Author: Ryan B. Case
Publisher: McFarland
ISBN: 1476650551
Category : Music
Languages : en
Pages : 257
Book Description
Three men's lives, told through the story of one song. Jerry Jeff Walker, the singer and writer behind the classic hit "Mr. Bojangles," never would have expected that his song, inspired by an experience in a New Orleans jail cell, would make Richard Nixon cry, or that it would be covered by Sammy Davis, Jr., the entertainment giant and, controversially, a supporter of Nixon. This work, told through the perspective of writer, performer and listener, traces these three men's overlapping journeys through the American consciousness. Chapters discuss the history of Walker's song, Davis's rise from rags to riches, Nixon's journey from grocer's son to president, and more.
Mr. Bojangles, Dance
Author: Ryan B. Case
Publisher: McFarland
ISBN: 1476650551
Category : Music
Languages : en
Pages : 257
Book Description
Three men's lives, told through the story of one song. Jerry Jeff Walker, the singer and writer behind the classic hit "Mr. Bojangles," never would have expected that his song, inspired by an experience in a New Orleans jail cell, would make Richard Nixon cry, or that it would be covered by Sammy Davis, Jr., the entertainment giant and, controversially, a supporter of Nixon. This work, told through the perspective of writer, performer and listener, traces these three men's overlapping journeys through the American consciousness. Chapters discuss the history of Walker's song, Davis's rise from rags to riches, Nixon's journey from grocer's son to president, and more.
Publisher: McFarland
ISBN: 1476650551
Category : Music
Languages : en
Pages : 257
Book Description
Three men's lives, told through the story of one song. Jerry Jeff Walker, the singer and writer behind the classic hit "Mr. Bojangles," never would have expected that his song, inspired by an experience in a New Orleans jail cell, would make Richard Nixon cry, or that it would be covered by Sammy Davis, Jr., the entertainment giant and, controversially, a supporter of Nixon. This work, told through the perspective of writer, performer and listener, traces these three men's overlapping journeys through the American consciousness. Chapters discuss the history of Walker's song, Davis's rise from rags to riches, Nixon's journey from grocer's son to president, and more.
Rap a Tap Tap
Author: Leo Dillon
Publisher: Scholastic Inc.
ISBN: 9780590478830
Category : Juvenile Nonfiction
Languages : en
Pages : 56
Book Description
In illustrations and rhyme describes the dancing of Bill "Bojangles" Robinson, one of the most famous tap dancers of all time. A brief Afterword outlines his career.
Publisher: Scholastic Inc.
ISBN: 9780590478830
Category : Juvenile Nonfiction
Languages : en
Pages : 56
Book Description
In illustrations and rhyme describes the dancing of Bill "Bojangles" Robinson, one of the most famous tap dancers of all time. A brief Afterword outlines his career.
Mr. Bojangles
Author: James Haskins
Publisher:
ISBN: 9780615909240
Category :
Languages : en
Pages : 338
Book Description
Over sixty years after his death, Bill "Bojangles" Robinson is still the most famous tap dancer who ever lived. Robinson was the first black single dancer to star in white vaudeville circuits and he was a headliner for nearly thirty years. He got top billing at the Palace in New York, and he played command performances for kings and presidents. This first full-length biography reveals the charmer, gambler, brawler, athlete, and consummate entertainer behind the crusade for actors' rights, who pushed past the color barrier in the first half of the twentieth century. Haskins and Mitgang, with access to many of the people who knew Bojangles best, and to his scrapbooks and personal papers, have created a vivid portrait of the man behind the myth, from his birth in Richmond, Virginia, to his death and the star-studded funeral where he was eulogized by Rev. Adam Clayton Powell, Jr., and Ed Sullivan. When people talk about famous American freedom fighters they talk about Rosa Parks, a brave woman who took a seat in the front of a bus and broke it down. They talk about Rev. Dr. Martin Luther King, Jr. They talk about Jackie Robinson. They talk about many others who sacrificed to achieve equality and justice. The person they don't talk about is the man who helped to break down vaudeville, Broadway, the recording industry, radio, television, and Hollywood. They don't talk about the man who broke down Miami and was responsible for its first integrated audience. They don't talk about the man who was responsible for the hiring of the first African-American on the Dallas police force. They don't talk about the man who went to F.D.R. during World War II for changes for African-American soldiers who were risking their lives for their country. They don't talk about the freedom fighter, Bill "Bojangles" Robinson, who happened to be the world's greatest tap dancer of his day. Rev. Adam Clayton Powell, Jr., one of Harlem's greatest leaders and freedom fighters, and Pastor of the Abyssinian Baptist Church in Harlem, helped to answer that question when he eulogized "Bojangles" in 1949. Rev. Powell said: Born within the shadow of slavery and dying at the middle of the twentieth century, the most glorious century of mankind, Bill Robinson was a legend. He was a legend because he was ageless and raceless. Bill wasn't a credit to his race, meaning the Negro race. Bill was a credit to the human race. No Protestant ever appeared at more benefits for Catholics than Bill Robinson. No gentile ever appeared at more benefits for Jews than Bill Robinson. He was raceless. He was not a great Negro dancer. He was the world's greatest dancer. In some way the legend got around that Bill Robinson was an 'Uncle Tom.' Oh, no! You didn't know Bill if you heard of that story! So, let's ask the question again. Why don't people think of Bill Robinson as an American hero and front-line freedom fighter? They one word answer is simple - racism. Not the racism of white against black, but the racism of black against black. The people he fought for the most turned their backs on Bill Robinson and let the cancer of racism enter his legacy. "Bojangles " was the Mayor of Harlem and a founding member of the Rainbow Coalition long before the term was coined. Bill Robinson fought for respect with every weapon he had - his charming smile, his humor, his dancing feet, his fists, or his gold plated pearl handled gun given to him by the New York City Police Department. During a time when too few African-American voices shouted for justice, Bill Robinson's whispers were heard by presidents, governors, kings, queens, and countless others. Bill "Bojangles" Robinson was a man who fought dignity for himself, and others. Bill "Bojangles" Robinson stood up to fight for what was right from the onset of his sixty-year career. He demanded justice and equality as a performer, and as a man. He stood up then, and never sat down.
Publisher:
ISBN: 9780615909240
Category :
Languages : en
Pages : 338
Book Description
Over sixty years after his death, Bill "Bojangles" Robinson is still the most famous tap dancer who ever lived. Robinson was the first black single dancer to star in white vaudeville circuits and he was a headliner for nearly thirty years. He got top billing at the Palace in New York, and he played command performances for kings and presidents. This first full-length biography reveals the charmer, gambler, brawler, athlete, and consummate entertainer behind the crusade for actors' rights, who pushed past the color barrier in the first half of the twentieth century. Haskins and Mitgang, with access to many of the people who knew Bojangles best, and to his scrapbooks and personal papers, have created a vivid portrait of the man behind the myth, from his birth in Richmond, Virginia, to his death and the star-studded funeral where he was eulogized by Rev. Adam Clayton Powell, Jr., and Ed Sullivan. When people talk about famous American freedom fighters they talk about Rosa Parks, a brave woman who took a seat in the front of a bus and broke it down. They talk about Rev. Dr. Martin Luther King, Jr. They talk about Jackie Robinson. They talk about many others who sacrificed to achieve equality and justice. The person they don't talk about is the man who helped to break down vaudeville, Broadway, the recording industry, radio, television, and Hollywood. They don't talk about the man who broke down Miami and was responsible for its first integrated audience. They don't talk about the man who was responsible for the hiring of the first African-American on the Dallas police force. They don't talk about the man who went to F.D.R. during World War II for changes for African-American soldiers who were risking their lives for their country. They don't talk about the freedom fighter, Bill "Bojangles" Robinson, who happened to be the world's greatest tap dancer of his day. Rev. Adam Clayton Powell, Jr., one of Harlem's greatest leaders and freedom fighters, and Pastor of the Abyssinian Baptist Church in Harlem, helped to answer that question when he eulogized "Bojangles" in 1949. Rev. Powell said: Born within the shadow of slavery and dying at the middle of the twentieth century, the most glorious century of mankind, Bill Robinson was a legend. He was a legend because he was ageless and raceless. Bill wasn't a credit to his race, meaning the Negro race. Bill was a credit to the human race. No Protestant ever appeared at more benefits for Catholics than Bill Robinson. No gentile ever appeared at more benefits for Jews than Bill Robinson. He was raceless. He was not a great Negro dancer. He was the world's greatest dancer. In some way the legend got around that Bill Robinson was an 'Uncle Tom.' Oh, no! You didn't know Bill if you heard of that story! So, let's ask the question again. Why don't people think of Bill Robinson as an American hero and front-line freedom fighter? They one word answer is simple - racism. Not the racism of white against black, but the racism of black against black. The people he fought for the most turned their backs on Bill Robinson and let the cancer of racism enter his legacy. "Bojangles " was the Mayor of Harlem and a founding member of the Rainbow Coalition long before the term was coined. Bill Robinson fought for respect with every weapon he had - his charming smile, his humor, his dancing feet, his fists, or his gold plated pearl handled gun given to him by the New York City Police Department. During a time when too few African-American voices shouted for justice, Bill Robinson's whispers were heard by presidents, governors, kings, queens, and countless others. Bill "Bojangles" Robinson was a man who fought dignity for himself, and others. Bill "Bojangles" Robinson stood up to fight for what was right from the onset of his sixty-year career. He demanded justice and equality as a performer, and as a man. He stood up then, and never sat down.
Waiting for Bojangles
Author: Olivier Bourdeaut
Publisher: Simon & Schuster
ISBN: 1501145916
Category : Fiction
Languages : en
Pages : 176
Book Description
An “oddball fairy tale” (The New York Times)—shortlisted for one of France’s highest literary prizes—a dark, funny, and wholly charming novel about a young boy and his eccentric family, who grapple with the realities of mental illness in unique and whimsical ways. A young boy lives with his madcap parents, Louise and George, and an exotic bird in a Parisian apartment, where the unopened mail rises in a tower by the door and his parents dance each night to Nina Simone’s mellifluous classic “Mister Bojangles.” As his mother, mesmerizing and unpredictable, descends deeper into her own mind, it is up to the boy and his father to keep her safe—and, when that fails, happy. Fleeing Paris for a country home in Spain, they come to understand that some of the most radiant people bear the heaviest burdens. Told from the perspective of a young boy who idolizes his parents—and from George’s journals, detailing his epic love story with his wife—Waiting for Bojangles is a “lighthearted and yet sorrowful tale” (San Francisco Chronicle) that will stay with you long after the final page.
Publisher: Simon & Schuster
ISBN: 1501145916
Category : Fiction
Languages : en
Pages : 176
Book Description
An “oddball fairy tale” (The New York Times)—shortlisted for one of France’s highest literary prizes—a dark, funny, and wholly charming novel about a young boy and his eccentric family, who grapple with the realities of mental illness in unique and whimsical ways. A young boy lives with his madcap parents, Louise and George, and an exotic bird in a Parisian apartment, where the unopened mail rises in a tower by the door and his parents dance each night to Nina Simone’s mellifluous classic “Mister Bojangles.” As his mother, mesmerizing and unpredictable, descends deeper into her own mind, it is up to the boy and his father to keep her safe—and, when that fails, happy. Fleeing Paris for a country home in Spain, they come to understand that some of the most radiant people bear the heaviest burdens. Told from the perspective of a young boy who idolizes his parents—and from George’s journals, detailing his epic love story with his wife—Waiting for Bojangles is a “lighthearted and yet sorrowful tale” (San Francisco Chronicle) that will stay with you long after the final page.
What the Eye Hears
Author: Brian Seibert
Publisher: Macmillan + ORM
ISBN: 1429947616
Category : Performing Arts
Languages : en
Pages : 670
Book Description
The first authoritative history of tap dancing, one of the great art forms—along with jazz and musical comedy—created in America. Finalist for the National Book Critics Circle Award in Nonfiction Winner of Anisfield-Wolf Book Award An Economist Best Book of 2015 What the Eye Hears offers an authoritative account of the great American art of tap dancing. Brian Seibert, a dance critic for The New York Times, begins by exploring tap’s origins as a hybrid of the jig and clog dancing and dances brought from Africa by slaves. He tracks tap’s transfer to the stage through blackface minstrelsy and charts its growth as a cousin to jazz in the vaudeville circuits. Seibert chronicles tap’s spread to ubiquity on Broadway and in Hollywood, analyzes its decline after World War II, and celebrates its rediscovery and reinvention by new generations of American and international performers. In the process, we discover how the history of tap dancing is central to any meaningful account of American popular culture. This is a story with a huge cast of characters, from Master Juba through Bill Robinson and Shirley Temple, Fred Astaire and Ginger Rogers, and Gene Kelly and Paul Draper to Gregory Hines and Savion Glover. Seibert traces the stylistic development of tap through individual practitioners and illuminates the cultural exchange between blacks and whites, the interplay of imitation and theft, as well as the moving story of African Americans in show business, wielding enormous influence as they grapple with the pain and pride of a complicated legacy. What the Eye Hears teaches us to see and hear the entire history of tap in its every step. “Tap is America’s great contribution to dance, and Brian Seibert’s book gives us—at last!—a full-scale (and lively) history of its roots, its development, and its glorious achievements. An essential book!” —Robert Gottlieb, dance critic for The New York Observer and editor of Reading Dance “What the Eye Hears not only tells you all you wanted to know about tap dancing; it tells you what you never realized you needed to know. . . . And he recounts all this in an easygoing style, providing vibrant descriptions of the dancing itself and illuminating commentary by those masters who could make a floor sing.” —Deborah Jowitt, author of Jerome Robbins: His Life, His Theater, His Dance and Time and the Dancing Image
Publisher: Macmillan + ORM
ISBN: 1429947616
Category : Performing Arts
Languages : en
Pages : 670
Book Description
The first authoritative history of tap dancing, one of the great art forms—along with jazz and musical comedy—created in America. Finalist for the National Book Critics Circle Award in Nonfiction Winner of Anisfield-Wolf Book Award An Economist Best Book of 2015 What the Eye Hears offers an authoritative account of the great American art of tap dancing. Brian Seibert, a dance critic for The New York Times, begins by exploring tap’s origins as a hybrid of the jig and clog dancing and dances brought from Africa by slaves. He tracks tap’s transfer to the stage through blackface minstrelsy and charts its growth as a cousin to jazz in the vaudeville circuits. Seibert chronicles tap’s spread to ubiquity on Broadway and in Hollywood, analyzes its decline after World War II, and celebrates its rediscovery and reinvention by new generations of American and international performers. In the process, we discover how the history of tap dancing is central to any meaningful account of American popular culture. This is a story with a huge cast of characters, from Master Juba through Bill Robinson and Shirley Temple, Fred Astaire and Ginger Rogers, and Gene Kelly and Paul Draper to Gregory Hines and Savion Glover. Seibert traces the stylistic development of tap through individual practitioners and illuminates the cultural exchange between blacks and whites, the interplay of imitation and theft, as well as the moving story of African Americans in show business, wielding enormous influence as they grapple with the pain and pride of a complicated legacy. What the Eye Hears teaches us to see and hear the entire history of tap in its every step. “Tap is America’s great contribution to dance, and Brian Seibert’s book gives us—at last!—a full-scale (and lively) history of its roots, its development, and its glorious achievements. An essential book!” —Robert Gottlieb, dance critic for The New York Observer and editor of Reading Dance “What the Eye Hears not only tells you all you wanted to know about tap dancing; it tells you what you never realized you needed to know. . . . And he recounts all this in an easygoing style, providing vibrant descriptions of the dancing itself and illuminating commentary by those masters who could make a floor sing.” —Deborah Jowitt, author of Jerome Robbins: His Life, His Theater, His Dance and Time and the Dancing Image
Broadway
Author: Laurence Maslon
Publisher: Applause Theatre & Cinema
ISBN: 9781423491033
Category : Music
Languages : en
Pages : 0
Book Description
(Applause Books). A companion to the six-part PBS documentary series, Broadway: The American Musical is the first comprehensive history of the musical, from its roots at the turn of the 20th century through the smashing successes of the new millennium. The in-depth text is lavishly illustrated with a treasure trove of photographs, sheet-music covers, posters, scenic renderings, production stills, rehearsal shots and caricatures, many previously unpublished. Revised and updated, with a brand-new foreword by Julie Andrews and new material on all the Broadway musicals through the 2009-2010 season.
Publisher: Applause Theatre & Cinema
ISBN: 9781423491033
Category : Music
Languages : en
Pages : 0
Book Description
(Applause Books). A companion to the six-part PBS documentary series, Broadway: The American Musical is the first comprehensive history of the musical, from its roots at the turn of the 20th century through the smashing successes of the new millennium. The in-depth text is lavishly illustrated with a treasure trove of photographs, sheet-music covers, posters, scenic renderings, production stills, rehearsal shots and caricatures, many previously unpublished. Revised and updated, with a brand-new foreword by Julie Andrews and new material on all the Broadway musicals through the 2009-2010 season.
Making History Matter
Author: Robert Dawidoff
Publisher: Temple University Press
ISBN: 9781566397483
Category : History
Languages : en
Pages : 274
Book Description
This collection of Robert Dawidoff's essays and journalism is peopled by the likes of the Founding Fathers, Fred Astaire, Henry and William James, Sophie Tucker, Trent Lott, and Cole Porter. Drawing together this unlikely cast of characters, Dawidoff probes into the role of outsider groups as well as intellectual and political elites in the formation of American culture. As a scholar of intellectual and cultural history, Dawidoff takes the stance that historians ought to take an active role in our democratic culture, informing and participating in public discourse. He argues for a broad reach when it comes to cultural expression, resisting the polarization of formal intellectual history and folk or commercial popular culture. In his view and in his book, Ralph Waldo Emerson and Katharine Hepburn are equally worthy topics for a historian's consideration, providing that they are treated with equal seriousness of purpose and analytic rigor. In "The Gay Nineties" section that closes the book, he traces key events in the continual struggle for gay and lesbian civil rights and takes on such unresolved issues as safer sex, needle exchange programs to control HIV transmission, and the public controversy around the portrayal of gay and lesbian television characters. Divided into sections that deal with the patriarchs of American political and intellectual culture, expressive culture, and a historian's public voice, this book is a model of engaged and engaging writing. Accessible and witty, Making History Matter will appeal to general and academic readers interested in American history as well as gay and lesbian political and cultural issues. Author note: Robert Dawidoff is John D. and Lillian Maguire Distinguished Chair and Professor of History at Claremont Graduate University. He is most recently the author (with Michael Nava) of Created Equal: Why Gay Rights Matter to America and The Genteel Tradition and the Sacred Rage: High Culture V. Democracy in Adams, James and Santayana.
Publisher: Temple University Press
ISBN: 9781566397483
Category : History
Languages : en
Pages : 274
Book Description
This collection of Robert Dawidoff's essays and journalism is peopled by the likes of the Founding Fathers, Fred Astaire, Henry and William James, Sophie Tucker, Trent Lott, and Cole Porter. Drawing together this unlikely cast of characters, Dawidoff probes into the role of outsider groups as well as intellectual and political elites in the formation of American culture. As a scholar of intellectual and cultural history, Dawidoff takes the stance that historians ought to take an active role in our democratic culture, informing and participating in public discourse. He argues for a broad reach when it comes to cultural expression, resisting the polarization of formal intellectual history and folk or commercial popular culture. In his view and in his book, Ralph Waldo Emerson and Katharine Hepburn are equally worthy topics for a historian's consideration, providing that they are treated with equal seriousness of purpose and analytic rigor. In "The Gay Nineties" section that closes the book, he traces key events in the continual struggle for gay and lesbian civil rights and takes on such unresolved issues as safer sex, needle exchange programs to control HIV transmission, and the public controversy around the portrayal of gay and lesbian television characters. Divided into sections that deal with the patriarchs of American political and intellectual culture, expressive culture, and a historian's public voice, this book is a model of engaged and engaging writing. Accessible and witty, Making History Matter will appeal to general and academic readers interested in American history as well as gay and lesbian political and cultural issues. Author note: Robert Dawidoff is John D. and Lillian Maguire Distinguished Chair and Professor of History at Claremont Graduate University. He is most recently the author (with Michael Nava) of Created Equal: Why Gay Rights Matter to America and The Genteel Tradition and the Sacred Rage: High Culture V. Democracy in Adams, James and Santayana.
Castles from Cobwebs
Author: J.A. Mensah
Publisher: Saraband
ISBN: 1915089581
Category : Fiction
Languages : en
Pages : 287
Book Description
Longlisted for the Desmond Elliott Prize and named among the 50 most notable new books from Africa, Castles from Cobwebs follows one girl’s transition from youthful innocence to understanding as she navigates questions about family, identity, and race. "I'd always known that I was Brown. Black was different though; it came announced. Black came with expectations, of rhythm and other things that might trip me up." Imani is a foundling. Rescued as a baby and raised by nuns on a remote Northumbrian island, she grows up with an ever-increasing feeling of displacement. Full of questions, Imani turns to her shadow, Amarie, and her friend Harold. When Harold can't find the answers, she puts it down to what the nuns call her "greater purpose". At nineteen, Imani answers a phone call that will change her life: she is being called to Ghana after the sudden death of her biological mother. Past, present, faith and reality are spun together in this enthralling debut. Following her transition from innocence to understanding, Imani's experience illuminates the stories we all tell to make ourselves whole
Publisher: Saraband
ISBN: 1915089581
Category : Fiction
Languages : en
Pages : 287
Book Description
Longlisted for the Desmond Elliott Prize and named among the 50 most notable new books from Africa, Castles from Cobwebs follows one girl’s transition from youthful innocence to understanding as she navigates questions about family, identity, and race. "I'd always known that I was Brown. Black was different though; it came announced. Black came with expectations, of rhythm and other things that might trip me up." Imani is a foundling. Rescued as a baby and raised by nuns on a remote Northumbrian island, she grows up with an ever-increasing feeling of displacement. Full of questions, Imani turns to her shadow, Amarie, and her friend Harold. When Harold can't find the answers, she puts it down to what the nuns call her "greater purpose". At nineteen, Imani answers a phone call that will change her life: she is being called to Ghana after the sudden death of her biological mother. Past, present, faith and reality are spun together in this enthralling debut. Following her transition from innocence to understanding, Imani's experience illuminates the stories we all tell to make ourselves whole
Dance Appreciation
Author: Amanda Clark
Publisher: Routledge
ISBN: 0429590105
Category : Performing Arts
Languages : en
Pages : 340
Book Description
Dance Appreciation is an exciting exploration of how to understand and think about dance in all of its various contexts. This book unfolds a brief history of dance with engaging insight into the social, cultural, aesthetic, and kinetic aspects of various forms of dance. Dedicated chapters cover ballet, modern, tap, jazz, and hip-hop dance, complete with summaries, charts, timelines, discussion questions, movement prompts, and an online companion website all designed to foster awareness of and appreciation for dance in a variety of contexts. This wealth of resources helps to uncover the fascinating history that makes this art form so diverse and entertaining, and to answer the questions of why we dance and how we dance. Written for the novice dancer as well as the more experienced dance student, Dance Appreciation enables readers to learn and think critically about dance as a form of entertainment and art.
Publisher: Routledge
ISBN: 0429590105
Category : Performing Arts
Languages : en
Pages : 340
Book Description
Dance Appreciation is an exciting exploration of how to understand and think about dance in all of its various contexts. This book unfolds a brief history of dance with engaging insight into the social, cultural, aesthetic, and kinetic aspects of various forms of dance. Dedicated chapters cover ballet, modern, tap, jazz, and hip-hop dance, complete with summaries, charts, timelines, discussion questions, movement prompts, and an online companion website all designed to foster awareness of and appreciation for dance in a variety of contexts. This wealth of resources helps to uncover the fascinating history that makes this art form so diverse and entertaining, and to answer the questions of why we dance and how we dance. Written for the novice dancer as well as the more experienced dance student, Dance Appreciation enables readers to learn and think critically about dance as a form of entertainment and art.
Tap Dancing America
Author: Constance Valis Hill
Publisher: Oxford University Press
ISBN: 0190225386
Category : History
Languages : en
Pages : 462
Book Description
Here is the vibrant, colorful, high-stepping story of tap -- the first comprehensive, fully documented history of a uniquely American art form. Writing with all the verve and grace of tap itself, Constance Valis Hill offers a sweeping narrative, filling a major gap in American dance history and placing tap firmly center stage.
Publisher: Oxford University Press
ISBN: 0190225386
Category : History
Languages : en
Pages : 462
Book Description
Here is the vibrant, colorful, high-stepping story of tap -- the first comprehensive, fully documented history of a uniquely American art form. Writing with all the verve and grace of tap itself, Constance Valis Hill offers a sweeping narrative, filling a major gap in American dance history and placing tap firmly center stage.