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Author: Sumanyu Satpathy Publisher: Taylor & Francis ISBN: 1000932079 Category : Language Arts & Disciplines Languages : en Pages : 282
Book Description
The advent of print heralded a significant chapter in the history of colonial modernity in South Asia. This book narrates the story of the emergence of a new literary culture, Utkal sahitya or Odia literature, in the context of similar but conflicting linguistic-territorial cultures of Eastern India. The book is the first cross-cultural study of the emergence of a new literary culture in Eastern India with diverse, yet cognate languages in the years between 1866 and 1919. By researching a large corpus of archival material, it traces the emergence of a new literary culture that marked significant departures from traditional practices and understanding of the “literary,” and that was subsequently called, adhunik sahitya and argues that this was facilitated mainly by the formation of a public sphere in tandem with the rapid growth of educated print-public. While the phenomenon was by no means unique to Odia, the study identifies several local factors that were distinctive about its literary sphere by looking at its imbrication with sister linguistic cultures. It traces how, under political compulsions, a new intellectual class of Odias used agents of modernity such as print, education, new sciences, travel and communication etc. to forge a new aesthetic without completely breaking with the past. It examines the role that the Odia periodical press played, and traces the course it took from the time of its emergence from local political compulsions to the defining and broadening of the scope and limits of the question of the literary. It investigates the shifting and mutating dispositions of the newly emerged Odia print culture and public sphere while highlighting major concerns such as linguistic identity, historiography, literary histories, and canon formation as well as pioneering and consolidating new aesthetic forms. This book will be an important addition to the growing body of scholarship on literary cultures of multilingual India. Rich in archival work, this book will be of interest to students and researchers of literary history, cultural history, cultural studies, literature, literary history, literary and critical theory, and languages of Asia.
Author: Sumanyu Satpathy Publisher: Taylor & Francis ISBN: 1000932079 Category : Language Arts & Disciplines Languages : en Pages : 282
Book Description
The advent of print heralded a significant chapter in the history of colonial modernity in South Asia. This book narrates the story of the emergence of a new literary culture, Utkal sahitya or Odia literature, in the context of similar but conflicting linguistic-territorial cultures of Eastern India. The book is the first cross-cultural study of the emergence of a new literary culture in Eastern India with diverse, yet cognate languages in the years between 1866 and 1919. By researching a large corpus of archival material, it traces the emergence of a new literary culture that marked significant departures from traditional practices and understanding of the “literary,” and that was subsequently called, adhunik sahitya and argues that this was facilitated mainly by the formation of a public sphere in tandem with the rapid growth of educated print-public. While the phenomenon was by no means unique to Odia, the study identifies several local factors that were distinctive about its literary sphere by looking at its imbrication with sister linguistic cultures. It traces how, under political compulsions, a new intellectual class of Odias used agents of modernity such as print, education, new sciences, travel and communication etc. to forge a new aesthetic without completely breaking with the past. It examines the role that the Odia periodical press played, and traces the course it took from the time of its emergence from local political compulsions to the defining and broadening of the scope and limits of the question of the literary. It investigates the shifting and mutating dispositions of the newly emerged Odia print culture and public sphere while highlighting major concerns such as linguistic identity, historiography, literary histories, and canon formation as well as pioneering and consolidating new aesthetic forms. This book will be an important addition to the growing body of scholarship on literary cultures of multilingual India. Rich in archival work, this book will be of interest to students and researchers of literary history, cultural history, cultural studies, literature, literary history, literary and critical theory, and languages of Asia.
Author: SUMANYU. SATPATHY Publisher: Routledge Chapman & Hall ISBN: 9781032346564 Category : Languages : en Pages : 0
Book Description
The advent of print heralded a significant chapter in the history of colonial modernity in South Asia. This book narrates the story of the emergence of a new literary culture, Utkal sahitya or Odia literature, in the context of similar but conflicting linguistic-territorial cultures of Eastern India. The book is the first cross-cultural study of the emergence of a new literary culture in Eastern India with diverse, yet cognate languages in the years between 1866 and 1919. By researching a large corpus of archival material, it traces the emergence of a new literary culture that marked significant departures from traditional practices and understanding of the "literary," and that was subsequently called, adhunik sahitya and argues that this was facilitated mainly by the formation of a public sphere in tandem with the rapid growth of educated print-public. While the phenomenon was by no means unique to Odia, the study identifies several local factors that were distinctive about its literary sphere by looking at its imbrication with sister linguistic cultures. It traces how, under political compulsions, a new intellectual class of Odias used agents of modernity such as print, education, new sciences, travel and communication etc. to forge a new aesthetic without completely breaking with the past. It examines the role that the Odia periodical press played, and traces the course it took from the time of its emergence from local political compulsions to the defining and broadening of the scope and limits of the question of the literary. It investigates the shifting and mutating dispositions of the newly emerged Odia print culture and public sphere while highlighting major concerns such as linguistic identity, historiography, literary histories, and canon formation as well as pioneering and consolidating new aesthetic forms. This book will be an important addition to the growing body of scholarship on literary cultures of multilingual India. Rich in archival work, this book will be of interest to students and researchers of literary history, cultural history, cultural studies, literature, literary history, literary and critical theory, and languages of Asia.
Author: Ashim Dutta Publisher: Routledge ISBN: 100047304X Category : Literary Criticism Languages : en Pages : 131
Book Description
This is a transnational and bilingual investigation of the cross-fertilisation of mystical religiosity and modern poetical imagination in the works of the Bengali poet Rabindranath Tagore and the Irish poet W. B. Yeats. The book demonstrates how their commitments to transnational mysticism deeply form and inform the modernist literary projects of these poets as well as their understanding of cultural modernity. Although its primary interest lies in their poetry and poetics, the monograph also includes some of their relevant prose works. This study begins with a close look at and around the phase of 1912-1913, when Yeats and Tagore met over the collection of the latter’s English translations of his spiritual verses, Gitanjali, and took mutual interests in each other’s works and cultural significances. The monograph then expands on both sides of that phase, selectively covering the whole career of the poets in its exploration of their parallel mystic-modern cultural-poetical projects.
Author: Dr. Deepak Deore Publisher: Insta Publishing ISBN: 9395037466 Category : Education Languages : en Pages : 174
Book Description
: Indian English Drama explores significant myths from Indian culture. The present book studies the significant socio-cultural crisis of contemporary society depicted by Tagore with help of historical characters from the great Indian epic. Tagore as a visionary and philosopher dealt with some crucial problems of the society of present time and comments on these issues of the society. The book significantly highlights various socio-cultural practices in Tagore’s plays from modern perspective. The first chapter deals with the playwright Rabindranath Tagore’s early life and literary contribution. Tagore depicts various myth and legends in his dramatic works from great Indian epics like Ramayana and Mahabharata.
Author: Toral Jatin Gajarawala Publisher: Fordham Univ Press ISBN: 0823245268 Category : Literary Criticism Languages : en Pages : 322
Book Description
Untouchable Fictions considers the crisis of literary realism- progressive, rural, regionalist, experimental- in order to derive a literary genealogy for the recent explosion of Dalit (“untouchable” caste) fiction. Drawing on a wide array of fiction from Premchand and Renu in Hindi to Mulk Raj Anand and V.S. Naipaul in English, Gajarawala illuminates the dark side of realist complicity: a hidden aesthetics and politics of caste. How does caste color the novel? What are its formal tendencies? What generic constraints does it produce? Untouchable Fictions juxtaposes the Dalit text, and its radical critique, with a history of progressive literary movements in South Asia. Gajarawala reads Dalit writing dialectically, doing justice to its unique and groundbreaking literary interventions while also demanding that it be read as an integral moment in the literary genealogy of the 20th and 21st century. How might we trace the origins of the rise of Dalit fiction in the critical “realism” of the Progressive Writers Association of the 1930s, or in the gaps laid bare by the peasant novel of the 1950s? And what kind of dialogue does “untouchable caste” writing with its more famous counterpart: the Anglophone fiction of the last few decades? Under Gajarawala’s lens the aesthetic languages of Hindi and English are intertwined and caste becomes a central category of literary analysis. This book, grounded in the fields of postcolonial theory, South Asian literatures, and cultural studies will be important for all readers interested in the problematic relations between aesthetics and politics, between social movements and cultural production. Engaged as it is with contemporary theories of realism and the problem of aesthetics, it would also be of interest to students of English, comparative literature, contemporary Third World literature, and historians of literary movements. More specifically, as a text that considers recent developments in genre theory and South Asian fiction, it would interest scholars of the Indian and Indian Anglophone novel. Finally, this project, as an interrogation of caste politics in the cultural sphere, is an important contribution to the burgeoning field of Dalit studies.
Author: Arnab Bhattacharya Publisher: Routledge ISBN: 1317619412 Category : Performing Arts Languages : en Pages : 285
Book Description
This is the first volume to focus specifically on Rabindranath Tagore’s dramatic literature, visiting translations and adaptations of Tagore’s drama, and cross-cultural encounters in his works. As Asia’s first Nobel Laureate, Tagore’s highly original plays occupy a central position in the Indian theatrescape. Tagore experimented with dance, music, dance drama, and plays, exploring concepts of environment, education, gender and women, postcolonial encounters, romantic idealism, and universality. Tagore’s drama plays a generous host to experimentations with new performance modes, like the writing and staging of an all-women play on stage for the first time, or the use of cross-cultural styles such as Manipuri dance, Thai craft in stage design, or the Baul singing styles. This book is an exciting re-exploration of Tagore’s plays, visiting issues such as his contribution to Indian drama, drama and environment, feminist readings, postcolonial engagements, cross-cultural encounters, drama as performance, translational and adaptation modes, the non-translated or the non-translatable Tagore drama, Tagore drama in the 21st century, and Indian film. The volume serves as a wide-ranging and up-to-date resource on the criticism of Tagore drama, and will appeal to a range of Theatre and Performance scholars as well as those interested in Indian theatre, literature, and film.
Author: Rochona Majumdar Publisher: Duke University Press ISBN: 0822390809 Category : History Languages : en Pages : 357
Book Description
An innovative cultural history of the evolution of modern marriage practices in Bengal, Marriage and Modernity challenges the assumption that arranged marriage is an antiquated practice. Rochona Majumdar demonstrates that in the late colonial period Bengali marriage practices underwent changes that led to a valorization of the larger, intergenerational family as a revered, “ancient” social institution, with arranged marriage as the apotheosis of an “Indian” tradition. She meticulously documents the ways that these newly embraced “traditions”—the extended family and arranged marriage—entered into competition and conversation with other emerging forms of kinship such as the modern unit of the couple, with both models participating promiscuously in the new “marketplace” for marriages, where matrimonial advertisements in the print media and the payment of dowry played central roles. Majumdar argues that together the kinship structures newly asserted as distinctively Indian and the emergence of the marriage market constituted what was and still is modern about marriages in India. Majumdar examines three broad developments related to the modernity of arranged marriage: the growth of a marriage market, concomitant debates about consumption and vulgarity in the conduct of weddings, and the legal regulation of family property and marriages. Drawing on matrimonial advertisements, wedding invitations, poems, photographs, legal debates, and a vast periodical literature, she shows that the modernization of families does not necessarily imply a transition from extended kinship to nuclear family structures, or from matrimonial agreements negotiated between families to marriage contracts between individuals. Colonial Bengal tells a very different story.
Author: Rana Nayar Publisher: Routledge ISBN: 1351570366 Category : Social Science Languages : en Pages : 249
Book Description
This volume discusses the development of cultural studies in India. It shows how inter-disciplinarity and cultural pluralism form the basis of this emerging field. It deals with contemporary debates and interpretations of post-colonial theory, subaltern studies, Marxism and post-Marxism, nationalism and post-nationalism. Drawing upon literature, linguistics, history, political science, media and theatre studies, and cultural anthropology, it explores themes such as caste, indigenous peoples, vernacular languages and folklore and their role in the making of historical consciousness. A significant intervention in the area, this book will be useful to scholars and students of cultural studies and theory, literature, history, cultural anthropology, sociology, and media and mass communication, as well as the general reader.
Author: Sumanyu Satpathy
Author: Sumanyu Satpathy
Author: 
Author: SUMANYU. SATPATHY
Author: Ashim Dutta
Author: Dr. Deepak Deore
Author: Toral Jatin Gajarawala
Author: Arnab Bhattacharya
Author: Jayant Lele
Author: Rochona Majumdar
Author: Rana Nayar