Modulor 2, 1955 PDF Download

Author: Le Corbusier
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 0

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Author: Fondation Le Corbusier
Publisher: Birkhäuser
ISBN: 3035604096
Category : Architecture
Languages : en
Pages : 580

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Book Description
In the years 1942 to 1948, Le Corbusier developed a system of measurements which became known as “Modulor”. Based on the Golden Section and Fibonacci numbers and also using the physical dimensions of the average human, “Modulor” is a sequence of measurements which Le Corbusier used to achieve harmony in his architectural compositions. Le Modulor was published in 1950 and after meeting with success, Le Corbusier went on to publish Modulor 2 in 1955. In many of Le Corbusier’s most notable buildings, including the Chapel at Ronchamp and the Unité d’habitation, evidence of his Modulor system can be seen. These two volumes form an important and integral part of Le Corbusier’s theoretical writings.

Author: Chris L. Smith
Publisher: Bloomsbury Publishing
ISBN: 1350168513
Category : Philosophy
Languages : en
Pages : 249

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This study illuminates the complex interplay between Deleuze and Guattari's philosophy and architecture. Presenting their wide-ranging impact on late 20th- and 21st-century architecture, each chapter focuses on a core Deleuzian/Guattarian philosophical concept and one key work of architecture which evokes, contorts, or extends it. Challenging the idea that a concept or theory defines and then produces the physical work and not vice versa, Chris L. Smith positions the relationship between Deleuze and Guattari's philosophy and the field of architecture as one that is mutually substantiating and constitutive. In this framework, modes of architectural production and experimentation become inextricable from the conceptual territories defined by these two key thinkers, producing a rigorous discussion of theoretical, practical, and experimental engagements with their ideas.

Author: Le Corbusier
Publisher:
ISBN: 9780817661885
Category : Architecture
Languages : en
Pages : 340

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Book Description

Author: Le Corbusier
Publisher:
ISBN: 9780817661885
Category : Architecture
Languages : en
Pages : 248

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Book Description

Author: Harvard University. Graduate School of Design. Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 738

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Author: Herbert Read
Publisher: Taylor & Francis
ISBN: 1317428722
Category : Literary Criticism
Languages : en
Pages : 1534

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Book Description
Herbert Read and Selected Works includes four of Herbert Read’s most seminal works; A Coat of Many Colours: Occasional Essays, The English Vision: An Anthology, The Tenth Muse: Essays in Criticism and The Politics of the Unpolitical. This collection also includes the title Herbert Read: A Memorial Symposium - a collection of essays that illustrates the many different aspects and achievements of Read’s career.

Author: Marianna Charitonidou
Publisher: transcript Verlag
ISBN: 3839464889
Category : Architecture
Languages : en
Pages : 351

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Book Description
How were the concepts of the observer and user in architecture and urban planning transformed throughout the 20th and 21st centuries? Marianna Charitonidou explores how the mutations of the means of representation in architecture and urban planning relate to the significance of city's inhabitants. She investigates Le Corbusier and Ludwig Mies van der Rohe's fascination with perspective, Team Ten's interest in the humanisation of architecture and urbanism, Constantinos Doxiadis and Adriano Olivetti's role in reshaping the relationship between politics and urban planning during the postwar years, Giancarlo De Carlo's architecture of participation, Aldo Rossi's design methods, Denise Scott Brown's active socioplactics and Bernard Tschumi's conception praxis.

Author:
Publisher:
ISBN:
Category : City planning
Languages : en
Pages : 762

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Author: Tom Slevin
Publisher: Bloomsbury Publishing
ISBN: 1786739968
Category : History
Languages : en
Pages : 273

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Book Description
In what ways do the artistic avant-garde's representations of the human body reflect the catastrophe of World War I? The European modernists were inspired by developments in the nineteenth-century, yielding new forms of knowledge about the nature of reality and repositioning the human body as the new 'object' of knowledge. New 'visions' of the human subject were created within this transformation. However, modernity's reactionary political climate - for which World War I provided a catalyst - transformed a once liberal ideal between humanity, environment, and technology, into a tool of disciplinary rationalisation. Visions of the Human considers the consequences of this historical moment for the twentieth and twenty-first centuries. It explores the ways in which the 'technologies of the self' that inspired the avant-garde were increasingly instrumentalised by conservative politics, urbanism, consumer capitalism and the society of 'the spectacle'. This is an engaging and powerful study which challenges prior ideas and explores new ways of thinking about modern visual culture.