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Author: Sue Tatem Publisher: Xlibris Corporation ISBN: 1483663256 Category : Art Languages : en Pages : 76
Book Description
Michelangelo used images of human anatomy throughout his work. Nearly the entire body is there, albeit in pieces. Michelangelo began his career with extensive dissections of human corpses and ended his career talking about illustrating an anatomy book. He was hinting, as the anatomy was already there in his art. Perhaps at the time he made the art, he worried that it was too dangerous for his own person to reveal the secular anatomy theme. At the time, Renaissance scholars were studying human anatomy and trying to work out how the organs functioned. Many of them, like Leonardo da Vinci and Vesalius, self-published using their art. Herein are some of Michelangelo’s “self-published” contributions, human anatomy in his art and self-portraits, in the Sistine Chapel, paintings, and sculpture.
Author: Morten Steen Hansen Publisher: Penn State Press ISBN: 0271056401 Category : Art Languages : en Pages : 238
Book Description
"Explores the imitation of Michelangelo by three artists, Perino del Vaga, Daniele da Volterra, and Pellegrino Tibaldi, from the 1520s to the time around Michelangelo's death in 1564. Argues that his Mannerist followers applied imitation to identify with and/or create ironical distance from to the older artist"--Provided by publisher.
Author: Domenico Laurenza Publisher: Metropolitan Museum of Art ISBN: 1588394565 Category : Anatomy, Artistic Languages : en Pages : 52
Book Description
Known as the "century of anatomy," the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period's most prominent artists--including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy--turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained. "Art and Anatomy in Renaissance Italy "examines this crossroads between art and science, showing how the attempt to depict bone structure, musculature, and our inner workings--both in drawings and in three dimensions--constituted an important step forward in how the body was represented in art. While already remarkable at the time of their original publication, the anatomical drawings by 16th-century masters have even foreshadowed developments in anatomic studies in modern times.
Author: Francine Mary Netter Publisher: ISBN: 9781733005807 Category : Languages : en Pages : 496
Book Description
Medicine's Michelangelo: The Life & Art of Frank H. Netter, MD, is the first biography of this illustrious figure, who is revered by generations of students of medicine. Netter was the son of working class immigrants who owned a stationery store inthe theater district of New York. In his youth, all he ever wanted to do was to paint, but his mother wanted him to do "something 'respectable' like being a doctor or an engineer." He finished an internship in medicine and surgery at Bellevue Hospital, but found that there was more demand for his sable brush than for his scalpel, and for the next fifty years devoted himselffull time to making medical illustrations. He moved into both the glamorous New York art world and intellectual medical circles. He lived in opulent homes on Long Island and in Palm Beach, lunched at the Society of Illustrators with the likes of Norman Rockwell and Rube Goldberg, and at the great teaching hospitals consulted with hundreds of medical experts, among them Drs. Michael DeBakey, C. Everett Koop, Albert Sabin, and Paul Dudley White.Frank Netter single-handedly documented the great medical advances of the 20th century. Francine Mary Netter captures the character of the man, relying on her remembrances; her father's autobiographical notes, personal correspondence, and private files; publications of his work; public archives; and more than 100 interviews with family members, artists, distinguished practitioners, and scientists. Medicine's Michelangelo reveals the man behind the art.
Author: Christian K. Kleinbub Publisher: Penn State Press ISBN: 9780271037042 Category : Art Languages : en Pages : 226
Book Description
"Studies Raphael's images of supernatural phenomena, including apparitions and prophetic visions, within their contemporary artistic and religious contexts. Asks how a fundamentally naturalistic style of painting like that of the Italian Renaissance can accommodate representations of the supernatural without self-contradiction"--Provided by publisher.