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Author: Albert C. Labriola Publisher: Penn State University Press ISBN: Category : Art Languages : en Pages : 264
Book Description
Milton's influence upon poets and poetry has been broadly and specifically studied often in collections of essays. The present volume of original essays, by emphasizing and classifying Milton's influence on the arts other than poetry, is a significant addition to interdisciplinary scholarship. The editors choose to interpret John Good's words literally--Milton's influence "was powerfully felt upon all the multiplied forms and phases of eighteenth century life"--and to examine the implications of that assertion even into twentieth-century life. No other volume considers the certainty or possibility of Milton's influence on arts as diverse as oratorio, opera, drama, dance, book illustration, sculpture, and landscape architecture. Beyond Milton's well-documented influence on poets and poetry, the contributors focus their attention on the other arts and other creative artists whose imaginations were nevertheless affected by the poet Milton, at times profoundly so. Their chief aim is to be representative, not fully comprehensive, in defining, describing, and demonstrating the manifold influence of Milton on the other arts. A related aim is to motivate others to do likewise. Divided into three parts--Milton and book illustrations, Milton and the performing arts, and Milton and the philosophy of form--this book makes a central and significant point about the impact of Milton's work on the imaginations of artists in various disciplines throughout the following centuries. Indeed, for many of the works of art analyzed in the present volume, Milton must be considered their "onlie begetter."
Author: Albert C. Labriola Publisher: Penn State University Press ISBN: Category : Art Languages : en Pages : 264
Book Description
Milton's influence upon poets and poetry has been broadly and specifically studied often in collections of essays. The present volume of original essays, by emphasizing and classifying Milton's influence on the arts other than poetry, is a significant addition to interdisciplinary scholarship. The editors choose to interpret John Good's words literally--Milton's influence "was powerfully felt upon all the multiplied forms and phases of eighteenth century life"--and to examine the implications of that assertion even into twentieth-century life. No other volume considers the certainty or possibility of Milton's influence on arts as diverse as oratorio, opera, drama, dance, book illustration, sculpture, and landscape architecture. Beyond Milton's well-documented influence on poets and poetry, the contributors focus their attention on the other arts and other creative artists whose imaginations were nevertheless affected by the poet Milton, at times profoundly so. Their chief aim is to be representative, not fully comprehensive, in defining, describing, and demonstrating the manifold influence of Milton on the other arts. A related aim is to motivate others to do likewise. Divided into three parts--Milton and book illustrations, Milton and the performing arts, and Milton and the philosophy of form--this book makes a central and significant point about the impact of Milton's work on the imaginations of artists in various disciplines throughout the following centuries. Indeed, for many of the works of art analyzed in the present volume, Milton must be considered their "onlie begetter."
Author: Richard Arnold Publisher: Peter Lang ISBN: 9780820481760 Category : Literary Criticism Languages : en Pages : 134
Book Description
Logic of the Fall is the first book to examine the formal logical properties of central speeches and dialogues in Paradise Lost, according to John Milton's formulae, principles, and concerns in his own Art of Logic. In so doing, this book offers unconventional but cogent readings of this poem's central issues: the respective roles and responsibilities of Adam and Eve; the method of Satan's engineering of the Fall (and on who falls first); the causative properties of the Fall and the issue of culpability; and Milton's ultimate legacy for his readership. The Fall of humankind in Paradise Lost is not due to passion or will over reason, but rather to «pure reason» over «right reason.»
Author: Milton Glaser Publisher: Abrams ISBN: 1683359267 Category : Design Languages : en Pages : 250
Book Description
This essential volume by the godfather of modern graphic design explores his process and showcases his highly influential early-career work. This gorgeously illustrated volume delves into the early decades of America’s pre-eminent graphic artist. Milton Glaser’s work ranges from the iconic I Love New York logo to the famous psychedelic Bob Dylan poster and numerous book and record covers; it encompasses everything from store and restaurant design to toy creations as well as magazine formats and logotypes, including New York magazine. In short, his work has helped define the look of our time. Here Glaser undertakes a remarkably wide-ranging representation of his oeuvre. In a new introduction, he speaks of the influences on his work, the responsibilities of the artist, the hierarchies of the traditional art world, and the role of graphic design in the area of his creative growth. First published in 1973, Milton Glaser: Graphic Design is an extraordinary achievement and an indisputable classic.
Author: Michael Cavanagh Publisher: Catholic University of America Press ISBN: 0813232465 Category : Literary Criticism Languages : en Pages : 241
Book Description
A record of a teacher’s lifelong love affair with the beauty, wit, and profundity of Paradise Lost, celebrating John Milton’s un-doctrinal, complex, and therefore deeply satisfying perception of the human condition. After surveying Milton’s recurrent struggle as a reconciler of conflicting ideals, this Primer undertakes a book-by-book reading of Paradise Lost, reviewing key features of Milton’s “various style,” and why we treasure that style. Cavanagh constantly revisits Milton the singer and maker, and the artistic problems he faced in writing this almost impossible poem. This book is emphatically for first-time readers of Milton, with little or no prior exposure, but with ambition to encounter challenging poetry. These are readers who tell you they “have always been meaning to read Paradise Lost,” who seek to enjoy the epic without being overwhelmed by its daunting learning and expansive frame of reference. Avoiding the narrowly specialized focus of most Milton scholarship, Cavanagh deals forthrightly with issues that recur across generations of readers, gathering selected voices—from scholars and poets alike—from 1674 through the present. Lively and jargon-free, this Primer makes Paradise Lost accessible and fresh, offering a credible beginning to what is a great intellectual and aesthetic adventure.
Author: Milton Glaser Publisher: Harry N. Abrams ISBN: 9781419729935 Category : Design Languages : en Pages : 0
Book Description
Milton Glaser has designed more than 500 posters. Some, like his 1967 Bob Dylan poster for Columbia Records, are icons; others, like the series celebrating "I [heart] New York," evoke his best-known works. Milton Glaser Posters includes more than 400 of them, with Glaser's own commentary describing his intentions and inspiration. It is a delight for the art lover, an education in visual storytelling, and a journey through the cultural life of half a century, all rolled into one compact, intense book.
Author: Milton Glaser Publisher: Rockport Publishers ISBN: 1616736372 Category : Design Languages : en Pages : 240
Book Description
Chosen by the Editors at Amazon.com as one of the top 50 Best Books of 2005 - Now in paperback! With the world's economy in a slump, the Middle East's never ending conflict, and the on-going war on terrorism, there is a heightened awareness in the world community of the many sides of the numerous issues that both directly and indirectly affect our lives. Increasingly, people are feeling powerless and underrepresented because they have no voice. Designers, however, have a voice. They are among the most influential bystanders because their skills enable them to communicate a message easily through the Web or through posters and printed pieces. A picture is worth a thousand words and designers have used this adage to their advantage for years by creating simple yet powerful designs that immediately convey the message to the viewer. The Design of Dissent focuses on graphic work that designers have made as a result of social and political concerns. The time is certainly ripe as the U.S., and world, flares in opposition on so many important issues.
Author: Kristin A. Pruitt Publisher: Susquehanna University Press ISBN: 9781575910864 Category : Literary Criticism Languages : en Pages : 278
Book Description
In The Reason of Church Government, a thirty-three-year-old John Milton writes of his hope that by labour and intent study... joyn'd with the strong propensity of nature, I might perhaps leave something so written to aftertimes, as they should not willingly let it die. Even the young Milton, committed as he was to achieving a place in the annals of poetic history, might have been surprised by the strenuous efforts in aftertimes to keep his legacy alive. The fifteen essays that comprise this collection focus, from varied perspectives, on Paradise Lost, Paradise Regained, and A Mask, poems that have attracted sustained critical attention. Several consider shorter poems, such as the Nativity Ode, The Passion, Upon the Circumcision, and Sonnet 14. Some pursue issues of sources, authorship, and audience, while still others probe extant biographical records or reflect on the author as biographical subject. Diverse though they are in subject matter, approaches, and emphases, all demonstrate how Milton scholarship in the twenty-first century continues to be committed to not willingly let ting] Milton's literary legacy die. Kristin A. Brothers University. Charles W. Durham is professor emeritus of English at Middle Tennessee State University, and is president of the Milton Society of America.
Author: Magda Salvesen Publisher: Rutgers University Press ISBN: 9780813536040 Category : Art Languages : en Pages : 412
Book Description
Artists' Estates offers a fascinating journey into the complex and competitive art world through the distinctive lens of those who deal with the paintings, prints, and sculpture that artists leave behind after their deaths. Bringing together interviews conducted by Magda Salvesen, the widow of the second-generation Abstract Expressionist painter Jon Schueler, this unique book provides a window into the goals and desires, the conflicts and frustrations, and the emotional and financial strains that confront widows, companions, sons, and daughters as the heirs to artists' estates. The judiciously arranged and edited interviews also address the benefits and liabilities of foundations and trusts through the insights of lawyers, gallery dealers, and foundation directors. Readers will explore well-known estates, including those of Roy Lichtenstein, Mark Rothko, Adolph Gottlieb, Milton Avery, Romare Bearden, and David Smith, as well as the equally intriguing legacies of lesser-known artists whose work came to the fore in the forties and fifties. Together, the passionate testimonies of families and lovers, the measured voices of art professionals, and the more than eighty photographs offer an indispensable entre into the private and public worlds of art.
Author: Albert C. Labriola
Author: Albert C. Labriola
Author: Janet Chapman
Author: Richard Arnold
Author: Milton Glaser
Author: John Milton
Author: Michael Cavanagh
Author: Milton Glaser
Author: Milton Glaser
Author: Kristin A. Pruitt
Author: Magda Salvesen