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Author: Ella Shohat Publisher: Rutgers University Press ISBN: 9780813532356 Category : Performing Arts Languages : en Pages : 356
Book Description
Reflecting academic interests in nation, race, gender, sexuality and other axes of identity, this text gathers these concerns under the same umbrella, contending that these issues must be discussed in relation to each other because communities, societiesand nations do not exist autonomously.
Author: Ella Shohat Publisher: Rutgers University Press ISBN: 9780813532356 Category : Performing Arts Languages : en Pages : 356
Book Description
Reflecting academic interests in nation, race, gender, sexuality and other axes of identity, this text gathers these concerns under the same umbrella, contending that these issues must be discussed in relation to each other because communities, societiesand nations do not exist autonomously.
Author: Ella Shohat Publisher: Routledge ISBN: 1136121889 Category : Social Science Languages : en Pages : 426
Book Description
This excellent book corrects eurocentric criticism from media studies in the past by examining Hollywood movie genres such as the western and the musical from a multicultural perspective.
Author: Ella Shohat Publisher: Routledge ISBN: 131767541X Category : Social Science Languages : en Pages : 508
Book Description
Unthinking Eurocentrism, a seminal and award-winning work in postcolonial studies first published in 1994, explored Eurocentrism as an interlocking network of buried premises, embedded narratives, and submerged tropes that constituted a broadly shared epistemology. Within a transdisciplinary study, the authors argued that the debates about Eurocentrism and post/coloniality must be considered within a broad historical sweep that goes at least as far back as the various 1492s – the Inquisition, the Expulsion of Jews and Muslims, the Conquest of the Americas, and the Transatlantic slave trade – a process which culminates in the post-War attempts to radically decolonize global culture. Ranging over multiple geographies, the book deprovincialized media/cultural studies through a "polycentric" approach, while analysing in depth such issues as postcolonial hybridity, antinomies of Enlightenment, the tropes of empire, gender and rescue fantasies, the racial politics of casting, and the limitations of "positive image" analysis. The substantial new afterword in this 20th anniversary new edition brings these issues into the present by charting recent transformations of the intellectual debates, as terms such as the "transnational," the "commons," "indigeneity," and the "Red Atlantic" have come to the fore. The afterword also explores some cinematic trends such as "indigenous media" and "postcolonial adaptations" that have gained strength over the past two decades, along with others, such as Nollywood, that have emerged with startling force. Winner of the Katherine Kovacs Singer Best Film Book Award, the book has been translated in full or in its entirety into diverse languages from Spanish to Farsi. This expanded edition of a ground-breaking text proposes analytical grids relevant to a wide variety of fields including postcolonial studies, literary studies, anthropology, media studies, cultural studies, and critical race studies.
Author: Ella Shohat Publisher: ISBN: Category : Minorities in motion pictures Languages : en Pages : 0
Book Description
Reflecting academic interests in nation, race, gender, sexuality and other axes of identity, this text gathers these concerns under the same umbrella, contending that these issues must be discussed in relation to each other because communities, societiesand nations do not exist autonomously.
Author: Nataša Durovicová Publisher: Routledge ISBN: 1135869987 Category : History Languages : en Pages : 385
Book Description
SCMS Award Winner "Best Edited Collection" The standard analytical category of "national cinema" has increasingly been called into question by the category of the "transnational." This anthology examines the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation-states. The three sections of World Cinemas, Transnational Perspectives cover the geopolitical imaginary, transnational cinematic institutions, and the uneven flow of words and images.
Author: Dina Iordanova Publisher: Wayne State University Press ISBN: 9780814333884 Category : Performing Arts Languages : en Pages : 282
Book Description
Highlights the industries, markets, identities, and histories that distinguish cinema beyond the traditional hubs of mainstream Western cinema. From Iceland to Iran, from Singapore to Scotland, a growing intellectual and cultural wave of production is taking cinema beyond the borders of its place of origin--exploring faraway places, interacting with barely known peoples, and making new localities imaginable. In these films, previously entrenched spatial divisions no longer function as firmly fixed grid coordinates, the hierarchical position of place as "center" is subverted, and new forms of representation become possible. In Cinema at the Periphery, editors Dina Iordanova, David Martin-Jones, and Belén Vidal assemble criticism that explores issues of the periphery, including questions of transnationality, place, space, passage, and migration. Cinema at the Periphery examines the periphery in terms of locations, practices, methods, and themes. It includes geographic case studies of small national cinemas located at the global margins, like New Zealand and Scotland, but also of filmmaking that comes from peripheral cultures, like Palestinian "stateless" cinema, Australian Aboriginal films, and cinema from Quebec. Therefore, the volume is divided into two key areas: industries and markets on the one hand, and identities and histories on the other. Yet as a whole, the contributors illustrate that the concept of "periphery" is not fixed but is always changing according to patterns of industry, ideology, and taste. Cinema at the Periphery highlights the inextricable interrelationship that exists between production modes and circulation channels and the emerging narratives of histories and identities they enable. In the present era of globalization, this timely examination of the periphery will interest teachers and students of film and media studies.
Author: Sabine Broeck Publisher: Campus Verlag ISBN: 3593425378 Category : History Languages : en Pages : 401
Book Description
Wie gelingt es, die noch heute anhaltenden Folgen von Kolonisierung und Versklavung theoretisch und methodisch umfassend zu begreifen? Der Band unternimmt eine Bestandsaufnahme von Positionen der Postkolonialen, Dekolonialen und der Black Studies. Dabei werden zum einen die unterschiedlichen epistemischen Voraussetzungen, methodischen Zugänge und historischen wie disziplinären Entwicklungen nachgezeichnet. Zum anderen zeigen sich die konzeptionellen Überschneidungen der unterschiedlichen sozial- und geisteswissenschaftlichen Positionen.
Author: Kai Merten Publisher: transcript Verlag ISBN: 3839432944 Category : Social Science Languages : en Pages : 263
Book Description
The book brings together experts from Media and Communication Studies with Postcolonial Studies scholars to illustrate how the two fields may challenge and enrich each other. Its essays introduce readers to selected topics including »Media Convergence«, »Transcultural Subjectivity«, »Hegemony«, »Piracy« and »Media History and Colonialism«. Drawing on examples from film, literature, music, TV and the internet, the contributors investigate the transnational dimensions in today's media, engage with local and global media politics and discuss media outlets as economic agents, thus illustrating mechanisms of power in postcolonial and neo-colonial mediascapes.
Author: Ella Shohat
Author: Ella Shohat
Author: Ella Shohat
Author: Robert Stam
Author: Ella Shohat
Author: Ella Shohat
Author: Nataša Durovicová
Author: Dina Iordanova
Author: Gautam Basu Thakur
Author: Sabine Broeck
Author: Kai Merten