Author: Toussaint BordetPublisher:
ISBN:
Category :
Languages : fr
Pages : 75
Book Description
Méthode raisonnée pour apprendre la musique
Author: Toussaint BordetMéthode raisonnée pour apprendre la musique
Author: Bordet (M.)Meter in Music, 1600–1800
Author: George HoulePublisher: Indiana University Press
ISBN: 9780253213914
Category : Music
Languages : en
Pages : 192
Book Description
"All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book." —Continuo "This is a book from an excellent musician in the early field who turns out also to be a most persistent scholar . . . " —Early Music " . . . the book offers a vast quantity of data from a wide range of sources. . . . George Houle is to be congratulated for his honest presentation of the entire spectrum." —Music Educators Journal The treatment of meter in performance has evolved dramatically since 1600. Here is a practical guide for the performer, with many quotations from early manuals and treatises, and abundant examples.
Grammaire musicale ou Methode analytique et raisonnee pour apprendre et enseigner la lecture de la musique suivie d'observations sur les erreurs, prejuges et fausses opinions concernant la musique
Author: Prudent Louis Aubery du BoulleyPublisher:
ISBN:
Category : Music
Languages : fr
Pages : 238
Book Description
Méthode raisonnée pour apprendre la musique d'une façon plus claire et plus précise à laquelle on joint l'étendue de la flûte traversière, du violon, du pardessus de voile, de la vielle et de la musette ... Suivies d'un recueil d'airs en duo ...
Author: BordetMéthode raisonnée, pour apprendre la musique d'une façon plus claire et plus précise, à laquelle on joint l'étendue de la flute traversière, du violon, du pardessus de viole, de la vielle et de la musette, leur accord, quelques observations sur la touche desdits instruments et des leçons simples, mesurées et variées, suivies d'un recueil d'airs en duo faciles ...
Author: Toussaint BordetOrnamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach
Author: Frederick NeumannPublisher: Princeton University Press
ISBN: 0691213348
Category : Music
Languages : en
Pages : 644
Book Description
Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period. The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive research in England, France, Germany, Italy, and the United States to show that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on style. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Baroque music.
The The Theoretical-Practical Elements of Music, Parts III and IV
Author: Francesco GaleazziPublisher: University of Illinois Press
ISBN: 0252094182
Category : Music
Languages : en
Pages : 434
Book Description
A virtuoso violinist, conductor, composer, and a professor of mathematics and botany, Francesco Galeazzi (1758–1819) firmly believed that musical education should be clear, demonstrable, and practical. In 1791 and 1796, he published the two volumes of his Elementi teorico-practici di musica, a treatise that demonstrated both his thorough grounding in the work of earlier theorists and his own approach to musical study. The first volume gave precise instructions on the violin and how to play it; the second demonstrated his command of other instruments and genres and provided comprehensive introductions to music theory, music history, and music aesthetics. The treatise also addresses the nature of compositional process and eighteenth-century concerns about natural and acquired talent and creativity. This volume offers an unprecedented English translation of the second volume of Elementi teorico-practici di musica, with annotations and commentary. The translation is introduced with a study of Galeazzi's life and milieu, the genesis and sources for the Elementi, and its reception through the present day.
The Improvised Melodic Prelude in the Eighteenth Century
Author: Karen A. PetersPublisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 288
Book Description
Francois Devienne's Nouvelle Methode Theorique et Pratique Pour la Flute
Author: Thomas BoehmPublisher: Routledge
ISBN: 0429750498
Category : Music
Languages : en
Pages : 207
Book Description
First published in 1999, this volume contains a translation of the Devienne flute method along with a facsimile of the original French text. Introduced, annotated and translated by Jane Bowers with commentary by Thomas Boehm, the treatise republished here appeared during the French revolution and was authored by an established composer, performer and teacher of chamber music, symphonies, concert symphonies and operas in Paris, as well as a distinguished performer of both the bassoon and the flute.