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Author: B. Maduabuchi A. Igbani Publisher: AuthorHouse ISBN: 1438934726 Category : History Languages : en Pages : 116
Book Description
This book is primarily about the culture of the people of Africa. It is a presentation of the way of life of a people which has been handed down from generations, and which also symbolizes a unique identity to persons of color irrespective of place of residence. The book presents a compelling background information on the exploitation of Africa by her European Colonial players. The Author also included some interesting pictures of the various stages of human development in their efforts to maintaining that what it takes to build and sustain a community. From marriage to childbirth through the formative years, to the institution of age grade system which provided the cornerstone for a viable communal improvement and security. The book ended with the presentation of a variety of aesthetic values which put Africa back at the center of cultural emancipation which she holds as a footprint for generations.
Author: B. Maduabuchi A. Igbani Publisher: AuthorHouse ISBN: 1438934726 Category : History Languages : en Pages : 116
Book Description
This book is primarily about the culture of the people of Africa. It is a presentation of the way of life of a people which has been handed down from generations, and which also symbolizes a unique identity to persons of color irrespective of place of residence. The book presents a compelling background information on the exploitation of Africa by her European Colonial players. The Author also included some interesting pictures of the various stages of human development in their efforts to maintaining that what it takes to build and sustain a community. From marriage to childbirth through the formative years, to the institution of age grade system which provided the cornerstone for a viable communal improvement and security. The book ended with the presentation of a variety of aesthetic values which put Africa back at the center of cultural emancipation which she holds as a footprint for generations.
Author: Alvin B. Tillery, Jr. Publisher: Cornell University Press ISBN: 0801461014 Category : History Languages : en Pages : 215
Book Description
In Between Homeland and Motherland, Alvin B. Tillery Jr. considers the history of political engagement with Africa on the part of African Americans, beginning with the birth of Paul Cuffe’s back-to-Africa movement in the Federal Period to the Congressional Black Caucus’ struggle to reach consensus on the African Growth and Opportunity Act of 2000. In contrast to the prevailing view that pan-Africanism has been the dominant ideology guiding black leaders in formulating foreign policy positions toward Africa, Tillery highlights the importance of domestic politics and factors within the African American community. Employing an innovative multimethod approach that combines archival research, statistical modeling, and interviews, Tillery argues that among African American elites—activists, intellectuals, and politicians—factors internal to the community played a large role in shaping their approach to African issues, and that shaping U.S. policy toward Africa was often secondary to winning political battles in the domestic arena. At the same time, Africa and its interests were important to America’s black elite, and Tillery’s analysis reveals that many black leaders have strong attachments to the "motherland." Spanning two centuries of African American engagement with Africa, this book shows how black leaders continuously balanced national, transnational, and community impulses, whether distancing themselves from Marcus Garvey’s back-to-Africa movement, supporting the anticolonialism movements of the 1950s, or opposing South African apartheid in the 1980s.
Author: Erin R. Pineda Publisher: Oxford University Press, USA ISBN: 019752642X Category : Political Science Languages : en Pages : 281
Book Description
There are few movements more firmly associated with civil disobedience than the Civil Rights Movement. In the mainstream imagination, civil rights activists eschewed coercion, appealed to the majority's principles, and submitted willingly to legal punishment in order to demand necessarylegislative reforms and facilitate the realization of core constitutional and democratic principles. Their fidelity to the spirit of the law, commitment to civility, and allegiance to American democracy provided the blueprint for activists pursuing racial justice, and set the normative standard forliberal philosophies of civil disobedience.In this book, Erin R. Pineda argues that insofar as the Civil Rights Movement provides a crucial motivating example of what civil disobedience must be, the standard cultural narrative of the movement does more than misremember history; it also distorts our political judgments about how civildisobedience might fit into democratic politics more generally. Pineda contends that using the Civil Rights Movement as a disciplining example and moral exemplar is neither accidental nor random; it has been deeply influential in the formation of predominant ideas about civil disobedience, bothwithin academia and public discourse.Seeing Like an Activist charts the emergence of mainstream theories of civil disobedience and demonstrates their reliance on a stylized, politically expedient narrative in which civilly disobedient protestors must submit to legal punishment, use persuasive rather than coercive means, and appeal toconstitutional principles to signal legitimacy. Such theories take for granted the legitimacy of the constitutional order, assume constitutional integrity and stability, and center the white citizen as the normative ideal, figuring the problem of racial injustice as limited, exceptional, andall-but-already solved. Instead, this book "sees" civil disobedience from the perspective of an activist, showing the consequences for ideas about how civil disobedience ought to unfold in the present. Building on historical and archival evidence, Pineda shows how civil rights activists, in concertwith anticolonial movements across the globe, turned to civil disobedience as a practice of decolonization in order to emancipate themselves and others, and in the process transform the racial order. Pineda recovers this powerful alternative account only by adopting a different theoreticalapproach--one which sees activists as themselves engaged in the creative work of political theorizing.
Author: Stan Chu Ilo Publisher: Wipf and Stock Publishers ISBN: 1725232480 Category : Social Science Languages : en Pages : 500
Book Description
"A technical insight to Africa's development." -- United Nations Conference for Trade and Development (UNCTAD), Geneva "This book is good news and a compelling work of our times. It creates hope, challenges despair, re-establishes authentic human development and original African values." --Prof. Obiora Ike, Catholic Institute for Development, Justice and Peace, Nigeria "A very precious contribution to Christian conversation on the future of Africa by a young African researcher." --Prof. Benezet Bujo, Chair, Centre for Moral Theology and Social Ethics, University of Freibourg, Switzerland "This book is a stirring manifesto for social reconstruction and interior transformation in Africa." --Prof. James H. Olthuis, Institute for Christian Studies, Toronto "This is a bold attempt at contextual theology." --Dr. Joseph Faniran, Catholic Institute for West Africa "Stan Chu Ilo is one of Africa's bright stars and provides a Christian socio-ethical compass for navigating life in Africa for generations to come." --Prof. Uche Uguwueze, Professor of African Studies, California State University, Long Beach "A fascinating discourse on the trials and hope of the African continent." --Milwaukee Community Journal, USA
Author: Anthony Dawahare Publisher: Univ. Press of Mississippi ISBN: 1628469889 Category : Literary Criticism Languages : en Pages : 174
Book Description
During and after the Harlem Renaissance, two intellectual forces—nationalism and Marxism—clashed and changed the future of African American writing. Current literary thinking says that writers with nationalist leanings wrote the most relevant fiction, poetry, and prose of the day. Nationalism, Marxism, and African American Literature Between the Wars: A New Pandora's Box challenges that notion. It boldly proposes that such writers as A. Philip Randolph, Langston Hughes, and Richard Wright, who often saw the world in terms of class struggle, did more to advance the anti-racist politics of African American letters than writers such as Countee Cullen, Jessie Redmon Fauset, Alain Locke, and Marcus Garvey, who remained enmeshed in nationalist and racialist discourse. Evaluating the great impact of Marxism and nationalism on black authors from the Harlem Renaissance and the Depression era, Anthony Dawahare argues that the spread of nationalist ideologies and movements between the world wars did guide legitimate political desires of black writers for a world without racism. But the nationalist channels of political and cultural resistance did not address the capitalist foundation of modern racial discrimination. During the period known as the “Red Decade” (1929–1941), black writers developed some of the sharpest critiques of the capitalist world and thus anticipated contemporary scholarship on the intellectual and political hazards of nationalism for the working class. As it examines the progression of the Great Depression, the book focuses on the shift of black writers to the Communist Left, including analyses of the Communists' position on the “Negro Question,” the radical poetry of Langston Hughes, and the writings of Richard Wright.
Author: Simone A. James Alexander Publisher: University of Missouri Press ISBN: 082626316X Category : Fiction Languages : en Pages : 227
Book Description
"Focusing on specific texts by Jamaica Kincaid, Maryse Conde, and Paule Marshall, this study explores the intricate trichotomous relationship between the mother (biological or surrogate), the motherlands Africa and the Caribbean, and the mothercountry represented by England, France, and/or North America. The mother-daughter relationships in the works discussed address the complex, conflicting notions of motherhood that exist within this trichotomy. Although mothering is usually socialized as a welcoming, nurturing notion, Alexander argues that alongside this nurturing notion there exists much conflict. Specifically, she argues that the mother-daughter relationship, plagued with ambivalence, is often further conflicted by colonialism or colonial intervention from the "other," the colonial mothercountry." "Mother Imagery in the Novels of Afro-Caribbean Women offers an overview of Caribbean women's writings from the 1990s, focusing on the personal relationships these three authors have had with their mothers and/or motherlands to highlight links, despite social, cultural, geographical, and political differences, among Afro-Caribbean women and their writings. Alexander traces acts of resistance, which facilitate the (re)writing/righting of the literary canon and the conception of a "newly created genre" and a "womanist" tradition through fictional narratives with autobiographical components." --Book Jacket.
Author: David Peterson del Mar Publisher: Zed Books Ltd. ISBN: 1783608560 Category : Literary Criticism Languages : en Pages : 235
Book Description
Africa has long gripped the American imagination. From the Edenic wilderness of Edgar Rice Burroughs’s Tarzan novels to the ‘black Zion’ of Garvey’s Back-to-Africa movement, all manner of Americans - whether white or black, male or female - have come to see Africa as an idealized stage on which they can fashion new, more authentic selves. In this remarkable, panoramic work, David Peterson del Mar explores the ways in which American fantasies of Africa have evolved over time, as well as the role of Africans themselves in subverting American attitudes to their continent. Spanning seven decades, from the post-war period to the present day, and encompassing sources ranging from literature, film and music to accounts by missionaries, aid workers and travel writers, African, American is a fascinating deconstruction of ‘Africa’ as it exists in the American mindset.
Author: Edward M. Bruner Publisher: University of Chicago Press ISBN: 9780226077628 Category : Art Languages : en Pages : 328
Book Description
Analysing a variety of tourist productions, ranging from dance dramas in Bali to an Abraham Lincoln heritage site in Illinois, Bruner considers the diverse perspectives of various actors, including the tourists, the producers, the natives & the anthropologist himself.
Author: Clarence Bernard Henry Publisher: Univ. Press of Mississippi ISBN: 1496800281 Category : Biography & Autobiography Languages : en Pages : 191
Book Description
Quincy Jones (b. 1933) is one of the most prolific composers, arrangers, bandleaders, producers, and humanitarians in American music history and the recording and film industries. Among pop music fans he is perhaps most famous for producing Michael Jackson's album, Thriller. Clarence Bernard Henry focuses on the life, music, career, and legacy of Jones within the social, cultural, historical, and artistic context of American, African American, popular, and world music traditions. Jones's career has spanned over sixty years, generating a substantial body of work with over five hundred compositions and arrangements. The author focuses on this material as well as many of Jones's accomplishments: performing as a young trumpeter in the bands of Lionel Hampton and Dizzy Gillespie, becoming the first African American to hold an executive position in the competitive white-owned recording industry, breaking racial barriers as a composer in the Hollywood film and television industries, producing the best-selling album of all time, and receiving numerous Grammy Awards. The author also discusses many of Jones's compositions, arrangements, and recordings and his compositional study in France with legendary teacher Nadia Boulanger. In addition, details are provided about Jones's distinct ability as one of the most innovative composers and arrangers who incorporates many different styles of music, techniques, and creative ideas in his compositions, arrangements, and film scores. He collaborated with an array of musicians and groups such as Louis Armstrong, Duke Ellington, Miles Davis, Ella Fitzgerald, Sarah Vaughan, Frank Sinatra, Clifford Brown, Ray Charles, Michael Jackson, USA for Africa, and many others. Clarence Bernard Henry shows how Jones has, throughout his career, wholeheartedly embraced philosophies of globalization and cultural diversity in his body of work, collaborations, humanitarian projects, and musical creativity.
Author: Jeannette Eileen Jones Publisher: University of Georgia Press ISBN: 0820340294 Category : History Languages : en Pages : 316
Book Description
In the decades between the Berlin Conference that partitioned Africa and the opening of the African Hall at the American Museum of Natural History, Americans in several fields and from many backgrounds argued that Africa had something to teach them. Jeannette Eileen Jones traces the history of the idea of Africa with an eye to recovering the emergence of a belief in “Brightest Africa”—a tradition that runs through American cultural and intellectual history with equal force to its “Dark Continent” counterpart. Jones skillfully weaves disparate strands of turn-of-the-century society and culture to expose a vivid trend of cultural engagement that involved both critique and activism. Filmmakers spoke out against the depiction of “savage” Africa in the mass media while also initiating a countertradition of ethnographic documentaries. Early environmentalists celebrated Africa as a pristine continent while lamenting that its unsullied landscape was “vanishing.” New Negro political thinkers also wanted to “save” Africa but saw its fragility in terms of imperiled human promise. Jones illuminates both the optimism about Africa underlying these concerns and the racist and colonial interests these agents often nevertheless served. The book contributes to a growing literature on the ongoing role of global exchange in shaping the African American experience as well as debates about the cultural place of Africa in American thought.
Author: B. Maduabuchi A. Igbani
Author: B. Maduabuchi A. Igbani
Author: Alvin B. Tillery, Jr.
Author: Erin R. Pineda
Author: Stan Chu Ilo
Author: Anthony Dawahare
Author: Simone A. James Alexander
Author: David Peterson del Mar
Author: Edward M. Bruner
Author: Clarence Bernard Henry
Author: Jeannette Eileen Jones