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Author: Steven Brown Publisher: Berghahn Books ISBN: 1845450981 Category : Music Languages : en Pages : 398
Book Description
Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music’s behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music’s diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.
Author: Steven Brown Publisher: Berghahn Books ISBN: 0857457144 Category : Social Science Languages : en Pages : 400
Book Description
Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music’s behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music’s diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.
Author: Steven Brown Publisher: Berghahn Books ISBN: 1845450981 Category : Music Languages : en Pages : 398
Book Description
Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music’s behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music’s diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.
Author: Stéphanie Lüders Publisher: GRIN Verlag ISBN: 3869436018 Category : Music Languages : en Pages : 38
Book Description
Bachelor Thesis from the year 2008 in the subject Musicology - Miscellaneous, grade: 2, University of Graz, language: English, abstract: The article deals with the different kinds of manipulation of background music on the human being. Several studies are discussed about the consequences of background music on decision making, driving, buying, eating at a restaurant, etc. The question about the possibilities of an escape from the influence of music is asked and discussed. At first the functions and mechanisms of background music are elaborated, before the effects on the human being are discussed. Subsequently tests are presented about the various influences of background music in order to achieve control of people. Furthermore the controversies about the famous Mozart- Effect are taken into consideration. It is also interesting to know how background music has an impact on the physical body. To explain this phenomenon the working mechanisms of the brain are illuminated by including the latest findings about brain and music in the last months. This article ends with some concrete suggestions how to overcome being influenced and manipulated by background music.
Author: Karolinska institutet. Institutionen för folkhälsovetenskap. The Division of Psychosocial Factors and Health Publisher: ISBN: Category : Music Languages : en Pages : 35
Author: Lei X. Ouyang Publisher: University of Illinois Press ISBN: 0252053117 Category : Music Languages : en Pages : 202
Book Description
A Choice Outstanding Academic Title for 2022 China's Cultural Revolution (1966-1976) produced propaganda music that still stirs unease and, at times, evokes nostalgia. Lei X. Ouyang uses selections from revolutionary songbooks to untangle the complex interactions between memory, trauma, and generational imprinting among those who survived the period of extremes. Interviews combine with ethnographic fieldwork and surveys to explore both the Cultural Revolution's effect on those who lived through it as children and contemporary remembrance of the music created to serve the Maoist regime. As Ouyang shows, the weaponization of music served an ideological revolution but also revolutionized the senses. She examines essential questions raised by this phenomenon, including: What did the revolutionization look, sound, and feel like? What does it take for individuals and groups to engage with such music? And what is the impact of such an experience over time? Perceptive and provocative, Music as Mao's Weapon is an insightful look at the exploitation and manipulation of the arts under authoritarianism.
Author: Alan D. Taylor Publisher: Cambridge University Press ISBN: 0521810523 Category : Business & Economics Languages : en Pages : 191
Book Description
Honesty in voting, it turns out, is not always the best policy. Indeed, in the early 1970s, Allan Gibbard and Mark Satterthwaite, building on the seminal work of Nobel laureate Kenneth Arrow, proved that with three or more alternatives there is no reasonable voting system that is non-manipulable; voters will always have an opportunity to benefit by submitting a disingenuous ballot. The ensuing decades produced a number of theorems of striking mathematical naturality that dealt with the manipulability of voting systems. This 2005 book presents many of these results from the last quarter of the twentieth century, especially the contributions of economists and philosophers, from a mathematical point of view, with many new proofs. The presentation is almost completely self-contained, and requires no prerequisites except a willingness to follow rigorous mathematical arguments. Mathematics students, as well as mathematicians, political scientists, economists and philosophers will learn why it is impossible to devise a completely unmanipulable voting system.
Author: Daphne Oram Publisher: ISBN: 9781910221112 Category : Electronic music Languages : en Pages : 0
Book Description
Daphne Oram (1925-2003) was one of the central figures in the development of British experimental electronic music. Having declined a place at the Royal College of Music to become a music balancer at the BBC, she went on to become the co-founder and first director of the BBC Radiophonic Workshop. In 1972, she authored her only book, 'An Individual
Author: Steven Brown
Author: Steven Brown
Author: Steven Brown
Author: Stéphanie Lüders
Author: 
Author: Karolinska institutet. Institutionen för folkhälsovetenskap. The Division of Psychosocial Factors and Health
Author: Catherine L. Townsley
Author: Lei X. Ouyang
Author: Alan D. Taylor
Author: James K. Van Fleet
Author: Daphne Oram