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Author: Bhekizizwe Peterson Publisher: NYU Press ISBN: 1868143287 Category : Education Languages : en Pages : 338
Book Description
Centred on the Mariannhill Mission and the Bantu Dramatic Society, Peterson examines the early development of black theatre in South Africa and the entanglements of different intellectual traditions. He highlights the intellectual formation of the early African elite in relation to colonial authority and how they affected each other.
Author: Bhekizizwe Peterson Publisher: NYU Press ISBN: 1868143287 Category : Education Languages : en Pages : 338
Book Description
Centred on the Mariannhill Mission and the Bantu Dramatic Society, Peterson examines the early development of black theatre in South Africa and the entanglements of different intellectual traditions. He highlights the intellectual formation of the early African elite in relation to colonial authority and how they affected each other.
Author: Bhekizizwe Peterson Publisher: NYU Press ISBN: 177614550X Category : Education Languages : en Pages : 415
Book Description
Much of the work in the field of African studies still relies on rigid distinctions of ‘tradition’ and ‘modernity’, ‘collaboration’ and ‘resistance’, ‘indigenous’ and ‘foreign’. This book moves well beyond these frameworks to probe the complex entanglements of different intellectual traditions in the South African context, by examining two case studies. The case studies constitute the core around which is woven this intriguing story of the development of black theatre in South Africa in the early years of the century. It also highlights the dialogue between African and African-American intellectuals, and the intellectual formation of the early African elite in relation to colonial authority and how each affected the other in complicated ways. The first case study centres on Mariannhill Mission in KwaZulu-Natal. Here the evangelical and pedagogical drama pioneered by the Rev Bernard Huss, is considered alongside the work of one of the mission’s most eminent alumni, the poet and scholar, B.W. Vilakazi. The second moves to Johannesburg and gives a detailed insight into the working of the Bantu Dramatic Society and the drama of H.I.E. Dhlomo in relation to the British Drama League and other white liberal cultural activities.
Author: Bhekizizwe Peterson Publisher: NYU Press ISBN: 1776147510 Category : Literary Criticism Languages : en Pages : 472
Book Description
The essays in this collection were written in celebration of the centenaries, in 2019, of Peter Abrahams, Noni Jabavu, Sibusiso Cyril Lincoln Nyembezi and Es'kia Mphahlele, all of whom were born in 1919. All four centenarians lived rich and diverse lives across several continents. In the years following the Second World War they produced more than half a century of foundational creative writing and literary criticism, and made stellar contributions to the founding and enhancement of institutions and repertoires of African and black arts and letters in South Africa and internationally. As a result, their lifeworlds and oeuvres present sharp and multifaceted engagements with and generative insights into a wide range of issues, including precolonial existence, colonialism, empire, race, culture, identity, class, the language question, tradition, modernity, exile, Pan-Africanism, and decolonisation.
Author: Bhekizizwe Peterson Publisher: NYU Press ISBN: 177614550X Category : Education Languages : en Pages : 415
Book Description
Much of the work in the field of African studies still relies on rigid distinctions of ‘tradition’ and ‘modernity’, ‘collaboration’ and ‘resistance’, ‘indigenous’ and ‘foreign’. This book moves well beyond these frameworks to probe the complex entanglements of different intellectual traditions in the South African context, by examining two case studies. The case studies constitute the core around which is woven this intriguing story of the development of black theatre in South Africa in the early years of the century. It also highlights the dialogue between African and African-American intellectuals, and the intellectual formation of the early African elite in relation to colonial authority and how each affected the other in complicated ways. The first case study centres on Mariannhill Mission in KwaZulu-Natal. Here the evangelical and pedagogical drama pioneered by the Rev Bernard Huss, is considered alongside the work of one of the mission’s most eminent alumni, the poet and scholar, B.W. Vilakazi. The second moves to Johannesburg and gives a detailed insight into the working of the Bantu Dramatic Society and the drama of H.I.E. Dhlomo in relation to the British Drama League and other white liberal cultural activities.
Author: Nicholas M. Creary Publisher: Cambridge Scholars Publishing ISBN: 1527510433 Category : Social Science Languages : en Pages : 212
Book Description
This book is an intellectual history that uses Amílcar Cabral’s theory of the “return to the source,” to examine Sol Plaatje’s Mhudi, B.W. Vilakazi’s poetry, and A.C. Jordan’s The Wrath of the Ancestors within the broader context of African cultural nationalisms in the early twentieth century African Atlantic World. It shows the development of the idea of African equality with Whites in the face of prevailing ideas of White supremacy during Union-era South Africa. These authors were part of the New African Movement, which was one of eight literary movements among Africans and peoples of African descent in the Americas between 1915 and 1945, including the Harlem Renaissance, Négritude, Claridade in Cape Verde, and similar movements in Cuba, Haiti, Brazil, and Belize. The text presents new models for interpreting Union-era African literature, and recasts understanding of the nature of interactions between Africans and Europeans, including Western Syphilization, Chiral Interdiscursivity, and the relationship between history and memory informed by a neurobiological analysis of memory.
Author: Megan Cole Paustian Publisher: Fordham Univ Press ISBN: 1531505503 Category : Literary Criticism Languages : en Pages : 289
Book Description
Humanitarianism has a narrative problem. Far too often, aid to Africa is envisioned through a tale of Western heroes saving African sufferers. While labeling white savior narratives has become a familiar gesture, it doesn’t tell us much about the story as story. Humanitarian Fictions aims to understand the workings of humanitarian literature, as they engage with and critique narratives of Africa. Overlapping with but distinct from human rights, humanitarianism centers on a relationship of assistance, focusing less on rights than on needs, less on legal frameworks than moral ones, less on the problem than on the nonstate solution. Tracing the white savior narrative back to religious missionaries of the nineteenth century, Humanitarian Fiction reveals the influence of religious thought on seemingly secular institutions and uncovers a spiritual, collectivist streak in the discourse of humanity. Because the humanitarian model of care transcends the boundaries of the state, and its networks touch much of the globe, Humanitarian Fictions redraws the boundaries of literary classification based on a shared problem space rather than a shared national space. The book maps a transnational vein of Anglophone literature about Africa that features missionaries, humanitarians, and their so-called beneficiaries. Putting humanitarian thought in conversation with postcolonial critique, this book brings together African, British, and U.S. writers typically read within separate traditions. Paustian shows how the novel—with its profound sensitivity to narrative—can enrich the critique of white saviorism while also imagining alternatives that give African agency its due.
Author: David Attwell Publisher: Cambridge University Press ISBN: 1316175138 Category : Literary Criticism Languages : en Pages : 1451
Book Description
South Africa's unique history has produced literatures in many languages, in both oral and written forms, reflecting the diversity in the cultural histories and experiences of its people. The Cambridge History offers a comprehensive, multi-authored history of South African literature in all eleven official languages (and more minor ones) of the country, produced by a team of over forty international experts, including contributors from all of the major regions and language groups of South Africa. It will provide a complete portrait of South Africa's literary production, organised as a chronological history from the oral traditions existing before colonial settlement, to the post-apartheid revision of the past. In a field marked by controversy, this volume is more fully representative than any existing account of South Africa's literary history. It will make a unique contribution to Commonwealth, international and postcolonial studies and serve as a definitive reference work for decades to come.
Author: Loren Kruger Publisher: Bloomsbury Publishing ISBN: 1350008028 Category : Literary Criticism Languages : en Pages : 289
Book Description
“Theatre is not part of our vocabulary”: Sipho Sepamla's provocation in 1981, the year of famous anti-apartheid play Woza Albert!, prompts the response, yes indeed, it is. A Century of South African Theatre demonstrates the impact of theatre and other performances-pageants, concerts, sketches, workshops, and performance art-over the last hundred years. Its coverage includes African responses to pro-British pageants celebrating white Union in 1910, such as the Emancipation Centenary of the abolition of British colonial slavery in 1934 organized by Griffiths Motsieloa and HIE Dhlomo, through anti-apartheid testimonial theatre by Athol Fugard, Maishe Maponya, Gcina Mhlophe, and many others, right up to the present dramatization of state capture, inequality and state violence in today's unevenly democratic society, where government has promised much but delivered little. Building on Loren Kruger's personal observations of forty years as well as her published research, A Century of South African Theatre provides theoretical coordinates from institution to public sphere to syncretism in performance in order to highlight South Africa's changing engagement with the world from the days of Empire, through the apartheid era to the multi-lateral and multi-lingual networks of the 21st century. The final chapters use the Constitution's injunction to improve wellbeing as a prompt to examine the dramaturgy of new problems, especially AIDS and domestic violence, as well as the better known performances in and around the Truth and Reconciliation Commission. Kruger critically evaluates internationally known theatre makers, including the signature collaborations between animator/designer William Kentridge, and Handspring Puppet Company, and highlights the local and transnational impact of major post-apartheid companies such as Magnet Theatre.
Author: Isabel Balseiro Publisher: Wayne State University Press ISBN: 9780814330012 Category : History Languages : en Pages : 292
Book Description
With the end of apartheid, South African cinema is at a turning point in its history. This collection offers an exploration of a film industry that has excluded its country's black majority, in both representation and production - and which now must overcome collusion between racist ideology and film form. Until recently, filmmakers could work only within a culture that reluctantly took black South Africans into account. Therefore, to explore what South African cinema has been and could become, the authors do not limit their discussion to film production but approach cinema as a manifestation of cultural history. How has the purpose of cinema been viewed at different times in South Africa, by different governments and social groups? What is the relation between film and a sense of nationhood in South Africa? Such questions lead to a consideration not only of films made by South Africans in South Africa but also of an unfolding film culture within a series of stages that have yet to give rise to a national cinema
Author: Bhekizizwe Peterson
Author: Bhekizizwe Peterson
Author: Bhekizizwe Peterson
Author: Bhekizizwe Peterson
Author: Nicholas M. Creary
Author: Megan Cole Paustian
Author: David Attwell
Author: Loren Kruger
Author: Toyin Falola
Author: Isabel Balseiro