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Author: Jörg Rademacher Publisher: LIT Verlag Münster ISBN: 9783825843113 Category : Literary Criticism Languages : en Pages : 234
Book Description
Following their first gathering in Munster, Westphalia, the city of Ford's ancestors, Fordians present a multi-faceted image of this Anglo-German and Francophile English Modernist. International interest in the Hueffers' German background will be triggered by two articles on Franz Hueffer and the references to Munster and Westphalia in Ford's writings. Excursions in politics and poetry and Ford in context provide a framework for "Aspects of Parade's End", the edition and simultaneous translation of which into major European languages forms the most important project for the new Millennium.
Author: Jörg Rademacher Publisher: LIT Verlag Münster ISBN: 9783825843113 Category : Literary Criticism Languages : en Pages : 234
Book Description
Following their first gathering in Munster, Westphalia, the city of Ford's ancestors, Fordians present a multi-faceted image of this Anglo-German and Francophile English Modernist. International interest in the Hueffers' German background will be triggered by two articles on Franz Hueffer and the references to Munster and Westphalia in Ford's writings. Excursions in politics and poetry and Ford in context provide a framework for "Aspects of Parade's End", the edition and simultaneous translation of which into major European languages forms the most important project for the new Millennium.
Author: Publisher: BRILL ISBN: 9004335498 Category : Art Languages : en Pages : 332
Book Description
Brill’s Companion to the Reception of Classics in International Modernism and the Avant-Garde examines how the writers and artists who lived from roughly the last quarter of the nineteenth century to the middle of the twentieth sought to build a new world from the ashes of one marked by two world wars, global economic depression, the rise of nationalism, and the collapse of empires. By surveying the modernist appropriation of Ancient Greece and Rome, the fourteen chapters in this volume demonstrate how the Classics, as foundational texts of the old order, were nevertheless adapted to suit the stylistic innovation and formal experimentation that characterized modernist and avant-garde literature and art.
Author: Helen Sword Publisher: Cornell University Press ISBN: 1501717669 Category : Literary Criticism Languages : en Pages : 227
Book Description
Spiritualism is often dismissed by literary critics and historians as merely a Victorian fad. Helen Sword demonstrates that it continued to flourish well into the twentieth century and seeks to explain why. Literary modernism, she maintains, is replete with ghosts and spirits. In Ghostwriting Modernism she explores spiritualism's striking persistence and what she calls "the vexed relationship between mediumistic discourse and modernist literary aesthetics."Sword begins with a brief historical review of popular spiritualism's roots in nineteenth-century literary culture. In subsequent chapters, she discusses the forms of mediumship most closely allied with writing, the forms of writing most closely allied with mediumship, and the thematic and aesthetic alliances between popular spiritualism and modernist literature. Finally, she accounts for the recent proliferation of a spiritualist-influenced vocabulary (ghostliness, hauntings, the uncanny) in the works of historians, sociologists, philosophers, and especially literary critics and theorists.Documenting the hitherto unexplored relationship between spiritualism and modern authors (some credulous, some skeptical), Sword offers compelling readings of works by James Joyce, T. S. Eliot, W. B. Yeats, H.D., James Merrill, Sylvia Plath, and Ted Hughes. Even as modernists mock spiritualism's ludicrous lingo and deride its metaphysical excesses, she finds, they are intrigued and attracted by its ontological shiftiness, its blurring of the traditional divide between high culture and low culture, and its self-serving tendency to favor form over content (medium, so to speak, over message). Like modernism itself, Sword asserts, spiritualism embraces rather than eschews paradox, providing an ideological space where conservative beliefs can coexist with radical, even iconoclastic, thought and action.
Author: James Longenbach Publisher: Princeton University Press ISBN: 1400858518 Category : Poetry Languages : en Pages : 299
Book Description
By thoroughly examining T. S. Eliot and Ezra Pound collected and uncollected writings, James Longenbach presents their understandings of the philosophical idea of history and analyzes the strategies of historical interpretation they discussed in their critical prose and embodied in their poems including history." Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Paul Stasi Publisher: Cambridge University Press ISBN: 1107021448 Category : Literary Criticism Languages : en Pages : 199
Book Description
This book provides a re-reading of canonical modernism, connecting it to imperialism without conflating it with imperialist practices.
Author: Xavier Kalck Publisher: Liverpool University Press ISBN: 1949979512 Category : Literary Criticism Languages : en Pages : 300
Book Description
Modernist Objects: Literature, Art, Culture is a unique mix of cultural studies, literature, and visual arts applied to the discrete materiality of modernist objects. Contributors explore the many tensions surrounding the modernist relationship to objects, things, products and artefacts through the prism of poetry, prose, visual arts, culture and crafts.
Author: Peter Fifield Publisher: Oxford University Press ISBN: 0192559354 Category : Literary Criticism Languages : en Pages : 273
Book Description
T. S. Eliot memorably said that separation of the man who suffers from the mind that creates is the root of good poetry. This book argues that this is wrong. Beginning from Virginia Woolf's 'On Being Ill', it demonstrates that modernism is, on the contrary, invested in physical illness as a subject, method, and stylizing force. Experience of physical ailments, from the fleeting to the fatal, the familiar to the unusual, structures the writing of the modernists, both as sufferers and onlookers. Illness reorients the relation to, and appearance of, the world, making it appear newly strange; it determines the character of human interactions and models of behaviour. As a topic, illness requires new ways of writing and thinking, altered ideas of the subject, and a re-examination of the roles of invalids and carers. This book reads the work five authors, who are also known for their illness, hypochondria, or medical work: D. H. Lawrence, Virginia Woolf, T. S. Eliot, Dorothy Richardson, and Winifred Holtby. It overturns the assumption that illness is a simple obstacle to creativity and instead argues that it is a subject of careful thought and cultural significance.
Author: Patricia Waugh Publisher: ISBN: 9780199291335 Category : Literary Criticism Languages : en Pages : 632
Book Description
This volume offers a comprehensive account of modern literary criticism, presenting the field as part of an ongoing historical and intellectual tradition. Featuring thirty-nine specially commissioned chapters from an international team of esteemed contributors, it fills a large gap in the market by combining the accessibility of single-authored selections with a wide range of critical perspectives. The volume is divided into four parts. Part One covers the key philosophical and aesthetic origins of literary theory, while Part Two discusses the foundational movements and thinkers in the first half of the twentieth century. Part Three offers introductory overviews of the most important movements and thinkers in modern literary theory, and Part Four looks at emergent trends and future directions.
Author: Jörg Rademacher
Author: Jörg Rademacher
Author: 
Author: Helen Sword
Author: Ezra Pound
Author: Thomas Stearns Eliot
Author: James Longenbach
Author: Paul Stasi
Author: Xavier Kalck
Author: Peter Fifield
Author: Patricia Waugh