether discussing contemporary source materials, such as songs, verses, or rhymes specified by Shakespeare in his plays, or music composed specifically for a film and original to the director's or composer's interpretations, Leonard shows how the changing social and scholarly attitudes towards the plays, their characters, and the conditions that fall under the general catch-all of 'madness' have led to a wide range of musical accompaniments, signifiers, and incarnations of the afflictions displayed by Shakespeare's characters. Focusing on the most widely distributed and viewed adaptations of these plays for the cinema, each chapter presents the musical treatment of individual Shakespearean characters afflicted with or feigning madness: Hamlet, Ophelia, Lady Macbeth, King Lear, and Edgar. The book offers analysis and interpretation of the music used to underscore, belie, or otherwise inform or invoke the characters' states of mind, providing a fascinating indication of culture and society, as well as the thoughts and ideas of individual directors, composers, and actors. A bibliography, index, and appendix listing Shakespeare's film adaptations help complete this fascinating volume.
Publisher: Scarecrow Press
ISBN: 0810869586
Category : Performing Arts
Languages : en
Pages : 165
Book Description
Shakespeare's three political tragedies_Hamlet, Macbeth, and King Lear_have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and expectation, political unrest, and, ultimately, truth, as excavated by characters so afflicted. Music has long been associated with madness, and was often used as an audible symptom of a victim's disassociation from their surroundings and societal rules, as well as their loss of self-control. In Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations, Kendra Preston Leonard examines the use of music in Hamlet, Macbeth, and King Lear. Whether discussing contemporary source materials, such as songs, verses, or rhymes specified by Shakespeare in his plays, or music composed specifically for a film and original to the director's or composer's interpretations, Leonard shows how the changing social and scholarly attitudes towards the plays, their characters, and the conditions that fall under the general catch-all of 'madness' have led to a wide range of musical accompaniments, signifiers, and incarnations of the afflictions displayed by Shakespeare's characters. Focusing on the most widely distributed and viewed adaptations of these plays for the cinema, each chapter presents the musical treatment of individual Shakespearean characters afflicted with or feigning madness: Hamlet, Ophelia, Lady Macbeth, King Lear, and Edgar. The book offers analysis and interpretation of the music used to underscore, belie, or otherwise inform or invoke the characters' states of mind, providing a fascinating indication of culture and society, as well as the thoughts and ideas of individual directors, composers, and actors. A bibliography, index, and appendix listing Shakespeare's film adaptations help complete this fascinating volume.
Macbeth
Author: William Shakespeare
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
No Marketing Blurb
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
No Marketing Blurb
Weyward Macbeth
Author: S. Newstok
Publisher: Springer
ISBN: 0230102166
Category : Performing Arts
Languages : en
Pages : 281
Book Description
Weyward Macbeth, a volume of entirely new essays, provides innovative, interdisciplinary approaches to the various ways Shakespeare's 'Macbeth' has been adapted and appropriated within the context of American racial constructions. Comprehensive in its scope, this collection addresses the enduringly fraught history of 'Macbeth' in the United States, from its appearance as the first Shakespearean play documented in the American colonies to a proposed Hollywood film version with a black diasporic cast. Over two dozen contributions explore 'Macbeth's' haunting presence in American drama, poetry, film, music, history, politics, acting, and directing — all through the intersections of race and performance.
Publisher: Springer
ISBN: 0230102166
Category : Performing Arts
Languages : en
Pages : 281
Book Description
Weyward Macbeth, a volume of entirely new essays, provides innovative, interdisciplinary approaches to the various ways Shakespeare's 'Macbeth' has been adapted and appropriated within the context of American racial constructions. Comprehensive in its scope, this collection addresses the enduringly fraught history of 'Macbeth' in the United States, from its appearance as the first Shakespearean play documented in the American colonies to a proposed Hollywood film version with a black diasporic cast. Over two dozen contributions explore 'Macbeth's' haunting presence in American drama, poetry, film, music, history, politics, acting, and directing — all through the intersections of race and performance.
Macbeth #killingit
Author: Courtney Carbone
Publisher: Random House Books for Young Readers
ISBN: 0553538802
Category : Juvenile Fiction
Languages : en
Pages : 114
Book Description
"William Shakespeare's tragedy told in the style of texts, tweets, and status posts"--
Publisher: Random House Books for Young Readers
ISBN: 0553538802
Category : Juvenile Fiction
Languages : en
Pages : 114
Book Description
"William Shakespeare's tragedy told in the style of texts, tweets, and status posts"--
Macbeth
Music and Musicians on the London Stage, 1695-1705
Author: Kathryn Lowerre
Publisher: Routledge
ISBN: 1351557629
Category : Music
Languages : en
Pages : 429
Book Description
From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.
Publisher: Routledge
ISBN: 1351557629
Category : Music
Languages : en
Pages : 429
Book Description
From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.
Macbeth
Author: Jo Nesbo
Publisher: Hogarth
ISBN: 0553419064
Category : Fiction
Languages : en
Pages : 524
Book Description
A NEW YORK TIMES NOTABLE BOOK OF 2018 Shakespeare’s dark and tragic play retold in a heart-pounding New York Times bestselling thriller from the author of The Snowman and The Thirst. Set in the 1970s in a run-down, rainy industrial town, Jo Nesbo's Macbeth centers around a police force struggling to shed an incessant drug problem. Duncan, chief of police, is idealistic and visionary, a dream to the townspeople but a nightmare for criminals. The drug trade is ruled by two drug lords, one of whom—a master of manipulation named Hecate—has connections with the highest in power, and plans to use them to get his way. Hecate’s plot hinges on steadily, insidiously manipulating Inspector Macbeth: the head of SWAT and a man already susceptible to violent and paranoid tendencies. What follows is an unputdownable story of love and guilt, political ambition, and greed for more, exploring the darkest corners of human nature, and the aspirations of the criminal mind.
Publisher: Hogarth
ISBN: 0553419064
Category : Fiction
Languages : en
Pages : 524
Book Description
A NEW YORK TIMES NOTABLE BOOK OF 2018 Shakespeare’s dark and tragic play retold in a heart-pounding New York Times bestselling thriller from the author of The Snowman and The Thirst. Set in the 1970s in a run-down, rainy industrial town, Jo Nesbo's Macbeth centers around a police force struggling to shed an incessant drug problem. Duncan, chief of police, is idealistic and visionary, a dream to the townspeople but a nightmare for criminals. The drug trade is ruled by two drug lords, one of whom—a master of manipulation named Hecate—has connections with the highest in power, and plans to use them to get his way. Hecate’s plot hinges on steadily, insidiously manipulating Inspector Macbeth: the head of SWAT and a man already susceptible to violent and paranoid tendencies. What follows is an unputdownable story of love and guilt, political ambition, and greed for more, exploring the darkest corners of human nature, and the aspirations of the criminal mind.