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Author: Wendy Piper Publisher: Mercer University Press ISBN: 0881462179 Category : Literary Criticism Languages : en Pages : 206
Book Description
This book offers a fresh approach to Hawthorne and O'Connor as writers of the American romance. Drawing from a contemporary philosophical context, it applies Gadamer's cultural critique of modernity to the moral and artistic visions conveyed through the authors' use of the literary form of romance. Hawthorne defines the romance form in terms of its freedom from the realism demanded by the novel. The writer of romance creates a neutral territory between the actual and imaginary, inner and outer reality. The world of the romance is therefore one of the author's own making, freed from the constraints of objective reality. As Hawthorne's formulation emphasizes mystery as the traditional realm of romance, it closes the gap between subject and object upon which modern scientific objectivity is based. Hawthorne's scientists, idealist philosophers, artists, and Puritans demonstrate not only his characteristic head and heart dichotomy, but also the prevailing subjectivism of Enlightenment modernity. O'Connor adopts Hawthorne's romance in her own use of the grotesque and for a similar ethical purpose. As a Catholic Christian, she distorts the real in order to reveal the mystery that surrounds existence. O'Connor's secular reformers, liberal intellectuals, and nihilists attempt to manipulate the world of matter in order to improve or remake the world to their own liking. Like Hawthorne's characters, they are confronted by the mystery of the romance to be recalled to the reality of their own finitude. In the field of hermeneutics, Gadamer makes claims that are pertinent to the narratives of Hawthorne and O'Connor. Against the dualism of modern method, he conceives of knowledge as a "fusion of horizons." This dialogic nature of knowledge calls into question the prevailing scientism of post-Enlightenment modernity. Like the fiction writers, he asserts the mystery of aesthetic experience against the will-to-power that, he argues, is characteristic of modern method. This interdisciplinary study seeks to demonstrate that Gadamer's notions of understanding and the philosophical nature of art shed new light on the moral dimension of the romances of Hawthorne and O'Connor.
Author: Wendy Piper Publisher: Mercer University Press ISBN: 0881462179 Category : Literary Criticism Languages : en Pages : 206
Book Description
This book offers a fresh approach to Hawthorne and O'Connor as writers of the American romance. Drawing from a contemporary philosophical context, it applies Gadamer's cultural critique of modernity to the moral and artistic visions conveyed through the authors' use of the literary form of romance. Hawthorne defines the romance form in terms of its freedom from the realism demanded by the novel. The writer of romance creates a neutral territory between the actual and imaginary, inner and outer reality. The world of the romance is therefore one of the author's own making, freed from the constraints of objective reality. As Hawthorne's formulation emphasizes mystery as the traditional realm of romance, it closes the gap between subject and object upon which modern scientific objectivity is based. Hawthorne's scientists, idealist philosophers, artists, and Puritans demonstrate not only his characteristic head and heart dichotomy, but also the prevailing subjectivism of Enlightenment modernity. O'Connor adopts Hawthorne's romance in her own use of the grotesque and for a similar ethical purpose. As a Catholic Christian, she distorts the real in order to reveal the mystery that surrounds existence. O'Connor's secular reformers, liberal intellectuals, and nihilists attempt to manipulate the world of matter in order to improve or remake the world to their own liking. Like Hawthorne's characters, they are confronted by the mystery of the romance to be recalled to the reality of their own finitude. In the field of hermeneutics, Gadamer makes claims that are pertinent to the narratives of Hawthorne and O'Connor. Against the dualism of modern method, he conceives of knowledge as a "fusion of horizons." This dialogic nature of knowledge calls into question the prevailing scientism of post-Enlightenment modernity. Like the fiction writers, he asserts the mystery of aesthetic experience against the will-to-power that, he argues, is characteristic of modern method. This interdisciplinary study seeks to demonstrate that Gadamer's notions of understanding and the philosophical nature of art shed new light on the moral dimension of the romances of Hawthorne and O'Connor.
Author: D. G. Kehl Publisher: Wipf and Stock Publishers ISBN: 1621896129 Category : Religion Languages : en Pages : 246
Book Description
When he was a student at Oxford University, C. S. Lewis wrote to a friend expressing his great admiration of and enthusiasm for the novels of Nathaniel Hawthorne, particularly The House of the Seven Gables and Transformation (British title of The Marble Faun). This study examines the parallels between these two kindred spirits and their works, focusing on their similar worldviews, their personal backgrounds and lifestyles, and the "Ultimates" they both pondered. It discusses common themes in their works, such as myth, scientism, and "the great power of blackness." Their respective attitudes toward these issues and others, such as faith, repentance, heaven and hell, confession, church attendance, the clergy, and Puritanism are strikingly similar. Considerable attention is given to "companion pieces" of the two writers, with discussion of the so-called "Fortunate Fall" in The Marble Faun and Perelandra, veil imagery in "The Minister's Black Veil," The Blithedale Romance, and Till We Have Faces, influence of Bunyan's allegory on The Pilgrim's Regress and "The Celestial Railroad," and multiform love in The Four Loves and The House of the Seven Gables. Examination of such affinities between these two writers and their works provides mutual illumination and enhanced appreciation of each.
Author: R. Miles Publisher: Springer ISBN: 0230582273 Category : Literary Criticism Languages : en Pages : 255
Book Description
This book explores the false starts and disturbances of Romantic writing in Britain - 'misfits' and misfittings - as both a constitutive challenge to canonical romanticism and a distinctive literary field worth examining on its own account. Misfits include the Shakespeare forger W.H. Ireland, the novel itself, and the culture of Dissent.
Author: Melissa J. Homestead Publisher: Oxford University Press ISBN: 019065287X Category : Biography & Autobiography Languages : en Pages : 409
Book Description
Drawing on newly uncovered archives, The Only Wonderful Things offers a groundbreaking look at American novelist Willa Cather's creative process by arguing that the writer's life partner, magazine editor Edith Lewis, had a crucial impact on Cather's literary work.
Author: Timothy Parrish Publisher: Cambridge University Press ISBN: 1107013135 Category : Literary Criticism Languages : en Pages : 369
Book Description
This volume provides newly commissioned essays from leading scholars and critics on the social and cultural history of the novel in America. It explores the work of the most influential American novelists of the past 200 years, including Melville, Twain, James, Wharton, Cather, Faulkner, Ellison, Pynchon, and Morrison.
Author: Christopher MacGowan Publisher: John Wiley & Sons ISBN: 1405170468 Category : Literary Criticism Languages : en Pages : 500
Book Description
A look at the first five decades of 20th century American literature, covering a wide range of literary works, figures, and influences A History of American Literature 1900-1950 is a current and well-balanced account of the main literary figures, connections, and ideas that characterized the first half of the twentieth century. In this readable, highly informative book, the author explores significant developments in American drama, fiction, and poetry, and discusses how the literature of the period influenced, and was influenced by, cultural trends in both the United States and abroad. Considering works produced during America’s rise to prominence on the world stage from both regional and international perspectives, MacGowan provides readers with keen insights into the literature of the period in relation to America’s transition from an agrarian nation to an industrial power, the racial and economic discrimination of Black and Native American populations, the greater financial and social independence of women, the economic boom of the 1920s, the Depression of the 1930s, the impact of world wars, massive immigration, political and ideological clashes, and more. Encompassing five decades of literary and cultural diversity in one volume, A History of American Literature 1900-1950: Covers American theater, poetry, fiction, non-fiction, memoirs, magazines and literary publications, and popular media Discusses the ways writers dramatized the immense social, economic, cultural, and political changes in America throughout the first half of the twentieth century Explores themes and influences of Modernist poets, expatriate novelists, and literary publications founded by women and African-Americans Features the work of Black writers, Native Americans, Asian Americans, and Jewish Americans A History of American Literature 1900-1950 is essential reading for all students in upper-level American literature courses as well as general readers looking to better understand the literary tradition of the United States.
Author: Amber Benson Publisher: Penguin ISBN: 1101014512 Category : Fiction Languages : en Pages : 372
Book Description
Buffy fans will go wild! SHE WAS TARA ON BUFFY THE VAMPIRE SLAYER. Now she’s the author of Ace’s hottest new series— killer novels featuring Calliope Reaper-Jones, who doesn’t want to be daddy’s little girl anymore... View our feature on Amber Benson’s Death's Daughter. Calliope Reaper-Jones so just wanted a normal life: buying designer shoes on sale, dating guys from Craig’s List, web-surfing for organic dim-sum for her boss... But when her father—who happens to be Death himself—is kidnapped, and the Devil’s Protege embarks on a hostile takeover of the family business, Death, Inc., Callie returns home to assume the CEO mantle— only to discover she must complete three nearly impossible tasks in the realm of the afterlife first.
Author: Wendy Piper
Author: Wendy Piper
Author: D. G. Kehl
Author: R. Miles
Author: Melissa J. Homestead
Author: Timothy Parrish
Author: Christopher MacGowan
Author: Amber Benson
Author: Jay Parini
Author: 
Author: