Author: Daniel K. L. Chua
Publisher: Oxford University Press
ISBN: 019976932X
Category : Music
Languages : en
Pages : 289
Book Description
Over the last two hundred years, Beethoven's music has been synonymous with modernity's 'absolute' value-freedom. Author Daniel KL Chua explores how Beethoven's music engages with freedom's aspirations and dilemmas, challenging the current image of Beethoven, and suggesting an alterior freedom that can speak ethically to the twenty-first century.
Music and Freedom
Author: Zoï Morrison
Publisher: Random House Australia
ISBN: 1925324222
Category : Fiction
Languages : en
Pages : 354
Book Description
I have no use for forgiveness, not yet. But other ideas like that, kindness, for example, I think that is fundamental. Resurrection; I like that too. And love, of course, love, love, love. Alice Murray learns to play the piano aged three on an orange orchard in rural Australia. Recognising her daughter's gift, her mother sends Alice to boarding school in the bleak north of England, and there Alice stays for the rest of her childhood. Then she's offered a scholarship to the Royal College of Music in London, and on a summer school in Oxford she meets Edward, an economics professor who sweeps her off her feet. Alice soon finds that Edwards is damaged, and she's trapped. She clings to her playing and to her dream of becoming a concert pianist, until disaster strikes. Increasingly isolated as the years unravel, eventually Alice can't find it in herself to carry on. Then she hears a single piano note emerge, repeatedly, from the walls of her house. And then that note turns into music ...
Publisher: Random House Australia
ISBN: 1925324222
Category : Fiction
Languages : en
Pages : 354
Book Description
I have no use for forgiveness, not yet. But other ideas like that, kindness, for example, I think that is fundamental. Resurrection; I like that too. And love, of course, love, love, love. Alice Murray learns to play the piano aged three on an orange orchard in rural Australia. Recognising her daughter's gift, her mother sends Alice to boarding school in the bleak north of England, and there Alice stays for the rest of her childhood. Then she's offered a scholarship to the Royal College of Music in London, and on a summer school in Oxford she meets Edward, an economics professor who sweeps her off her feet. Alice soon finds that Edwards is damaged, and she's trapped. She clings to her playing and to her dream of becoming a concert pianist, until disaster strikes. Increasingly isolated as the years unravel, eventually Alice can't find it in herself to carry on. Then she hears a single piano note emerge, repeatedly, from the walls of her house. And then that note turns into music ...
Freedom and the Arts
Author: Charles Rosen
Publisher: Harvard University Press
ISBN: 0674069897
Category : Music
Languages : en
Pages : 647
Book Description
Is there a moment in history when a work receives its ideal interpretation? Or is negotiation always required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations of music and literature, exists in a delicate balance with fidelity to the identity of the original work. Rosen cautions us to avoid doctrinaire extremes when approaching art of the past. To understand Shakespeare only as an Elizabethan or Jacobean theatergoer would understand him, or to modernize his plays with no sense of what they bring from his age, deforms the work, making it less ambiguous and inherently less interesting. For a work to remain alive, it must change character over time while preserving a valid witness to its earliest state. When twentieth-century scholars transformed Mozart's bland, idealized nineteenth-century image into that of a modern revolutionary expressionist, they paradoxically restored the reputation he had among his eighteenth-century contemporaries. Mozart became once again a complex innovator, challenging to perform and to understand. Drawing on a variety of critical methods, Rosen maintains that listening or reading with intensity-for pleasure-is the one activity indispensable for full appreciation. It allows us to experience multiple possibilities in literature and music, and to avoid recognizing only the revolutionary elements of artistic production. By reviving the sense that works of art have intrinsic merits that bring pleasure, we justify their continuing existence.
Publisher: Harvard University Press
ISBN: 0674069897
Category : Music
Languages : en
Pages : 647
Book Description
Is there a moment in history when a work receives its ideal interpretation? Or is negotiation always required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations of music and literature, exists in a delicate balance with fidelity to the identity of the original work. Rosen cautions us to avoid doctrinaire extremes when approaching art of the past. To understand Shakespeare only as an Elizabethan or Jacobean theatergoer would understand him, or to modernize his plays with no sense of what they bring from his age, deforms the work, making it less ambiguous and inherently less interesting. For a work to remain alive, it must change character over time while preserving a valid witness to its earliest state. When twentieth-century scholars transformed Mozart's bland, idealized nineteenth-century image into that of a modern revolutionary expressionist, they paradoxically restored the reputation he had among his eighteenth-century contemporaries. Mozart became once again a complex innovator, challenging to perform and to understand. Drawing on a variety of critical methods, Rosen maintains that listening or reading with intensity-for pleasure-is the one activity indispensable for full appreciation. It allows us to experience multiple possibilities in literature and music, and to avoid recognizing only the revolutionary elements of artistic production. By reviving the sense that works of art have intrinsic merits that bring pleasure, we justify their continuing existence.
Freedom Music
Author: Jen Wilson
Publisher: University of Wales Press
ISBN: 1786834081
Category : History
Languages : en
Pages : 348
Book Description
The stories within its pages will attract not only social and political historians, but feminists, jazz fans, academics interested in African American cultural interchange, and general readers fascinated by the cast of characters who played and danced to the music, despite warnings from the pulpit that degenerate youth were destined for hell and damnation. Freedom Music will enable readers to learn of an innovative side of Wales previously hidden from history. The music appealed to Wales’ vibrant youth, and those not part of the mainstream culture of chapels, choirs and male voice choirs. This study highlights gender, misogyny and discrimination within jazz music in Wales. This studies focuses on the history of African American music in Wales, Welsh women’s contribution to jazz in Wales. Cultural innovation by women entrepreneurs during and from the First World War.
Publisher: University of Wales Press
ISBN: 1786834081
Category : History
Languages : en
Pages : 348
Book Description
The stories within its pages will attract not only social and political historians, but feminists, jazz fans, academics interested in African American cultural interchange, and general readers fascinated by the cast of characters who played and danced to the music, despite warnings from the pulpit that degenerate youth were destined for hell and damnation. Freedom Music will enable readers to learn of an innovative side of Wales previously hidden from history. The music appealed to Wales’ vibrant youth, and those not part of the mainstream culture of chapels, choirs and male voice choirs. This study highlights gender, misogyny and discrimination within jazz music in Wales. This studies focuses on the history of African American music in Wales, Welsh women’s contribution to jazz in Wales. Cultural innovation by women entrepreneurs during and from the First World War.
Such Freedom, If Only Musical
Author: Peter J Schmelz
Publisher: Oxford University Press
ISBN: 0199711941
Category : Music
Languages : en
Pages : 409
Book Description
Following Stalin's death in 1953, during the period now known as the Thaw, Nikita Khrushchev opened up greater freedoms in cultural and intellectual life. A broad group of intellectuals and artists in Soviet Russia were able to take advantage of this, and in no realm of the arts was this perhaps more true than in music. Students at Soviet conservatories were at last able to use various channels--many of questionable legality--to acquire and hear music that had previously been forbidden, and visiting performers and composers brought young Soviets new sounds and new compositions. In the 1960s, composers such as Andrey Volkonsky, Edison Denisov, Alfred Schnittke, Arvo Pärt, Sofia Gubaidulina, and Valentin Silvestrov experimented with a wide variety of then new and unfamiliar techniques ranging from serialism to aleatory devices, and audiences eager to escape the music of predictable sameness typical to socialist realism were attracted to performances of their new and unfamiliar creations. This "unofficial" music by young Soviet composers inhabited the gray space between legal and illegal. Such Freedom, If Only Musical traces the changing compositional styles and politically charged reception of this music, and brings to life the paradoxical freedoms and sense of resistance or opposition that it suggested to Soviet listeners. Author Peter J. Schmelz draws upon interviews conducted with many of the most important composers and performers of the musical Thaw, and supplements this first-hand testimony with careful archival research and detailed musical analyses. The first book to explore this period in detail, Such Freedom, If Only Musical will appeal to musicologists and theorists interested in post-war arts movements, the Cold War, and Soviet music, as well as historians of Russian culture and society.
Publisher: Oxford University Press
ISBN: 0199711941
Category : Music
Languages : en
Pages : 409
Book Description
Following Stalin's death in 1953, during the period now known as the Thaw, Nikita Khrushchev opened up greater freedoms in cultural and intellectual life. A broad group of intellectuals and artists in Soviet Russia were able to take advantage of this, and in no realm of the arts was this perhaps more true than in music. Students at Soviet conservatories were at last able to use various channels--many of questionable legality--to acquire and hear music that had previously been forbidden, and visiting performers and composers brought young Soviets new sounds and new compositions. In the 1960s, composers such as Andrey Volkonsky, Edison Denisov, Alfred Schnittke, Arvo Pärt, Sofia Gubaidulina, and Valentin Silvestrov experimented with a wide variety of then new and unfamiliar techniques ranging from serialism to aleatory devices, and audiences eager to escape the music of predictable sameness typical to socialist realism were attracted to performances of their new and unfamiliar creations. This "unofficial" music by young Soviet composers inhabited the gray space between legal and illegal. Such Freedom, If Only Musical traces the changing compositional styles and politically charged reception of this music, and brings to life the paradoxical freedoms and sense of resistance or opposition that it suggested to Soviet listeners. Author Peter J. Schmelz draws upon interviews conducted with many of the most important composers and performers of the musical Thaw, and supplements this first-hand testimony with careful archival research and detailed musical analyses. The first book to explore this period in detail, Such Freedom, If Only Musical will appeal to musicologists and theorists interested in post-war arts movements, the Cold War, and Soviet music, as well as historians of Russian culture and society.
Bob Marley
Author: Adrian Boot
Publisher:
ISBN: 9780747518532
Category : Reggae musicians
Languages : en
Pages : 288
Book Description
The legend of Bob Marley continues to grow. Since his death in 1981 he has gained an icon-like stature, especially in the Third World where his status is that of a redeemer-come-rebel hero. A deeply personal, private man, Bob Marley was born in 1945 with a poet's understanding of life, an asset in a land like Jamaica where a kind of magic realism holds sway. Even before he was five years old, Marley's abilities as a reader of palms was revealed. By the time he died at the age of 36, the apocalyptic predictions contained in his song lyrics were beginning to come true.;This book has been written with the cooperation of Marley's family and friends. Placing the musician's life in its context of the extraordinary island of Jamaica, it considers exactly who Bob Marley was, this man who rose from humble beginnings to become one of the most influential figures of the twentieth century. Equally at home with the ghetto gunmen or the rulers of nations, he was aware that his ability and confidence came from only one source: God Almighty, Jah Rastafari.;This book is illustrated throughout with over 500 pictures, many of which have never been seen before. They range from unique, intimate portrai
Publisher:
ISBN: 9780747518532
Category : Reggae musicians
Languages : en
Pages : 288
Book Description
The legend of Bob Marley continues to grow. Since his death in 1981 he has gained an icon-like stature, especially in the Third World where his status is that of a redeemer-come-rebel hero. A deeply personal, private man, Bob Marley was born in 1945 with a poet's understanding of life, an asset in a land like Jamaica where a kind of magic realism holds sway. Even before he was five years old, Marley's abilities as a reader of palms was revealed. By the time he died at the age of 36, the apocalyptic predictions contained in his song lyrics were beginning to come true.;This book has been written with the cooperation of Marley's family and friends. Placing the musician's life in its context of the extraordinary island of Jamaica, it considers exactly who Bob Marley was, this man who rose from humble beginnings to become one of the most influential figures of the twentieth century. Equally at home with the ghetto gunmen or the rulers of nations, he was aware that his ability and confidence came from only one source: God Almighty, Jah Rastafari.;This book is illustrated throughout with over 500 pictures, many of which have never been seen before. They range from unique, intimate portrai
Freedom Songs
Author: Yvette Moore
Publisher: Createspace Independent Publishing Platform
ISBN: 9781543093131
Category : African Americans
Languages : en
Pages : 128
Book Description
Description: One sheet of song lyrics.;Series 2: Race Relations Institute, 1943-1969;Race Relations Institute, 1965.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781543093131
Category : African Americans
Languages : en
Pages : 128
Book Description
Description: One sheet of song lyrics.;Series 2: Race Relations Institute, 1943-1969;Race Relations Institute, 1965.
Beethoven & Freedom
Author: Daniel K. L. Chua
Publisher: Oxford University Press
ISBN: 019976932X
Category : Music
Languages : en
Pages : 289
Book Description
Over the last two hundred years, Beethoven's music has been synonymous with modernity's 'absolute' value-freedom. Author Daniel KL Chua explores how Beethoven's music engages with freedom's aspirations and dilemmas, challenging the current image of Beethoven, and suggesting an alterior freedom that can speak ethically to the twenty-first century.
Publisher: Oxford University Press
ISBN: 019976932X
Category : Music
Languages : en
Pages : 289
Book Description
Over the last two hundred years, Beethoven's music has been synonymous with modernity's 'absolute' value-freedom. Author Daniel KL Chua explores how Beethoven's music engages with freedom's aspirations and dilemmas, challenging the current image of Beethoven, and suggesting an alterior freedom that can speak ethically to the twenty-first century.
The Quest for Voice
Author: Lydia Goehr
Publisher:
ISBN: 9780198166962
Category : Music
Languages : en
Pages : 252
Book Description
Concentrating on the music, politics, and philosophy of Richard Wagner, Lydia Goehr addresses some fundamental questions of German Romanticism: Is all music musical? Is music made less musical by the presence of words? What is musical autonomy? How do composers avoid censorship? How are composers affected by exile? Can music articulate a 'politics for the future'? What is the relation between music and philosophy?
Publisher:
ISBN: 9780198166962
Category : Music
Languages : en
Pages : 252
Book Description
Concentrating on the music, politics, and philosophy of Richard Wagner, Lydia Goehr addresses some fundamental questions of German Romanticism: Is all music musical? Is music made less musical by the presence of words? What is musical autonomy? How do composers avoid censorship? How are composers affected by exile? Can music articulate a 'politics for the future'? What is the relation between music and philosophy?
Musical Worlds
Author: Philip A. Alperson
Publisher: Penn State Press
ISBN: 9780271044750
Category : Music
Languages : en
Pages : 204
Book Description
This volume, reproducing a special issue of The Journal of Aesthetics and Art Criticism on "The Philosophy of Music" (Winter 1994) with a revised introduction and two new articles, is distinguished by its breadth of content, diversity of approaches, and clarity of argument, which should make it useful for classroom teaching. The topics covered include musical representation, the expression of feeling in music, the metaphysics of operatic speech and song, musical understanding, musical composition, feminist music theory, music and politics, music and racial identity, music in non-Western cultures, and the ontological implications of recording technology for rock music. The approaches used are philosophical, historical, social and political, feminist, and ethnomusicological. The book includes discussions of a great many styles and historical periods of music, from ancient Greek music and music theory to instrumental and operatic music in the Western classical tradition, Persian music, music of the Blackfoot Indians, rock and the blues, and the avant-garde compositions and performances of John Cage. The contributors, all eminent scholars in the field, are Philip Alperson, Noël Carroll, Stephen Davies, Claire Detels, John Andrew Fisher, Lydia Goehr, Peter Kivy, Jerrold Levinson, James Manns, Bruno Nettl, Jenefer Robinson, Joel Rudinow, Göran Sörbom, Francis Sparshott, and Kendall Walton.
Publisher: Penn State Press
ISBN: 9780271044750
Category : Music
Languages : en
Pages : 204
Book Description
This volume, reproducing a special issue of The Journal of Aesthetics and Art Criticism on "The Philosophy of Music" (Winter 1994) with a revised introduction and two new articles, is distinguished by its breadth of content, diversity of approaches, and clarity of argument, which should make it useful for classroom teaching. The topics covered include musical representation, the expression of feeling in music, the metaphysics of operatic speech and song, musical understanding, musical composition, feminist music theory, music and politics, music and racial identity, music in non-Western cultures, and the ontological implications of recording technology for rock music. The approaches used are philosophical, historical, social and political, feminist, and ethnomusicological. The book includes discussions of a great many styles and historical periods of music, from ancient Greek music and music theory to instrumental and operatic music in the Western classical tradition, Persian music, music of the Blackfoot Indians, rock and the blues, and the avant-garde compositions and performances of John Cage. The contributors, all eminent scholars in the field, are Philip Alperson, Noël Carroll, Stephen Davies, Claire Detels, John Andrew Fisher, Lydia Goehr, Peter Kivy, Jerrold Levinson, James Manns, Bruno Nettl, Jenefer Robinson, Joel Rudinow, Göran Sörbom, Francis Sparshott, and Kendall Walton.
The Music Forum
Author: William Mitchell
Publisher: Columbia University Press
ISBN: 9780231513692
Category : Music
Languages : en
Pages : 424
Book Description
The Music Forum
Publisher: Columbia University Press
ISBN: 9780231513692
Category : Music
Languages : en
Pages : 424
Book Description
The Music Forum