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Author: Elizabeth Reich Publisher: Rutgers University Press ISBN: 0813572592 Category : Performing Arts Languages : en Pages : 216
Book Description
Militant Visions examines how, from the 1940s to the 1970s, the cinematic figure of the black soldier helped change the ways American moviegoers saw black men, for the first time presenting African Americans as vital and integrated members of the nation. In the process, Elizabeth Reich reveals how the image of the proud and powerful African American serviceman was crafted by an unexpected alliance of government propagandists, civil rights activists, and black filmmakers. Contextualizing the figure in a genealogy of black radicalism and internationalism, Reich shows the evolving images of black soldiers to be inherently transnational ones, shaped by the displacements of diaspora, Third World revolutionary philosophy, and a legacy of black artistry and performance. Offering a nuanced reading of a figure that was simultaneously conservative and radical, Reich considers how the cinematic black soldier lent a human face to ongoing debates about racial integration, black internationalism, and American militarism. Militant Visions thus not only presents a new history of how American cinema represented race, but also demonstrates how film images helped to make history, shaping the progress of the civil rights movement itself.
Author: Elizabeth Reich Publisher: Rutgers University Press ISBN: 0813572592 Category : Performing Arts Languages : en Pages : 216
Book Description
Militant Visions examines how, from the 1940s to the 1970s, the cinematic figure of the black soldier helped change the ways American moviegoers saw black men, for the first time presenting African Americans as vital and integrated members of the nation. In the process, Elizabeth Reich reveals how the image of the proud and powerful African American serviceman was crafted by an unexpected alliance of government propagandists, civil rights activists, and black filmmakers. Contextualizing the figure in a genealogy of black radicalism and internationalism, Reich shows the evolving images of black soldiers to be inherently transnational ones, shaped by the displacements of diaspora, Third World revolutionary philosophy, and a legacy of black artistry and performance. Offering a nuanced reading of a figure that was simultaneously conservative and radical, Reich considers how the cinematic black soldier lent a human face to ongoing debates about racial integration, black internationalism, and American militarism. Militant Visions thus not only presents a new history of how American cinema represented race, but also demonstrates how film images helped to make history, shaping the progress of the civil rights movement itself.
Author: Elizabeth Reich Publisher: ISBN: 9780813572581 Category : History Languages : en Pages : 0
Book Description
Uncovering a whole generation of militant Black characters onscreen long before Shaft or Sweetback, Militant Visions examines the depiction of African American soldiers in films from the 1940s to the 1970s. In the process, it reveals how the image of the proud and powerful African American soldier was crafted by an unexpected alliance of government propagandists, activists, and Black filmmakers.
Author: Paul Douglas Grant Publisher: Columbia University Press ISBN: 0231851014 Category : Performing Arts Languages : en Pages : 233
Book Description
This history covers the filmmaking tradition often referred to as cinéma militant, which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others were helmed by left-wing filmmakers working in the extreme margins of French cinema. This latter group gave voice to underrepresented populations, such as undocumented immigrants (sans papiers), entry-level factory workers (ouvriers spécialisés), highly intellectual Marxist-Leninist collectives, and militant special interest groups. While this book spans the broad history of this uncharted tradition, it particularly focuses on these lesser-known figures and works and the films of Cinélutte, Les groupes medvedkine, Atelier de recherche cinématographique, Cinéthique, and the influential Marxist filmmaker Jean-Pierre Thorn. Each represent a certain tendency of this movement in French film history, offering an invaluable account of a tradition that also sought to share untold histories.
Author: Christiane Brosius Publisher: Anthem Press ISBN: 1843311348 Category : Art Languages : en Pages : 380
Book Description
Illustrated throughout with over 80 full colour images, Empowering Visions explores the role of images and mass media in Hindutva, the cultural-nationalist movement that moved to the forefront of politics in India in the late 1980s and early 1990s. The author investigates when, why and in what way the moving image, and videos in particular, came to play a central role in the process of self-representation and self-constitution of Hindu nationalist groups and organizations in the overlapping domains of politics, religion and economics.The videos analysed here have been included in massive public political spectacles such as election rallies and patriotic pilgrimages. They have also been employed for in-house indoctrination and emotive mobilization of militant cadres for temporary, often violent, agitation. With the help of these media, different political and cultural-religious organizations, subsumed under the umbrella of Hindutva, have attempted to constitute notions of 'Indianness' as 'Hinduness', to challenge and provoke both the government in power and specific minority groups such as the Muslims in India. How this was done, who stood behind the making of the videos and how they were made up and distributed, are questions that lie at the heart of this study. At a time when public attention is focused on transnational, and mostly Islamicist movements, "Empowering Visions" argues that both transnationalism and nationalism have to be treated with equal attention, and to some extent ought to be seen as intertwined processes. This book is unique in its presentation and discussion of profound ethnographic data through interviews with a variety of spokesmen for the Hindutva movement. It also offers an in-depth analysis of visual and audio-visual material that has so far been unrecognized and unexplored in scholarly works.
Author: Charlene Regester Publisher: Univ. Press of Mississippi ISBN: 1496848861 Category : Performing Arts Languages : en Pages : 191
Book Description
Contributions by Cynthia Baron, Elizabeth Binggeli, Kimberly Nichele Brown, Priscilla Layne, Eric Pierson, Charlene Regester, Ellen C. Scott, Tanya L. Shields, and Judith E. Smith Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness illuminates cultural and material trends that shaped Black film adaptations during the twentieth century. Contributors to this collection reveal how Black literary and filmic texts are sites of negotiation between dominant and resistant perspectives. Their work ultimately explores the effects racial perspectives have on film adaptations and how race-inflected cultural norms have influenced studio and independent film depictions. Several chapters analyze how self-censorship and industry censorship affect Black writing and the adaptations of Black stories in early to mid-twentieth-century America. Using archival material, contributors demonstrate the ways commercial obstacles have led Black writers and white-dominated studios to mask Black experiences. Other chapters document instances in which Black writers and directors navigate cultural norms and material realities to realize their visions in literary works, independent films, and studio productions. Through uncovering patterns in Black film adaptations, Intersecting Aesthetics reveals themes, aesthetic strategies, and cultural dynamics that rightfully belong to accounts of film adaptation. The volume considers travelogue and autobiography sources along with the fiction of Black authors H. G. de Lisser, Richard Wright, Ann Petry, Frank Yerby, and Walter Mosley. Contributors examine independent films The Love Wanga (1936) and The Devil’s Daughter (1939); Melvin Van Peebles's first feature, The Story of a Three Day Pass (1967); and the Senegalese film Karmen Geï (2001). They also explore studio-era films In This Our Life (1942), The Foxes of Harrow (1947), Lydia Bailey (1952), The Golden Hawk (1952), and The Saracen Blade (1954) and post-studio films The Learning Tree (1969), Shaft (1971), Lady Sings the Blues (1972), and Devil in a Blue Dress (1995).
Author: Belinda A. Stillion Southard Publisher: Texas A&M University Press ISBN: 1603442812 Category : History Languages : en Pages : 321
Book Description
In Militant Citizenship: Rhetorical Strategies of the National Woman's Party, 1913-1920, Belinda A. Stillion Southard explores the ways in which the militant NWP negotiated institutional opposition and secured such a prominent position in national politics.
Author: R. S. Sugirtharajah Publisher: John Wiley & Sons ISBN: 1405155388 Category : Religion Languages : en Pages : 332
Book Description
This wide-ranging Reader provides a comprehensive survey of the interaction between postcolonial criticism and biblical studies. Examines how various empires such as the Persian and Roman affected biblical narratives. Demonstrates how different biblical writers such as Paul, Matthew and Mark handled the challenges of empire. Includes examples of the practical application of postcolonial criticism to biblical texts. Considers contemporary issues such as diaspora, race, representation and territory. Editorial commentary draws out the key points to be made and creates a coherent narrative.
Author: Robert Patterson Publisher: Simon and Schuster ISBN: 1621571238 Category : Political Science Languages : en Pages : 305
Book Description
Reckless Disregard shows how liberal Democrats are wasteful of American military lives, and have committed themselves to policies that are inimical to America's national security. This is a frontline soldier's report on how liberalism and national security don't mix.
Author: T. Thomas Fortune Publisher: Simon and Schuster ISBN: 1416552839 Category : Social Science Languages : en Pages : 257
Book Description
Featuring a new foreword by Robin D. G. Kelley, this updated edition of the classic exploration of the economic inequality that fuels systematic racism, from one of the leading Black public intellectuals of the 19th century, is as timely and radical today as it was when it was first published. “The preeminent Black journalist of his age” (Henry Louis Gates, Jr., author of The Black Church) and an early agitator for civil rights, T. Thomas Fortune astutely and compellingly analyzes the relationship between capitalism and racism in the United States. He reveals that the country’s racial hierarchy has been part of our national fabric since the first European set foot here and is rooted in a much larger system of economic exploitation. He argues that in order for the United States to realize its founding ideals and end racial discrimination, this system must be dismantled, reparations made, and labor fairly remunerated. Fortune’s passionate analysis and radical vision of the United States will force you to rethink what America could have been if his arguments had been heeded in the 1880s and what must be done for us to move forward as a unified nation.
Author: Amit Varshizky Publisher: Taylor & Francis ISBN: 1040209890 Category : History Languages : en Pages : 254
Book Description
This book seeks to reframe debates on the conflicting scientific and spiritual traditions that underpinned the Nazi worldview, showing how despite the multitude of tensions and rivals among its adherents, it provided a coherent conceptual grid and possessed its own philosophical consistency. Drawing on a large variety of works, the volume offers insights into the intellectual climate that allowed the radical ideology of National Socialism to take hold. It examines the emergence of nuanced conceptions of race in interwar Germany and the pursuit of a new ethical and existential fulcrum in biology. Accordingly, the volume calls for a re-examination of the place of genetics in Nazi racial thought, drawing attention to the multi-register voices within the framework of interwar racial theory. Varshizky explores the ways in which these ideas provided new justifications for the Nazi revolutionary enterprise and blurred the distinction between fact and value, knowledge and faith, the secular and the sacred, and how they allowed Nazi thinkers to bounce across these epistemological divisions. This volume will be of interest to scholars of Nazi Germany and World War II, intellectual and cultural history, the history of science, and the philosophy of religion.
Author: Elizabeth Reich
Author: Elizabeth Reich
Author: Elizabeth Reich
Author: Paul Douglas Grant
Author: Christiane Brosius
Author: Charlene Regester
Author: Belinda A. Stillion Southard
Author: R. S. Sugirtharajah
Author: Robert Patterson
Author: T. Thomas Fortune
Author: Amit Varshizky