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Author: Brayton Polka Publisher: Lexington Books ISBN: 0739193163 Category : Religion Languages : en Pages : 219
Book Description
Modernity between Wagner and Nietzsche analyzes the operas and writings of Wagner in order to prove that the ideas on which they are based contradict and falsify the values that are fundamental to modernity. This book also analyzes the ideas that are central to the philosophy of Nietzsche, demonstrating that the values on the basis of which he breaks with Wagner and repudiates their common mentor, Schopenhauer, are those fundamental to modernity. Brayton Polka makes use of the critical distinction that Kierkegaard draws between Christianity and Christendom. Christianity represents what Nietzsche calls the faith that is presupposed in unconditionally willing the truth in saying yes to life. Christendom, in contrast, represents the bad faith of nihilism in saying no to life. Polka then shows that Wagner, in following Schopenhauer, represents Christendom with the demonstration in his operas that life is nothing but death and death is nothing but life. In other words, the purpose of the will for Wagner is to annihilate the will, since it is only in and through death that human beings are liberated from life as willfully sinful. Nietzsche, in contrast, is consistent with the biblical concept that existence is created from nothing, from nothing that is not made in the image of God, that any claim that the will can will not to will is contradictory and hence false. For not to will is, in truth, still to will nothing. There is then, Nietzsche shows, no escape from the will. Either human beings will the truth in saying yes to life as created from nothing, or in truly willing nothing, they say no to life in worshiping the God of Christendom who is dead.
Author: Brayton Polka Publisher: Lexington Books ISBN: 0739193163 Category : Religion Languages : en Pages : 219
Book Description
Modernity between Wagner and Nietzsche analyzes the operas and writings of Wagner in order to prove that the ideas on which they are based contradict and falsify the values that are fundamental to modernity. This book also analyzes the ideas that are central to the philosophy of Nietzsche, demonstrating that the values on the basis of which he breaks with Wagner and repudiates their common mentor, Schopenhauer, are those fundamental to modernity. Brayton Polka makes use of the critical distinction that Kierkegaard draws between Christianity and Christendom. Christianity represents what Nietzsche calls the faith that is presupposed in unconditionally willing the truth in saying yes to life. Christendom, in contrast, represents the bad faith of nihilism in saying no to life. Polka then shows that Wagner, in following Schopenhauer, represents Christendom with the demonstration in his operas that life is nothing but death and death is nothing but life. In other words, the purpose of the will for Wagner is to annihilate the will, since it is only in and through death that human beings are liberated from life as willfully sinful. Nietzsche, in contrast, is consistent with the biblical concept that existence is created from nothing, from nothing that is not made in the image of God, that any claim that the will can will not to will is contradictory and hence false. For not to will is, in truth, still to will nothing. There is then, Nietzsche shows, no escape from the will. Either human beings will the truth in saying yes to life as created from nothing, or in truly willing nothing, they say no to life in worshiping the God of Christendom who is dead.
Author: Andrea Gogröf-Voorhees Publisher: Peter Lang ISBN: 9780820437934 Category : Literary Criticism Languages : en Pages : 218
Book Description
Defining Modernism investigates the intellectual connections among three leading nineteenth-century European modernists - Baudelaire, Nietzsche, and Richard Wagner. Through a close reading of Baudelaire's and Nietzsche's essays on art and culture, Wagner's role in the two writers' attempts to define the radically new concept of «modernism» is elucidated. Gogröf-Voorhees explores the affinity between the two writers, which emerges from a juxtaposition of their formulations of the idea of a fractured, contradictory modernity that at once embraces, scatters, and reevaluates an entire constellation of ideas, including romanticism, pessimism, decadence, and nihilism.
Author: Matthew Rampley Publisher: Cambridge University Press ISBN: 0521651557 Category : Art Languages : en Pages : 302
Book Description
Nietzsche, Aesthetics and Modernity analyzes Nietzsche's response to the aesthetic tradition, tracing in particular the complex relationship between the work and thought of Nietzsche, Kant, and Hegel. Focusing in particular on the critical role of negation and sublimity in Nietzsche's account of art, it explores his confrontation with modernity and his attempt to posit a revitalized artistic practice as the counter-movement to modern nihilism. It also highlights the extent to which Nietzsche counters the culture of his own time with a dialectical notion of aesthetic interpretation and practice.
Author: Roger Hollinrake Publisher: Taylor & Francis ISBN: 1135175233 Category : Philosophy Languages : en Pages : 260
Book Description
Nietzsche’s relationship with Wagner has long been a source of controversy and has given rise to a number of important studies, including this major breakthrough in Nietzsche scholarship, first published in 1982. In this work Hollinrake contends that the nature and extent of the anti-Wagnerian pastiche and polemic in Thus Spake Zarathustra is arguably the most important factor in the association between the two. Thus Wagner, as the purveyor of a particular brand of Schopenhauerian pessimism, is here revealed as one of the principle sources – and targets – of Zarathustra. Whilst addressed primarily to students of German Literature, this book will also be of interest to musicians, philosophers and students of the history of culture and ideas.
Author: Friedrich Wilhelm Nietzsche Publisher: Good Press ISBN: Category : Music Languages : en Pages : 115
Book Description
"The Case of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms" is a novel by the famed German philosopher Friedrich Nietzsche. Nietzsche wrote the rough draft of "The Case of Wagner" in Turin, during the month of May 1888 and it was published in the following autumn. "Nietzsche contra Wagner" was also written about the middle of December 1888 but it was not published until long afterwards owing to Nietzsche's complete breakdown in the first days of 1889. Being a disciple at first of Richard Wagner, Nietsche found himself drifting farther and farther away intellectually from Wagner resulting in this book. In Wagner's music, in his doctrine, in his whole concept of art, Nietzsche saw the confirmation, the promotion—aye, even the encouragement, of that decadence and degeneration then rampant in Europe; and it is for this reason, although to the end of his life he still loved Wagner, the man and the friend, that we find him, on the very eve of his spiritual death, exhorting his readers to abjure Wagner the musician and the artist.
Author: Ryan Harvey Publisher: Edinburgh Critical Guides to N ISBN: 9781474459396 Category : Music Languages : en Pages : 208
Book Description
The first full-length critical introduction in English to Nietzsche's lifelong obsession with Wagner, and why it matters for understanding Nietzsche's philosophy as a whole
Author: Joachim Köhler Publisher: Yale University Press ISBN: 9780300076400 Category : Biography & Autobiography Languages : en Pages : 204
Book Description
"This is the second and final volume of Tim Hilton's life of John Ruskin, one of the greatest writers and thinkers of the nineteenth century. Ruskin was the most prolific English writer there has ever been. His published works alone number some 250 titles and this is besides lectures, diaries, correspondence and tens of thousands of letters that remain unpublished. This is the first biography of Ruskin to return to the original source material, some of which has been read for the first time by the author." "It begins in 1859 with Ruskin, famous as the author of Modern Painters, The Seven Lamps of Architecture and The Stones of Venice, living in south London with his parents, his disastrous marriage over, continuing to write and travel and to tutor, amongst other pupils, Rose La Touche, a girl of ten, with whom he slowly fell in love. This relationship would develop into one of the saddest love affairs of literary history ending in tragedy in 1875, and from which Ruskin would never recover." "From 1875 onwards Ruskin was plagued by bouts of insanity and despair that would lead to total breakdown for the last ten years of his life, but, as Hilton shows, the later years, far from being a period merely of decline, were a time when the great man's intellect and imagination reached new heights. It was in these years that Ruskin produced Praeterita and most of Fors Clavigera the series of monthly letters to British workers which Hilton discusses in the context of the writer's life." "As Slade Professor of Art at the University of Oxford he founded his drawing schools, today the Ruskin School of Art. His books and lectures were on subjects ranging from history of art to social reform to botany."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Friedrich Nietzsche Publisher: Livraria Press ISBN: 3689382483 Category : Philosophy Languages : en Pages : 129
Book Description
"The Wagner Case: A Musician's Problem" is one part of Nietzsche's broader critique of Richard Wagner, focusing more specifically on the artistic and cultural implications of Wagner's music. Nietzsche analyzes the psychological effects of Wagner's compositions, arguing that they induce a state of passive receptivity and emotional excess that is antithetical to the ideals of clarity, strength, and active engagement with life. He contends that Wagner's music represents a retreat from the challenges of modernity into a world of mythological nostalgia and aesthetic escapism. This critique reflects Nietzsche's broader concerns about the role of art in society and the need for a new cultural paradigm that embraces the complexities and uncertainties of the contemporary world. In this bitter and harsh polemical work, Nietzsche dissects Wagner's music and persona, accusing him of decadence and moral corruption. The text is notable for its sharp, aphoristic style and its blend of psychological insight and cultural criticism. Nietzsche contends that Wagner's art, while powerful and seductive, ultimately embodies the decline of European culture by appealing to base instincts and fostering a regressive, quasi-religious fervor. It was written in May-June 1888 and published later that year. The text was first published by C. G. Naumann in Leipzig. This new 2024 translation of the original 1888 German manuscript includes a new afterword by the translator, a timeline of Nietzsche's life and works, an index with descriptions of his key concepts, and summaries of his complete works. This translation is designed to allow the armchair philosopher to engage deeply with Nietzsche's works without having to be a full-time Academic. The language is modern and clean, with simplified sentence structures and diction to make Nietzsche's complex language and arguments as accessible as possible. This Reader's Edition also contains extra material that amplifies the manuscript with autobiographical, historical and linguistic context. This provides the reader a holistic view of this very enigmatic philosopher as both an introduction and an exploration of Nietzsche's works; from his general understanding of his philosophic project to an exploration of the depths of his metaphysics and unique contributions. This edition contains: • • An Afterword by the Translator on the history, impact and intellectual legacy of Nietzsche • Translation notes on the original German, Latin and Greek manuscript • An index of Philosophical concepts used by Nietzsche with a focus on Existentialism and Phenomenology • A chronological list of Nietzsche's entire body of works • A detailed timeline of Nietzsche's life and works
Author: Martine Prange Publisher: Walter de Gruyter ISBN: 3110315238 Category : Philosophy Languages : en Pages : 296
Book Description
Friedrich Nietzsche (1844-1900) supported the unification of Europe and reflected on this like few other philosophers before or after him. Many of his works are concerned with the present state and future of European culture and humanity. Resisting the “nationalist nonsense” and “politics of dissolution” of his day, he advocated the birth of “good Europeans,” i.e. “supra-national” individuals and the “amalgamation of nations.” Nietzsche, Wagner, Europe analyzes the development of Friedrich Nietzsche’s ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe’s economic-political union. The book claims that Nietzsche always propagated the “aestheticization” of Europe, but that his view on how to achieve this changed as a result of his dramatically altering philosophy of music. The main focus is on Nietzsche’s passion for and later aversion to Wagner’s music, and, in direct connection with this, his surprising embrace of Italian operas as new forms of “Dionysian” music and of Goethe as a model of “Good Europeanism.”
Author: Brayton Polka
Author: Brayton Polka
Author: Andrea Gogröf-Voorhees
Author: Matthew Rampley
Author: Roger Hollinrake
Author: Friedrich Wilhelm Nietzsche
Author: Ryan Harvey
Author: Joachim Köhler
Author: Friedrich Nietzsche
Author: Martine Prange
Author: Friedrich Wilhelm Nietzsche