Movie Ratings and the Independent Producer PDF Download

Author: United States. Congress. House. Committee on Small Business. Subcommittee on Special Small Business Problems
Publisher:
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Category : Government publications
Languages : en
Pages : 240

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Author: United States. Congress. House. Committee on Small Business. Subcommittee on Special Small Business Problems
Publisher:
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Category : Digital images
Languages : en
Pages : 142

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Author:
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Category :
Languages : en
Pages :

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Author: United States. Congress. House. Committee on Small Business. Subcommittee on Special Small Business Problems
Publisher:
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Category : Motion picture industry
Languages : en
Pages : 228

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Author:
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Category : Government publications
Languages : en
Pages : 832

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Author: United States. Superintendent of Documents
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Category : Government publications
Languages : en
Pages : 1228

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February issue includes Appendix entitled Directory of United States Government periodicals and subscription publications; September issue includes List of depository libraries; June and December issues include semiannual index

Author: Leonard J. Leff
Publisher: University Press of Kentucky
ISBN: 0813143462
Category : Performing Arts
Languages : en
Pages : 222

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“This excellent, lively study examines the ‘raucous debate’ sparked by the Code over the morals and ideals of American movies.” —Publishers Weekly The new edition of this seminal work takes the story of the Production Code and motion picture censorship into the present, including the creation of the PG-13 and NC-17 ratings in the 1990s. Starting in the early 1930s, the Production Code Director, Joe Breen, and his successor, Geoff Shurlock, understood that American motion pictures needed enough rope—enough sex, and violence, and tang—to lasso an audience, and not enough to strangle the industry. To explore the history and implementation of the Motion Picture Production Code, this book uses 11 movies: Dead End, GoneWith the Wind, The Outlaw, The Postman Always Rings Twice, The Bicycle Thief, Detective Story, A Streetcar Named Desire, The Moon Is Blue, The French Line, Lolita, and Who’s Afraid of Virginia Woolf? The authors combine a lively style with provocative insights and a wealth of anecdotes to show how the code helped shape American screen content for nearly 50 years. “A readable, intimate account of the rise to near-tyrannical power, and the fall to well-deserved ignominy, of the old Production Code Administration.” —Atlantic Monthly “A valuable insight into our own innocence and naiveté.” —The New York Times Book Review “The triumph of Leff and Simmons’s fine work is that they have reminded us of how fatuous and inimical a code of conduct can be: how tempting it is as a theoretical answer, and how intrinsically flawed it is as a working solution.” —The Times of London

Author: United States. Congress. House. Committee on Small Business. Subcommittee on Minority Enterprise and General Oversight
Publisher:
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Category : Government publications
Languages : en
Pages : 196

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Category : Catalogs, Union
Languages : en
Pages : 1216

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Includes entries for maps and atlases.

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ISBN: 9780656401512
Category : Reference
Languages : en
Pages : 154

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