Author: Sarah-Neel Smith
Publisher: Univ of California Press
ISBN: 0520383419
Category : Art
Languages : en
Pages : 227
Book Description
Introduction : art and development : a new framework for postwar art -- The semiperipheral art gallery : Gallery Maya, Istanbul -- Democratic abstractions : Bülent Ecevit on art and politics -- "The first coup in the Turkish art world" : the Developing Turkey competition of 1954 -- The artist as agent of development : Füreya Koral between Turkey and the United States, 1955-1958 -- Conclusion : building Istanbul modern : art and development in a twenty-first-century museum.
Metrics of Modernity
Author: Sarah-Neel Smith
Publisher: Univ of California Press
ISBN: 0520383419
Category : Art
Languages : en
Pages : 227
Book Description
Introduction : art and development : a new framework for postwar art -- The semiperipheral art gallery : Gallery Maya, Istanbul -- Democratic abstractions : Bülent Ecevit on art and politics -- "The first coup in the Turkish art world" : the Developing Turkey competition of 1954 -- The artist as agent of development : Füreya Koral between Turkey and the United States, 1955-1958 -- Conclusion : building Istanbul modern : art and development in a twenty-first-century museum.
Publisher: Univ of California Press
ISBN: 0520383419
Category : Art
Languages : en
Pages : 227
Book Description
Introduction : art and development : a new framework for postwar art -- The semiperipheral art gallery : Gallery Maya, Istanbul -- Democratic abstractions : Bülent Ecevit on art and politics -- "The first coup in the Turkish art world" : the Developing Turkey competition of 1954 -- The artist as agent of development : Füreya Koral between Turkey and the United States, 1955-1958 -- Conclusion : building Istanbul modern : art and development in a twenty-first-century museum.
Arab Revolutions and World Transformations
Author: Anna M Agathangelou
Publisher: Routledge
ISBN: 1317980425
Category : Political Science
Languages : en
Pages : 152
Book Description
Stories about institutions and regimes that have failed us are echoing worldwide. This book critically engages the multiple uprisings in the Middle East and North Africa (MENA) following the self-immolation of Tunisian street vendor Mohamed Bouazizi in December 2010. It brings together authors who critically analyse the unstoppable force unleashed in the streets of Tunisia, Egypt, Bahrain, Syria, Libya and Yemen. This book analyses the roots and trajectory of the recent revolts in the context of the global transformations that have redefined the politics of movement and revolution. For example, some authors engage extensively with the strategies embraced by the younger generation of activists. Others argue that the power of these revolutions lies in the people’s creative orientations including their collaborations. While much of the mobilization efforts in these different parts of the world happen through word of mouth, radio, cartoons, placards, and SMS services; sites such as Facebook helped people meet each other with a click, carrying their claims through stories, songs, poetry and art of protest across international borders quickly enabling them to rapidly bring authoritarian regimes to the brink of collapse and make a qualitatively different expression of uprisings. All authors in this volume address the question of the stakes in these revolts, as through them, spectacular and everyday violence can be challenged, and alternative social projects can emerge. Neither a footnote to the West's history, nor an appendix to neoliberal capitalist global projects, people are actively drawing on their power to disrupt domination and oppression, creatively responding to global problems and calling for democratic institutions with viable ecologies. This book was published as a special issue of Globalizations.
Publisher: Routledge
ISBN: 1317980425
Category : Political Science
Languages : en
Pages : 152
Book Description
Stories about institutions and regimes that have failed us are echoing worldwide. This book critically engages the multiple uprisings in the Middle East and North Africa (MENA) following the self-immolation of Tunisian street vendor Mohamed Bouazizi in December 2010. It brings together authors who critically analyse the unstoppable force unleashed in the streets of Tunisia, Egypt, Bahrain, Syria, Libya and Yemen. This book analyses the roots and trajectory of the recent revolts in the context of the global transformations that have redefined the politics of movement and revolution. For example, some authors engage extensively with the strategies embraced by the younger generation of activists. Others argue that the power of these revolutions lies in the people’s creative orientations including their collaborations. While much of the mobilization efforts in these different parts of the world happen through word of mouth, radio, cartoons, placards, and SMS services; sites such as Facebook helped people meet each other with a click, carrying their claims through stories, songs, poetry and art of protest across international borders quickly enabling them to rapidly bring authoritarian regimes to the brink of collapse and make a qualitatively different expression of uprisings. All authors in this volume address the question of the stakes in these revolts, as through them, spectacular and everyday violence can be challenged, and alternative social projects can emerge. Neither a footnote to the West's history, nor an appendix to neoliberal capitalist global projects, people are actively drawing on their power to disrupt domination and oppression, creatively responding to global problems and calling for democratic institutions with viable ecologies. This book was published as a special issue of Globalizations.
Threshold Modernism
Author: Elizabeth F. Evans
Publisher: Cambridge University Press
ISBN: 1108479812
Category : History
Languages : en
Pages : 275
Book Description
Reveals how changing ideas about gender and race shaped - and were shaped by - London and its literature.
Publisher: Cambridge University Press
ISBN: 1108479812
Category : History
Languages : en
Pages : 275
Book Description
Reveals how changing ideas about gender and race shaped - and were shaped by - London and its literature.
Transnational Modernity and the Italian Reinvention of Walt Whitman, 1870-1945
Author: Caterina Bernardini
Publisher: University of Iowa Press
ISBN: 1609387554
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
Caterina Bernardini gauges the effects that Walt Whitman’s poetry had in Italy from 1870 to 1945: the reactions it provoked, the aesthetic and political agendas it came to sponsor, and the creative responses it facilitated. Particular attention is given to women writers and noncanonical writers often excluded from previous discussions in this area of study. Bernardini also investigates the contexts and causes of Whitman’s success abroad through the lives, backgrounds, beliefs, and imaginations of the people who encountered his work. Studying Whitman’s reception from a transnational perspective shows how many countries were simultaneously carving out a new modernity in literature and culture. In this sense, Bernardini not only shows the interconnectedness of various international agents in understanding and contributing to the spread of Whitman’s work, but, more largely, illustrates a constellation of similar pre-modernist and modernist sensibilities. This stands in contrast to the notion of sudden innovation: modernity was not easy to achieve, and it did not imply a complete refusal of tradition. Instead, a continuous and fruitful negotiation between tradition and innovation, not a sudden break with the literary past, is at the very heart of the Italian and transnational reception of Whitman. The book is grounded in archival studies and the examination of primary documents of noteworthy discovery.
Publisher: University of Iowa Press
ISBN: 1609387554
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
Caterina Bernardini gauges the effects that Walt Whitman’s poetry had in Italy from 1870 to 1945: the reactions it provoked, the aesthetic and political agendas it came to sponsor, and the creative responses it facilitated. Particular attention is given to women writers and noncanonical writers often excluded from previous discussions in this area of study. Bernardini also investigates the contexts and causes of Whitman’s success abroad through the lives, backgrounds, beliefs, and imaginations of the people who encountered his work. Studying Whitman’s reception from a transnational perspective shows how many countries were simultaneously carving out a new modernity in literature and culture. In this sense, Bernardini not only shows the interconnectedness of various international agents in understanding and contributing to the spread of Whitman’s work, but, more largely, illustrates a constellation of similar pre-modernist and modernist sensibilities. This stands in contrast to the notion of sudden innovation: modernity was not easy to achieve, and it did not imply a complete refusal of tradition. Instead, a continuous and fruitful negotiation between tradition and innovation, not a sudden break with the literary past, is at the very heart of the Italian and transnational reception of Whitman. The book is grounded in archival studies and the examination of primary documents of noteworthy discovery.
Nineteenth-Century Verse and Technology
Author: Jason David Hall
Publisher: Springer
ISBN: 3319535021
Category : Literary Criticism
Languages : en
Pages : 298
Book Description
This book repositions thinking about rhythm, meter and versification during the “Mechanical Age.” Cutting across disciplinary boundaries, the book examines the rhythmical workings of poems alongside not only Victorian theories of prosody and poetics but also contemporary thinking about labor practices, pedagogical procedures, scientific experiments, and technological innovations. By offering an exploded definition of meter—one that extends beyond conventional foot-based scansion—this book explicates the conceptual and, at times, material exchanges between poetic meter and machine culture. The machines of meter include mid-century theories of abstraction and technologies of smoothness and even spacing; a deeply influential, though rarely credited, system of metrical manufacture; verse produced by a Victorian automaton; the mechanics of the human body and mind and the meters that issued from them; and the promise of scientific machines to resolve metrical dilemmas once and for all.
Publisher: Springer
ISBN: 3319535021
Category : Literary Criticism
Languages : en
Pages : 298
Book Description
This book repositions thinking about rhythm, meter and versification during the “Mechanical Age.” Cutting across disciplinary boundaries, the book examines the rhythmical workings of poems alongside not only Victorian theories of prosody and poetics but also contemporary thinking about labor practices, pedagogical procedures, scientific experiments, and technological innovations. By offering an exploded definition of meter—one that extends beyond conventional foot-based scansion—this book explicates the conceptual and, at times, material exchanges between poetic meter and machine culture. The machines of meter include mid-century theories of abstraction and technologies of smoothness and even spacing; a deeply influential, though rarely credited, system of metrical manufacture; verse produced by a Victorian automaton; the mechanics of the human body and mind and the meters that issued from them; and the promise of scientific machines to resolve metrical dilemmas once and for all.
Modernity in Black and White
Author: Rafael Cardoso
Publisher:
ISBN: 9781108680356
Category : Art and race
Languages : en
Pages :
Book Description
"The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"--
Publisher:
ISBN: 9781108680356
Category : Art and race
Languages : en
Pages :
Book Description
"The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"--
Globalization, Modernity and the City
Author: John Rennie Short
Publisher: Routledge
ISBN: 113667151X
Category : Political Science
Languages : en
Pages : 321
Book Description
Globalization, Modernity and The City weaves together broad social themes with detailed urban analysis to explore the connections between the rise of big cities, the creation of a global network and the making of the modern world. It explains the growth of big cities, the urban bias of global flows and the creation of metropolitan modernities. The text develops broad theories of the subtle and complex interactions between urbanization, globalization and modernization in a sweep of the urban experience across the modern world. Thematic chapters explore the making of the modern city in profiles of the growth of urban spectaculars, the role of new flanerie, the traffic issues of the modernist city, recurring issues of urban utopias and the rise of the primate city.
Publisher: Routledge
ISBN: 113667151X
Category : Political Science
Languages : en
Pages : 321
Book Description
Globalization, Modernity and The City weaves together broad social themes with detailed urban analysis to explore the connections between the rise of big cities, the creation of a global network and the making of the modern world. It explains the growth of big cities, the urban bias of global flows and the creation of metropolitan modernities. The text develops broad theories of the subtle and complex interactions between urbanization, globalization and modernization in a sweep of the urban experience across the modern world. Thematic chapters explore the making of the modern city in profiles of the growth of urban spectaculars, the role of new flanerie, the traffic issues of the modernist city, recurring issues of urban utopias and the rise of the primate city.
Henri Meschonnic Reader
Author: Meschonnic Henri Meschonnic
Publisher: Edinburgh University Press
ISBN: 1474445993
Category : Language Arts & Disciplines
Languages : en
Pages : 494
Book Description
Henri Meschonnic was a linguist, poet, translator of the Bible and one of the most original French thinkers of his generation. He strove throughout his career to reform the understanding of language and all that depends on it. His work has had a shaping influence on a generation of scholars and here, for the first time, a selection of these are made available in English for a new generation of linguists and philosophers of language. This Reader, featuring fourteen texts covering the core concepts and topics of Meschonnic's theory, will enrich, enhance and challenge your understanding of language. It explores his key ideas on poetics, the poem, rhythm, discourse and his critique of the sign. Meschonnic's vast oeuvre was continuously preoccupied with the question of a poetics of society; he constantly connected the theory of language to its practice in various fields and interrogated what that means for society. In exploring this fundamental question, this book is central to the study and philosophy of language, with rich repercussions in fields such as translation studies, poetics and literary studies, and in redefining notions such as rhythm, modernity, the poem and the subject.
Publisher: Edinburgh University Press
ISBN: 1474445993
Category : Language Arts & Disciplines
Languages : en
Pages : 494
Book Description
Henri Meschonnic was a linguist, poet, translator of the Bible and one of the most original French thinkers of his generation. He strove throughout his career to reform the understanding of language and all that depends on it. His work has had a shaping influence on a generation of scholars and here, for the first time, a selection of these are made available in English for a new generation of linguists and philosophers of language. This Reader, featuring fourteen texts covering the core concepts and topics of Meschonnic's theory, will enrich, enhance and challenge your understanding of language. It explores his key ideas on poetics, the poem, rhythm, discourse and his critique of the sign. Meschonnic's vast oeuvre was continuously preoccupied with the question of a poetics of society; he constantly connected the theory of language to its practice in various fields and interrogated what that means for society. In exploring this fundamental question, this book is central to the study and philosophy of language, with rich repercussions in fields such as translation studies, poetics and literary studies, and in redefining notions such as rhythm, modernity, the poem and the subject.
Meter and Modernity in English Verse, 1350-1650
Author: Eric Weiskott
Publisher: University of Pennsylvania Press
ISBN: 0812252640
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
What would English literary history look like if the unit of measure were not the political reign but the poetic tradition? The earliest poems in English were written in alliterative verse, the meter of Beowulf. Alliterative meter preceded tetrameter, which first appeared in the twelfth century, and tetrameter in turn preceded pentameter, the five-stress line that would become the dominant English verse form of modernity, though it was invented by Chaucer in the 1380s. While this chronology is accurate, Eric Weiskott argues, the traditional periodization of literature in modern scholarship distorts the meaning of meters as they appeared to early poets and readers. In Meter and Modernity in English Verse, 1350-1650, Weiskott examines the uses and misuses of these three meters as markers of literary time, "medieval" or "modern," though all three were in concurrent use both before and after 1500. In each section of the book, he considers two of the traditions through the prism of a third element: alliterative meter and tetrameter in poems of political prophecy; alliterative meter and pentameter in William Langland's Piers Plowman and early blank verse; and tetrameter and pentameter in Chaucer, his predecessors, and his followers. Reversing the historical perspective in which scholars conventionally view these authors, Weiskott reveals Langland to be metrically precocious and Chaucer metrically nostalgic. More than a history of prosody, Weiskott's book challenges the divide between medieval and modern literature. Rejecting the premise that modernity occurred as a specifiable event, he uses metrical history to renegotiate the trajectories of English literary history and advances a narrative of sociocultural change that runs parallel to metrical change, exploring the relationship between literary practice, social placement, and historical time.
Publisher: University of Pennsylvania Press
ISBN: 0812252640
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
What would English literary history look like if the unit of measure were not the political reign but the poetic tradition? The earliest poems in English were written in alliterative verse, the meter of Beowulf. Alliterative meter preceded tetrameter, which first appeared in the twelfth century, and tetrameter in turn preceded pentameter, the five-stress line that would become the dominant English verse form of modernity, though it was invented by Chaucer in the 1380s. While this chronology is accurate, Eric Weiskott argues, the traditional periodization of literature in modern scholarship distorts the meaning of meters as they appeared to early poets and readers. In Meter and Modernity in English Verse, 1350-1650, Weiskott examines the uses and misuses of these three meters as markers of literary time, "medieval" or "modern," though all three were in concurrent use both before and after 1500. In each section of the book, he considers two of the traditions through the prism of a third element: alliterative meter and tetrameter in poems of political prophecy; alliterative meter and pentameter in William Langland's Piers Plowman and early blank verse; and tetrameter and pentameter in Chaucer, his predecessors, and his followers. Reversing the historical perspective in which scholars conventionally view these authors, Weiskott reveals Langland to be metrically precocious and Chaucer metrically nostalgic. More than a history of prosody, Weiskott's book challenges the divide between medieval and modern literature. Rejecting the premise that modernity occurred as a specifiable event, he uses metrical history to renegotiate the trajectories of English literary history and advances a narrative of sociocultural change that runs parallel to metrical change, exploring the relationship between literary practice, social placement, and historical time.
The Dangerous Art of Text Mining
Author: Jo Guldi
Publisher: Cambridge University Press
ISBN: 1009263021
Category : History
Languages : en
Pages : 497
Book Description
The Dangerous Art of Text Mining celebrates the bold new research now possible because of text mining: the art of counting words over time. However, this book also presents a warning: without help from the humanities, data science can distort the past and lead to perilous errors. The book opens with a rogue's gallery of errors, then tours the ground-breaking analyses that have resulted from collaborations between humanists and data scientists. Jo Guldi explores how text mining can give a glimpse of the changing history of the past - for example, how quickly Americans forgot the history of slavery. Textual data can even prove who was responsible in Congress for silencing environmentalism over recent decades. The book ends with an impassioned vision of what text mining in defence of democracy would look like, and why humanists need to be involved.
Publisher: Cambridge University Press
ISBN: 1009263021
Category : History
Languages : en
Pages : 497
Book Description
The Dangerous Art of Text Mining celebrates the bold new research now possible because of text mining: the art of counting words over time. However, this book also presents a warning: without help from the humanities, data science can distort the past and lead to perilous errors. The book opens with a rogue's gallery of errors, then tours the ground-breaking analyses that have resulted from collaborations between humanists and data scientists. Jo Guldi explores how text mining can give a glimpse of the changing history of the past - for example, how quickly Americans forgot the history of slavery. Textual data can even prove who was responsible in Congress for silencing environmentalism over recent decades. The book ends with an impassioned vision of what text mining in defence of democracy would look like, and why humanists need to be involved.