Modern Art, 19th and 20th Centuries PDF Download

Author: Meyer Schapiro
Publisher: New York : G. Braziller, 1978, 1979 printing.
ISBN: 9780807608999
Category : Art
Languages : en
Pages : 370

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Author: Meyer Schapiro
Publisher: New York : G. Braziller, 1978, 1979 printing.
ISBN:
Category : Art
Languages : en
Pages : 384

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Author: John Crozier Galloway
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 170

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Author: Patricia Hills
Publisher: Pearson
ISBN: 9780130361387
Category : Art, American
Languages : en
Pages : 0

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Book Description
This chronologically organized and comprehensive anthology of readings tells the whole story of art in America from 1900 to the present. It focuses on the themes, issues, and controversies that occurred throughout the century--using selections that are contemporary with the art--by artists, critics, exhibition organizers, poets, politicians, and other writers on culture. Some recurring themes and issues include issues of identity; the changing nature of modernism and modernity; nationalism; art as individual or community expression; the nature of public art; and the role of criticism, censorship, and government intervention. Texts by well-known writers include Meyer Schapiro, Clement Greenberg, Michael Fried, Donald Kuspit, and Kate Linker. A guide for those interested in both the standard interpretations of American art and in alternative readings.

Author: Meyer Schapiro
Publisher: National Geographic Books
ISBN: 0807616079
Category : Antiques & Collectibles
Languages : en
Pages : 0

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Book Description
This revised edition of Meyer Schapiro's exceptional collection of essays includes a new preface by Adrienne Baxter Bell. Considered the master of the essay, Meyer Schapiro approached scholarship with a great deal of imaginative historical perception, as well as an "unashamed passion for the works of art before him," rendering his writings highly engaging and appealing to a broad range of readers. A rich diversity of writing can be found within this collection, which offers studies of individual artists (Cézanne, Picasso, Mondrian, and Seurat) as well as essays on the reception and social meanings of modern art. Yet, even in his most aesthetic analyses, Schapiro never lost sight of the heroic efforts of the individual artists and of the cultural contexts in which their works were made and received. Modern Art won the National Book Critics Circle Award (1978) and the Mitchell Prize for Art History (1979) and was a nominee for a National Book Award (1979).

Author: Anca I. Lasc
Publisher:
ISBN: 9781472449634
Category : Domestic space
Languages : en
Pages : 0

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Book Description
The nineteenth century - the Era of the Interior - witnessed the steady displacement of art from the ceilings, walls, and floors of aristocratic and religious interiors to the everyday spaces of bourgeois households, subject to their own enhanced ornamentation. Following the 1863 Salon des refuses, the French State began to channel mediocre painters into the decorative arts. England, too, launched an extensive reform of the decorative arts, resulting in more and more artists engaged in the production and design of complete interiors. America soon followed. Present art historical scholarship - still indebted to a modernist discourse that sees cultural progress to be synonymous with the removal of ornament from both utilitarian objects and architectural spaces - has not yet acknowledged the importance of the decorative arts in the myriad interior spaces of the 1800s. Nor has mainstream art history reckoned with the importance of the interior in nineteenth-century life and thought. Aimed at an interdisciplinary audience, including art and design historians, historians of the modern interior, interior designers, visual culture theorists, and scholars of nineteenth-century material culture, this collection of essays studies the modern interior in new ways. The volume addresses the double nature of the modern interior as both space and image, blurring the boundaries between arts and crafts, decoration and high art, two-dimensional and three-dimensional design, trompe-l'oeil effects and spatial practices. In so doing, it redefines the modern interior and its objects as essential components of modern art.

Author: H.H. Arnason
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: James H. Rubin
Publisher: Univ of California Press
ISBN: 0520248015
Category : Art
Languages : en
Pages : 208

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Book Description
The examples convey not only these major themes but also the painters' belief in the progress of civilization through science and industry. The book thus expands the scope of Impressionist celebrations of modernity to include what might be called Impressionism's "other landscape" and proposes that in the Impressionists' effort to forge a modern landscape art, those signs of modernity defined their vision most clearly."--BOOK JACKET.

Author: Juliet Kinchin
Publisher: The Museum of Modern Art
ISBN: 0870708260
Category : Design
Languages : en
Pages : 273

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Book Description
The book examines individual and collective visions for the material world of children, from utopian dreams for the citizens of the future to the dark realities of political conflict and exploitation. Surveying more than 100 years of toys, clothing, playgrounds, schools, children's hospitals, nurseries, furniture, posters, animation and books, this richly illustrated catalogue illuminates how progressive design has enhanced the physical, intellectual, and emotional development of children and, conversely, how models of children's play have informed experimental aesthetics and imaginative design thinking.

Author: Stephen Eisenman
Publisher:
ISBN: 9780500237939
Category : Art
Languages : en
Pages : 428

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Book Description
"The revised and expanded edition of Nineteenth Century Art: A Critical History embraces many aspects of the so-called 'new' art history - attention to issues of class and gender, reception and spectatorship, racism and Eurocentrism - while at the same time recovering the remarkable vitality, salience and subversiveness of the era's best art. Indeed, the authors insist that there is a profound sympathy between these new perspectives and the art under examination. For it was nineteenth-century artists who first addressed the issues that preoccupy audiences and scholars today: the relation between popular and elite culture, the legacy of the Enlightenment, the question of the canon, and the representation of workers, women and non-whites."--BOOK JACKET.