Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 34
Book Description
Modern and New Editions of Standard Works
Author: Modern Publications, and New Editions of Valuable Standard Works
Author: Longman, Hurst, Rees, Orme, and BrownPublisher:
ISBN:
Category : Publishers' catalogs
Languages : en
Pages : 18
Book Description
Modern Publications, and New Editions of Valuable Standard Works, Printed for Longman, Hurst, Rees, and Orme ..
Author: Longman, Hurst, Rees, and OrmePublisher:
ISBN:
Category : Publishers' catalogs
Languages : en
Pages : 16
Book Description
Modern Publications and New Editions of Valuable Standard Works, Published, Or Preparing for Publication
Author: Lea & FebigerModern Publications, and New Editions of Valuable Standard Works, Printed for Longman, Hurst, Rees, Orme, and Brown, Paternoster- Row
Author: Longman, Hurst, Rees, Orme, and BrownPublisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 172
Book Description
Modern Publications and Standard Works, Published by Simpkin and Marshall, Stationer's Court, Ludgate Street, London, and Sold by All Booksellers
Author: Simpkin and MarshallThe Eclectic Review
Author: Samuel Greatheed“The” Quarterly Review
Author: Notes and Queries
Author: Publisher:
ISBN:
Category : Questions and answers
Languages : en
Pages : 664
Book Description
The Publishing and Marketing of Illustrated Literature in Scotland, 1760–1825
Author: Sandro JungPublisher: Rowman & Littlefield
ISBN: 161146238X
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
A ground-breaking contribution to the economic and cultural history of the eighteenth- and early nineteenth-century publishing of illustrated belles lettres in Scotland, the book offers detailed accounts of numerous agents of prints (booksellers, printers, designers, engravers) and their involvement in the making and marketing of illustrated editions. It examines the ways in which the makers of books not only produced printed visual culture artefacts but also contributed to the ideological inscription of these illustrations to engender patriotic concerns and issues of national identity. The book differs fundamentally from existing interventions in book illustration studies: Examinations of eighteenth- and early nineteenth-century British literary book illustrations have, as a rule, been selective rather than broad in scope or systematic in outlook; they have focused on English examples of book illustrations. By contrast, The Publishing and Marketing of Illustrated Literature in Scotland, 1760-1820 studies a large body of illustrated editions andadopts a systematic and decentered (non-London-centered) approach. It focuses on the examination of the production of literary book illustrations in eighteenth- and early nineteenth-century Scotland, while at the same time bearing in mind that developments in the marketing of illustrated books need to be understood as part of the cultural and book-historical dynamics of exchange that existed between Scotland and England. Not only does the monograph offer the first large-scale study of the subject, contextualizing literary book illustrations in terms of the ideologically defined ventures as part of which they were issued, but it also draws a map of illustrated works that has not been imagined yet by scholars of the history of the eighteenth- and early nineteenth-century book. In doing so, the book provides an account of the publishing of belles lettres and the various strategies that bookseller-publishers deployed to market their editions competitively in both Scotland and England.