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Author: Mariachiara Gasparini Publisher: University of Hawaii Press ISBN: 0824881702 Category : Art Languages : en Pages : 281
Book Description
In Transcending Patterns: Silk Road Cultural and Artistic Interactions through Central Asian Textiles, Mariachiara Gasparini investigates the origin and effects of a textile-mediated visual culture that developed at the heart of the Silk Road between the seventh and fourteenth centuries. Through the analysis of the Turfan Textile Collection in the Museum of Asian Art in Berlin and more than a thousand textiles held in collections worldwide, Gasparini discloses and reconstructs the rich cultural entanglements along the Silk Road, between the coming of Islam and the rise of the Mongol Empire, from the Tarim to Mediterranean Basin. Exploring in detail the iconographic transfer between different agents and different media from Central Asian caves to South Italian churches, the author depicts and describes the movement and exchange of portable objects such as sculpture, wall painting, and silk fragments across the Asian continent and across the ages. Gasparini’s history offers critical perspectives that extend far beyond an outmoded notion of “Silk Road studies.” Her cross-media work shows readers how certain material cultures are connected not only by the physical routes they take but also because of the meanings and interpretations these objects engage in various places. Transcending Patterns is at once art history, material and visual cultural history, Asian studies, conservatory studies, and linguistics.
Author: Mariachiara Gasparini Publisher: University of Hawaii Press ISBN: 0824877985 Category : Art Languages : en Pages : 281
Book Description
In Transcending Patterns: Silk Road Cultural and Artistic Interactions through Central Asian Textiles, Mariachiara Gasparini investigates the origin and effects of a textile-mediated visual culture that developed at the heart of the Silk Road between the seventh and fourteenth centuries. Through the analysis of the Turfan Textile Collection in the Museum of Asian Art in Berlin and more than a thousand textiles held in collections worldwide, Gasparini discloses and reconstructs the rich cultural entanglements along the Silk Road, between the coming of Islam and the rise of the Mongol Empire, from the Tarim to Mediterranean Basin. Exploring in detail the iconographic transfer between different agents and different media from Central Asian caves to South Italian churches, the author depicts and describes the movement and exchange of portable objects such as sculpture, wall painting, and silk fragments across the Asian continent and across the ages. Gasparini’s history offers critical perspectives that extend far beyond an outmoded notion of “Silk Road studies.” Her cross-media work shows readers how certain material cultures are connected not only by the physical routes they take but also because of the meanings and interpretations these objects engage in various places. Transcending Patterns is at once art history, material and visual cultural history, Asian studies, conservatory studies, and linguistics.
Author: Indira Viswanathan Peterson Publisher: State University of New York Press ISBN: 0791487415 Category : Religion Languages : en Pages : 319
Book Description
Indira Viswanathan Peterson provides an introduction to the Sanskrit court epic (mahākāvya), an important genre in classical Indian poetry, and the first study of a celebrated sixth-century poem, the Kirātārjunīya (Arjuna and the Hunter) of Bhāravi. Sanskrit court epics are shown to be characterized both by formalism and a deep engagement with enduring Indian values. The Kirātārjunīya is the earliest literary treatment of the narrative of the Pandava hero Arjuna's combat with the great god Śiva, a seminal episode in the war epic Mahābhārata. Through a close analysis of the structural strategies of Bhāravi's poem, the author illuminates the aesthetic of the mahākāvya genre. Peterson demonstrates that the classical poet uses figurative language, rhetorical devices, and structural design as the primary instruments for advancing his argument, the reconciliation of heroic action, ascetic self-control, social duty, and devotion to God. Her discussion of the Kirātārjunīya in relation to its historical setting and to renderings of this epic episode in literary texts and temple sculpture of later periods reveals the existence of complex transactions in Indian civilization between the discourses of heroic epic and court poetry, political ideologies and devotional religion, Sanskrit and the regional languages, and classical and folk traditions. Selections from the Kirātārjunīya are presented in poetic translation.
Author: Gwendolyn Wright Publisher: University of Chicago Press ISBN: 9780226908465 Category : Architecture Languages : en Pages : 400
Book Description
Politics and culture are at once semi-autonomous and intertwined. Nowhere is this more revealingly illustrated than in urban design, a field that encompasses architecture and social life, traditions and modernization. Here aesthetic goals and political intentions meet, sometimes in collaboration, sometimes in conflict. Here the formal qualities of art confront the complexities of history. When urban design policies are implemented, they reveal underlying aesthetic, cultural, and political dilemmas with startling clarity. Gwendolyn Wright focuses on three French colonies--Indochina, Morocco, and Madagascar--that were the most discussed, most often photographed, and most admired showpieces of the French empire in the early twentieth century. She explores how urban policy and design fit into the French colonial policy of "association," a strategy that accepted, even encouraged, cultural differences while it promoted modern urban improvements that would foster economic development for Western investors. Wright shows how these colonial cities evolved, tracing the distinctive nature of each locale under French imperialism. She also relates these cities to the larger category of French architecture and urbanism, showing how consistently the French tried to resolve certain stylistic and policy problems they faced at home and abroad. With the advice of architects and sociologists, art historians and geographers, colonial administrators sought to exert greater control over such matters as family life and working conditions, industrial growth and cultural memory. The issues Wright confronts--the potent implications of traditional norms, cultural continuity, modernization, and radical urban experiments--still challenge us today.
Author: Prashant Srivastava Publisher: WebGuruCool ISBN: Category : Education Languages : en Pages : 260
Book Description
At the very outset, I wish to clarify that this is not a new work : This WebGuruCool Indological Studies 3 incorporates parts of my work, Encyclopaedia of Indian Coins (Ancient Coins of Northern India up to c 650 AD), a two-volume set, published by Agam Kala Prakashan, Delhi, in 2012. The main object behind undertaking this publication is to make information about the divinities and their symbols, appearing on ancient Indian coins, available to students, who may be interested, but are unable to access the Encyclopaedia. On a more selfish note, it is a sort of an advertisement for the Encyclopaedia. It is hoped that a perusal of this WebGuruCool Indological Studies 3 may whet the appetite of the readers for the Encyclopaedia. For a brief survey of ancient Indian coinage system, I would refer the reader to the Introduction of my Encyclopaedia of Indian Coins (Ancient Coins of Northern India up to c 650 AD) 1, to my Gleanings in Ancient Indian Numismatics, and to my joint work with Professor K K Thaplyal, Coins of Ancient India. In the Dictionary proper, the divinites and their symbols, occurring on ancient Indian coins, have been arranged in an alphabetical order. The Select Bibliography begins at page number 195. I acknowledge, with a profound sense of gratitude, the inspiration I always receive from my Guru, Professor K K Thaplyal, and the warm support extended to me by my family, and extended family of students—Wife Dr Nidhi Srivastava, daughters Pratichi and Purvi, son-in-law Kumar Aishvarya, and students Dr Umesh Singh, Dr Jitesh Kumar Singh, Sushil Chand and Abhay Pratap Singh Rajawat. 27 November 2022. Prashant Srivastava.
Author: Alan J. Berkowitz Publisher: Stanford University Press ISBN: 9780804736039 Category : History Languages : en Pages : 324
Book Description
While the customary path to achievement in traditional China was through service to the state, from the earliest times certain individuals had been acclaimed for repudiating an official career. This book traces the formulation and portrayal of the practice of reclusion in China from the earliest times through the sixth century, by which time reclusion had taken on its enduring character. Those men who decided to withhold their service to state governance fit the dictum from the Book of Changes of a man who "does not serve a king or lord; he elevates in priority his own affairs." This characterization came to serve as a byword of individual and voluntary withdrawal, the image of the man whose lofty resolve could not be humbled for service to a temporal ruler. Men who eschewed official appointments in favor of pursuing their own personal ideals were known by such appellations as "hidden men" (yinshi), "disengaged persons" (yimin), "high-minded men" (gaoshi), and "scholars-at-home" (chushi). What distinguished these men was a particular strength of character that underlay their conduct: they received approbation for maintaining their resolve, their mettle, their integrity, and their moral and personal values in the face of adversity, threat, or temptation. This book reveals that those who opted for a life of reclusion had a variety of motivations for their decisions and conducted widely divergent ways of life. The lives of these men epitomize the distinctive nature of substantive reclusion, differentiating them from those of the intelligentsia who, on occasion, voiced their desire for disengagement or for retreat, but who nevertheless found or retained their places in government office. Throughout, the author places the recluse and reclusion within the social, political, intellectual, religious, and literary contexts of the times.
Author: Mariachiara Gasparini
Author: Mariachiara Gasparini
Author: Maude Rex Allen
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Author: 
Author: Indira Viswanathan Peterson
Author: Gwendolyn Wright
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Author: Prashant Srivastava
Author: Philip Baldi
Author: Alan J. Berkowitz