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Author: David Summers Publisher: ISBN: 9780835736978 Category : Art Languages : en Pages : 0
Book Description
"Taking significant words and concepts used by Michelangelo and his contemporaries to discuss his art--among them fantasia, difficultà, facilità, teribilità, ordine, grazia, and novità--David Summers traces their evolution from classical antiquity through the traditions of philosophy, rhetoric, poetry and medieval artisanship in order to establish their meaning and interrelation during the Renaissance. He draws on the wide range of primary and secondary sources surrounding Michelangelo, as well as upon the visual and iconographic evidence provided by his painting, sculpture and architecture."-- Cover page 4.
Author: David Summers Publisher: ISBN: 9780835736978 Category : Art Languages : en Pages : 0
Book Description
"Taking significant words and concepts used by Michelangelo and his contemporaries to discuss his art--among them fantasia, difficultà, facilità, teribilità, ordine, grazia, and novità--David Summers traces their evolution from classical antiquity through the traditions of philosophy, rhetoric, poetry and medieval artisanship in order to establish their meaning and interrelation during the Renaissance. He draws on the wide range of primary and secondary sources surrounding Michelangelo, as well as upon the visual and iconographic evidence provided by his painting, sculpture and architecture."-- Cover page 4.
Author: Carmen C. Bambach Publisher: Metropolitan Museum of Art ISBN: 1588396371 Category : Art Languages : en Pages : 395
Book Description
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.
Author: Marco Ruffini Publisher: Fordham Univ Press ISBN: 082323455X Category : Art Languages : en Pages : 272
Book Description
"Why is the history of art so often construed as a history of artists, when its alleged focus is art? This book responds to this question by examining Giorgio Vasari's Lives and the artist it features most centrally, Michelangelo. More than any other artist in the Lives, Michelangelo exemplifies art as an expression of the individual. Yet at the same time, as this book aims to show, the Lives fashions Michelangelo as the founder of a new academic era in which art develops collectively as a discipline. Paradoxically, Vasari's celebration of Michelangelo mobilizes a conception of art as teachable and transmissible that is antithetical to Michelangelo's aesthetic ideals and unique style."--Page 4 of cover.
Author: Deborah Parker Publisher: Cambridge University Press ISBN: 0521761409 Category : History Languages : en Pages : 169
Book Description
Deborah Parker examines Michelangelo's use of language in his correspondence as a means of understanding the creative process of this extraordinary artist.
Author: Alexander Nagel Publisher: Cambridge University Press ISBN: 9780521662925 Category : Art Languages : en Pages : 320
Book Description
Michelangelo was acutely conscious of living in an age of religious crisis and artistic change, and for him the two issues were related. Michelangelo and the Reform of Art explores Michelangelo's awareness of artistic tradition as a means of understanding his relation to the profound religious uncertainty of the sixteenth century. Concentrating on Michelangelo's lifelong preoccupation with the image of the dead Christ, Alexander Nagel studies the artist's associations with reform-minded circles in early sixteenth-century Italy, and reveals his sustained concern over the fate of religious art.
Author: Leo Steinberg Publisher: University of Chicago Press ISBN: 022648257X Category : Art Languages : en Pages : 241
Book Description
Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures that ranged from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His works, sometimes provocative and controversial, remain vital and influential reading. For half a century, Steinberg delved into Michelangelo’s work, revealing the symbolic structures underlying the artist’s highly charged idiom. This volume of essays and unpublished lectures explicates many of Michelangelo’s most celebrated sculptures, applying principles gleaned from long, hard looking. Almost everything Steinberg wrote included passages of old-fashioned formal analysis, but here put to the service of interpretation. He understood that Michelangelo’s rendering of figures as well as their gestures and interrelations conveys an emblematic significance masquerading under the guise of naturalism. Michelangelo pushed Renaissance naturalism into the furthest reaches of metaphor, using the language of the body and its actions to express fundamental Christian tenets once expressible only by poets and preachers—or, as Steinberg put it, in Michelangelo’s art, “anatomy becomes theology.” Michelangelo’s Sculpture is the first in a series of volumes of Steinberg’s selected writings and unpublished lectures, edited by his longtime associate Sheila Schwartz. The volume also includes a book review debunking psychoanalytic interpretation of the master’s work, a light-hearted look at Michelangelo and the medical profession and, finally, the shortest piece Steinberg ever published.
Author: Robert John Clements Publisher: ISBN: Category : Art Languages : en Pages : 471
Book Description
Few mortals have made a discipline of art and of life or devoted themselves to learning with the singleness of purpose of Michelangelo. Even in the magnificent turmoil of the Italian Renaissance, when Boticelli and Leonardo and Cellini electrified the civilized world with their creative genius, one man towers over them all -- Michelangelo, the master artist. Out of Michelangelo's reading, associations, and the everyday ordeal of art there emerged a complete theory of art, at once personal and representative of his times. This volume traces the development of that theory by drawing upon his letters, poetry, conversations, Renaissance biographies, and his works of art themselves. Professor Clements offers a unified view of the artist's thoughts, opinions, and seeming contradictions on all the arts he practiced so vigorously and brilliantly. Michelangelo's artistic biases, his personality, and his temperament are brought into sharp focus. The result is a complete and revealing image of a man hailed by his age as "divine." - Jacket flap.
Author: Marcia B. Hall Publisher: ISBN: Category : Architecture Languages : en Pages : 28
Book Description
This volume is the first affordable presentation of the brilliant frescoes - including the entire Genesis series - of the newly restored ceiling of the Sistine Chapel. Noted Renaissance scholar Marcia Hall, Professor of Art History at Temple University, discusses the controversial cleaning and conservation process and explores the cultural impact, past and present, of Michelangelo's stunning work.
Author: Wenda Brewster O'Reilly Publisher: Birdcage Press ISBN: 9781889613031 Category : Art, Italian Languages : en Pages : 0
Book Description
Art history need not be dry or dull, as O'Reilly's book shows. Featuring 90 full-color photos of many of the masterpieces of the movement, the book delves into the work of such masters as Leonardo da Vinci, Michelangelo, Raphael, Botticelli, and Fra Angelico. Full-color photos and illustrations.
Author: Joseph Simas Publisher: Flame Tree Illustrated ISBN: 9781783613618 Category : Art Languages : en Pages : 0
Book Description
Michelangelo was recognised as a great artist early in his long life. Along with a small number of contemporaries he was responsible for Renaissance Florence becoming the artistic fountainhead of western culture. This comprehensive new book offers a wide range of his art, with details and panoramas, some well known, others less so, but each one illuminating the grand eloquence of one of the worlds greatest artists.
Author: David Summers
Author: David Summers
Author: Carmen C. Bambach
Author: Marco Ruffini
Author: Deborah Parker
Author: Alexander Nagel
Author: Leo Steinberg
Author: Robert John Clements
Author: Marcia B. Hall
Author: Wenda Brewster O'Reilly
Author: Joseph Simas