Author: Floriane LimonnierPublisher:
ISBN: 9782263169557
Category :
Languages : fr
Pages : 96
Book Description
Mon cahier Body Sculpt
Author: Floriane LimonnierPublisher:
ISBN: 9782263169557
Category :
Languages : fr
Pages : 96
Book Description
Beginnings in French Literature
Author: Publisher: BRILL
ISBN: 9004334173
Category : Literary Criticism
Languages : en
Pages : 221
Book Description
From the contents: R. Howard BLOCH: Eneas before the walls of Carthage: the beginnings of the city and romance in the suburbs. - Richard l. REGOSIN: Language and nation in 16th-Century France: the Arts poetiques. - Zahi ZALLOUA: Reading the Essais: Where does the critic begin? - Louise K. HOROWITZ: Honore d'Urfe: Bellwether beginnings. - Leonard HINDS: Paratext and framing narrative: techniques of skepticism in Le parasite mormon."
A Century of Artists Books
Author: Riva CastlemanPublisher: ABRAMS
ISBN: 9780810961814
Category :
Languages : en
Pages : 0
Book Description
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Guiding Strala
Author: Tara StilesPublisher:
ISBN: 1401948103
Category : Business & Economics
Languages : en
Pages : 385
Book Description
Reveals the approach and practices behind Strala's worldwide leadership training program.
Canadiana
Author: The Optical Unconscious
Author: Rosalind E. KraussPublisher: MIT Press
ISBN: 9780262611053
Category : Design
Languages : en
Pages : 374
Book Description
The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction. The Optical Unconscious will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-François Lyotard. To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic Rotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.
Animal Symbolism in Ecclesiastical Architecture
Author: Edward Payson EvansPublisher:
ISBN:
Category : Animal sculpture
Languages : en
Pages : 400
Book Description
Noé Duchaufour-Lawrance
Author: EMMANUEL. FOUILLET BERARD (AURELIEN.)Publisher: Dis Voir Editions
ISBN: 9782914563987
Category :
Languages : en
Pages : 120
Book Description
Highlights from 20 years of furniture and product design by leading French luminary Noé Duchaufour-Lawrance Designer Noé Duchaufour-Lawrance's (born 1974) training in both sculpture and furniture design is evident throughout his eclectic body of work. His architectural designs, seen in places such as the Sketch restaurant in London or the Air France business lounge at Paris-Charles de Gaule airport, evoke the natural movement of water and wind with curved edges and smooth surfaces. Each piece of furniture in Duchaufour-Lawrance's oeuvre, whether it be a chair, lamp or sofa, is characterized by a clear attention to the piece's overall dramatic effect as well as a fine craftsmanship in every detail. Most recently, he collaborated with the crystal manufacturer Saint-Louis to create the Folia collection of luxury lighting fixtures and furniture. This publication presents a number of Duchaufour-Lawrance's most striking designs, and reveals his new project in which he deftly combines design with craftmanship.
George Minne, Fin de Siècle Drawings and Sculpture
Author: Albert AlhadeffAncient Portraits in the J. Paul Getty Museum
Author: The J. Paul Getty MuseumPublisher: Getty Publications
ISBN: 0892360712
Category : Art
Languages : en
Pages : 144
Book Description
This first volume in the Occasional Papers on Antiquities subseries on ancient portraits presents a detailed examination and analysis by Sheldon Nodelman of a portrait of Brutus. Fleming Johansen reviews marble busts of Julius Caesar and, in a second article, discusses portraits of Caligula. Other contributions include Susan Wood’s analysis of third-century portraits of child emperors and Siri Sande’s essay on two Gallienic female portraits.