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Author: Kerstin Stutterheim Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften ISBN: 9783631796504 Category : Motion picture authorship Languages : en Pages : 212
Book Description
Dramaturgy can enrich film understanding, for those who make films, as well as for those who want to analyse and understand better why they are made how. Film dramaturgy supports the creative process of filmmaking, especially the work of the authors, directors and producers. Students and professionals can benefit from this knowledge.
Author: Kerstin Stutterheim Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften ISBN: 9783631796504 Category : Motion picture authorship Languages : en Pages : 212
Book Description
Dramaturgy can enrich film understanding, for those who make films, as well as for those who want to analyse and understand better why they are made how. Film dramaturgy supports the creative process of filmmaking, especially the work of the authors, directors and producers. Students and professionals can benefit from this knowledge.
Author: Christian Rogowski Publisher: Ariadne Press (CA) ISBN: Category : Drama Languages : en Pages : 336
Book Description
This study analyzes Musil's contribution to the praxis and poetics of drama by placing his dramatic efforts in the context of what Peter Szondi has described as the "crisis of modern drama". Musil's plays address such issues as the problem of dramatic mimesis and the question of whether there can be a modern form of tragic drama appropriate to the experience of modernity. Close readings of his texts explore how any drama prefigures the interaction between text/reader and performance/audience by means of self-referential devices. Such an investigation not only reveals a special facet of Musil's oeuvre, but also offers a contribution towards a theory of reading drama, a reading of the printed play as a prefiguration of an enacted event.
Author: Philippa Kelly Publisher: Routledge ISBN: 042981772X Category : Performing Arts Languages : en Pages : 169
Book Description
Diversity, Inclusion, and Representation in Contemporary Dramaturgy offers fresh perspectives on how dramaturgs can support a production beyond rigid disciplinary expectations about what information and ideas are useful and how they should be shared. The sixteen contributors to this volume offer personal windows into dramaturgy practice, encouraging theater practitioners, students, and general theater-lovers to imagine themselves as dramaturgs newly inspired by the encounters and enquiries that are the juice of contemporary theater. Each case study is written by a dramaturg whose body of work explores important issues of race, cultural equity, and culturally-specific practices within a wide range of conventions, venues, and communities. The contributors demonstrate the unique capacity of their craft to straddle the ravine between stage and stalls, intention and impact. By unpacking, in the most up-to-date ways, the central question of “Why this play, at this time, for this audience?,” this collection provides valuable insights and dramaturgy tools for scholars and students of Dramaturgy, Directing, and Theater Studies.
Author: Vania Batchvarova Publisher: Xlibris Corporation ISBN: 1543416373 Category : Education Languages : en Pages : 207
Book Description
???????? ???????? ?? ????????? ???? ??? ???????? ?????????. ???????? ??????????? ???? ????? ?? ????????????????? ?????? ??????? ?????????? ???????? ???????????????? ??????? ? ????????????? ?? ????? ?????????? ????. ????????? ?? ??????????? ??????? ?? ??????????? ????????. ?????????? ?? ?????????? ????????? ?? ??????????????? ? ???????????????? ??????????. ???????????? ?????? ?? ????????? ? ???????????. ???? ??????????? ?? ??????? ???????? ?? ???????? ?????????? ?? ??????? ??????? ?? ???????? ? ??????? ?????? ?? ????????????? ?? ????????? ??????? ??? ????????? ???????????????? ???????. Directing an opera is examined as a kind of a practical applied philosophy. The opera dramaturgy is an expression of social interrelationthe individual follows a social-psychological process and their impact on the musical language. The objective borders of the philosophical context are outlined. The theoretical analysis develops further to the practical. The sphere of theory is leaved through the creation of work hypotheses for stage setting and begins a process of transference from authors intention to analogue decisions for interpretation.
Author: Peter Eckersall Publisher: Routledge ISBN: 1000379337 Category : Art Languages : en Pages : 218
Book Description
Curating Dramaturgies investigates the transformation of art and performance and its impact on dramaturgy and curatorship. Addressing contexts and processes of the performing arts as interconnecting with visual arts, this book features interviews with leading curators, dramaturgs and programmers who are at the forefront of working in, with, and negotiating the daily practice of interdisciplinary live arts. The book offers a view of praxis that combines perspectives on theory and practice and looks at the way that various arts institutions, practitioners and cultural agents have been working to change the way that art and performance have developed and experienced by spectators in the last decade. Curating Dramaturgies argues that cultural producers and scholars are becoming more cognizant of this overlapping and transforming field. The introductory essay by the editors explores the rise of interdisciplinary live arts and its ramifications in cultural and political terms. This is further elaborated in the interviews with 15 diversely placed arts professionals who are at the forefront of rethinking and consolidatingthe ever-evolving field of the visual arts and performance.
Author: Nadine Holdsworth Publisher: John Wiley & Sons ISBN: 1118492137 Category : Literary Criticism Languages : en Pages : 326
Book Description
Focusing on major and emerging playwrights, institutions, and various theatre practices this Concise Companion examines the key issues in British and Irish theatre since 1979. Written by leading international scholars in the field, this collection offers new ways of thinking about the social, political, and cultural contexts within which specific aspects of British and Irish theatre have emerged and explores the relationship between these contexts and the works produced. It investigates why particular issues and practices have emerged as significant in the theatre of this period.
Author: Rebecca Benzie Publisher: Bloomsbury Publishing ISBN: 1350191280 Category : Performing Arts Languages : en Pages : 233
Book Description
When we think of the contemporary British history play, why might we automatically think of playwrights such as David Hare, Howard Brenton, Peter Gill and Edward Bond? Because for decades the writing of the history play has been the preserve of the white male. This book provides a vital feminist intervention into the dramaturgy of history plays, investigating work produced at major British theatres from 2000 to the present, written by a generation of innovative women playwrights. This much-needed study explores the use of history – specifically Elizabethan, Restoration, Victorian and early 20th century – in contemporary playwriting in order to interrogate the gender politics of this work. Within the framework of contemporary feminism – including the pivotal #MeToo movement – the book looks at post-2000s feminist drama that somehow represents the past. Through delving into the recurring tropes and their politics in the light of current feminist debate, the author helps us grasp how these plays essentially re-imagine gender politics. Plays that are considered include Emilia (Morgan Lloyd Malcolm), Swive [Elizabeth] (Ella Hickson), An August Bank Holiday Lark (Deborah McAndrew), The Empress (Tanika Gupta), Red Velvet (Lolita Chakrabarti), Scuttlers (Rona Munro), I, Joan (Charlie Josephine), Blue Stockings and Nell Gwynn (Jessica Swale), and the musical Six (Toby Marlow and Lucy Moss).
Author: Mary Luckhurst Publisher: Cambridge University Press ISBN: 1139448188 Category : Drama Languages : en Pages : 19
Book Description
Dramaturgy: A Revolution in Theatre is a substantial history of the origins of dramaturgs and literary managers. It frames the explosion of professional appointments in England within a wider continental map reaching back to the Enlightenment and eighteenth-century Germany, examining the work of the major theorists and practitioners of dramaturgy, from Granville Barker and Gotthold Lessing to Brecht and Tynan. This study positions Brecht's model of dramaturgy as central to the worldwide revolution in theatre-making practices, and it also makes a substantial argument for Granville Barker's and Tynan's contributions to the development of literary management. With the territories of play and performance-making being increasingly hotly contested, and the public's appetite for new plays showing no sign of diminishing, Mary Luckhurst investigates the dramaturg as a cultural and political phenomenon.
Author: Kerstin Stutterheim
Author: Kerstin Stutterheim
Author: Pearl Vivian Willoughby
Author: Christian Rogowski
Author: Philippa Kelly
Author: Vania Batchvarova
Author: Peter Eckersall
Author: Nadine Holdsworth
Author: Una Chaudhuri
Author: Rebecca Benzie
Author: Mary Luckhurst