Maine Metaphor: The Green and Blue House PDF Download

Author: Giada Goracci
Publisher: Cambridge Scholars Publishing
ISBN: 1443896489
Category : Social Science
Languages : en
Pages : 167

View

Book Description
Postmodern revisions of fairy tales have influenced several discourses and disciplines especially during the second half of the twentieth century. In particular, during the course of postmodernism, the rewriting of classic fairy tales has contributed to the subversion of their stereotypical structures, thus advancing alternative re-readings. This work offers an investigation into gender discourse in two postmodern re-writings of Bluebeard, namely Margaret Atwood’s “Bluebeard’s Egg” and Shirley Hazzard’s The Transit of Venus, especially focusing on male/queer perspectives that have not yet been taken into consideration. Starting from an overview on the diverse conceptualisations of the terms “gender” and “sexuality” in modern and contemporary times, this book analyses the birth and evolution of male studies and, subsequently, explores the ways in which they have influenced the interpretation of classical tales. By means of an intertwined and shifting process, which enables the characters of these contemporary revisions to “disguise” their identities within the pages and beyond their texts, the figure of Bluebeard reveals himself as the “in-between” pattern for contemporary gender conceptualisations.

Author: S. Dorman
Publisher: Wipf and Stock Publishers
ISBN: 1498201032
Category : History
Languages : en
Pages : 161

View

Book Description
How to live in rural Maine? How--in the 1980s, when descendants of Maine's settlers wonder about our coming out of the Rust Belt in search of work, in search of a life? They were not bitter about our coming here, where jobs were already scarce--they were incredulous. Why did we come? Sometimes I answered, "God." God brought us, the formerly middle-class inept, to live among these most hardy and canny of make-do people. God brought us to experience life in Maine, where my spouse sometimes worked turning and trimming four thousand boards a night, waking to drive one hundred miles round-trip to finish our undergraduate educations with the aid of loans and grants. So I studied the place where we came to live. And I forgot where we came from. Rural Maine was ragged, rugged, hardscrabble, and wild--but full of the most visible, vital, natural creation. I've tried to express that aspect of Maine life in The Green and Blue House. And there is the metaphor, also.

Author: V&S EDITORIAL BOARD
Publisher: V&S Publishers
ISBN: 9352150538
Category : Reference
Languages : en
Pages : 128

View

Book Description
Most speakers and writers use the terms metaphor and simile as if they mean exactly the same thing. But they are not! A simile is a metaphor, but not all metaphors are similes. A metaphor compares two things, and does so more directly without using as or like. For example, the shop was a little gold-mine. A simile compares (usually introduced by like or as) two things that are generally not alike--such as a line of migrant workers and a wave, or onion skins and a swarm of butterflies.Writers and authors use similes to explain things, to express emotion, or to make their writing more lively and entertaining. Metaphors also offer figurative comparisons, but these are implied rather than introduced by like or as. Salient Features:o Thousands of widely used popular Metaphors & Similes in Englisho Inclusion of foreign Metaphors & Similes currently in use in English languageo Arranged alphabetically from A - Zo Worth recommending without second thoughtAn authoritative Dictionary of Metaphors & Similes for students, writers, and general readers!

Author: Casie Hermansson
Publisher: Univ. Press of Mississippi
ISBN: 1604733535
Category : Language Arts & Disciplines
Languages : en
Pages : 322

View

Book Description
Bluebeard is the main character in one of the grisliest and most enduring fairy tales. A serial wife murderer, he keeps a horror chamber in which remains of all his previous matrimonial victims are secreted from his latest bride. She is given all the keys but forbidden to open one door of the castle. This is a major study of the tale and its many variants in English: from the 18th and 19th century chapbooks, children's toybooks, pantomimes, melodramas, and circus spectaculars, to the 20th century in music, literature, art, film, and theatre.

Author: Heta Pyrhönen
Publisher: University of Toronto Press
ISBN: 144264124X
Category : Fiction
Languages : en
Pages : 289

View

Book Description
'Bluebeard,' the tale of a sadistic husband who murders his wives and locks away their bodies, has inspired hundreds of adaptations since it first appeared in 1697. In Bluebeard Gothic, Heta Pyrhönen argues that Charlotte Brontë's 1847 classic Jane Eyre can be seen as one such adaptation, and that although critics have been slow to realize the connection, authors rewriting Brontë's novel have either intuitively or intentionally seized on it. Pyrhönen begins by establishing that the story of Jane Eyre is intermingled with the 'Bluebeard' tale, as young Jane moves between households, each dominated by its own Bluebeard figure. She then considers rewritings of Jane Eyre, such as Jean Rhys' Wide Sargasso Sea (1966) and Diane Setterfield's The Thirteenth Tale (2006), to examine how novelists have interpreted the status and meaning of 'Bluebeard' in Brontë's novel. Using psychoanalysis as the primary model of textual analysis, Bluebeard Gothic focuses on the conjunction of religion, sacrifice, and scapegoating to provide an original interpretation of a canonical and frequently-studied text.

Author: Casie E. Hermansson
Publisher: Univ. Press of Mississippi
ISBN: 1628467622
Category : Social Science
Languages : en
Pages : 496

View

Book Description
Bluebeard is the main character in one of the grisliest and most enduring fairy tales of all time. A serial wife murderer, he keeps a horror chamber in which remains of all his previous matrimonial victims are secreted from his latest bride. She is given all the keys but forbidden to open one door of the castle. Astonishingly, this fairy tale was a nursery room staple, one of the tales translated into English from Charles Perrault's French Mother Goose Tales. Bluebeard: A Reader's Guide to the English Tradition is the first major study of the tale and its many variants (some, like “Mr. Fox,” native to England and America) in English: from the eighteenth- and nineteenth-century chapbooks, children's toybooks, pantomimes, melodramas, and circus spectaculars, through the twentieth century in music, literature, art, film, and theater. Chronicling the story's permutations, the book presents examples of English true-crime figures, male and female, called Bluebeards, from King Henry VIII to present-day examples. Bluebeard explores rare chapbooks and their illustrations and the English transformation of Bluebeard into a scimitar-wielding Turkish tyrant in a massively influential melodramatic spectacle in 1798. Following the killer's trail over the years, Casie E. Hermansson looks at the impact of nineteenth-century translations into English of the German fairy tales of the Brothers Grimm, and the particularly English story of how Bluebeard came to be known as a pirate. This book will provide readers and scholars an invaluable and thorough grasp on the many strands of this tale over centuries of telling.

Author: Helen Ivory
Publisher: Bloodaxe Books Limited
ISBN: 9781852249755
Category : Poetry
Languages : en
Pages : 112

View

Book Description
Waiting for Bluebeard tries to understand how a girl could grow up to be the woman living in Bluebeard's house. The story begins with a part-remembered, part-imagined childhood, where seances are held, and a father drowns in oil beneath the skeleton of his car. When her childhood home coughs up birds in the parlour, the girl enters Bluebeard's house paying the tariff of a single layer of skin. This is only the first stage of her disappearing, as she searches for a phantom child in a house where Bluebeard haunts the corridors like a sobbing wolf. Waiting for Bluebeard is Helen Ivory's fourth book of poems.

Author: Monika Fludernik
Publisher: Oxford University Press
ISBN: 0192577611
Category : Literary Criticism
Languages : en
Pages : 768

View

Book Description
Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy offers a historical survey of imaginings of the prison as expressed in carceral metaphors in a range of texts about imprisonment from Antiquity to the present as well as non-penal situations described as confining or restrictive. These imaginings coalesce into a 'carceral imaginary' that determines the way we think about prisons, just as social debates about punishment and criminals feed into the way carceral imaginary develops over time. Examining not only English-language prose fiction but also poetry and drama from the Middle Ages to postcolonial, particularly African, literature, the book juxtaposes literary and non-literary contexts and contrasts fictional and nonfictional representations of (im)prison(ment) and discussions about the prison as institution and experiential reality. It comments on present-day trends of punitivity and foregrounds the ethical dimensions of penal punishment. The main argument concerns the continuity of carceral metaphors through the centuries despite historical developments that included major shifts in policy (such as the invention of the penitentiary). The study looks at selected carceral metaphors, often from two complementary perspectives, such as the home as prison or the prison as home, or the factory as prison and the prison as factory. The case studies present particularly relevant genres and texts that employ these metaphors, often from a historical perspective that analyses development through different periods.

Author: Carl S. Leafstedt
Publisher: Oxford University Press
ISBN: 0195355059
Category : Music
Languages : en
Pages : 255

View

Book Description
This is the first book-length examination of Bartók's 1911 opera Duke Bluebeard's Castle, one of the twentieth century's enduring operatic works. Writing in an engaging style, Leafstedt adopts an interdisciplinary approach to the opera by introducing, in addition to music-dramatic analysis, a number of topics that are new to the field of Bartók studies. These new areas of critical and scholarly terrain include a detailed literary study of the libretto and a gender-focused analysis of the opera's female character, Judith. Leafstedt begins with a short introductory chapter that places Duke Bluebeard's Castle within the context of Bartók's early composing career, his discovery of folk music, and its impact on his later work. The book goes on to explore the composition's troubled history, its failure to win two early Hungarian opera competitions, and the three versions of the ending that resulted, discussed here in depth for the first time. The core of the book is devoted to the musical and dramatic organization of the opera and offers an analysis of the seven individual door scenes, including a detailed analysis of scene six, the "lake of tears" scene, illustrating the work's complex tonal organization and dramatic structure. A separate chapter places this darkly psychological version of the Bluebeard story within the broader context of European history and literature. Throughout the book, Leafstedt draws on original Hungarian source material, much of it newly translated by the author and available here for the first time in English, and he includes a generous selection of musical examples. Inside Bluebeard's Castle is an ideal starting point for research in twentieth-century music, Hungarian cultural history, and opera studies, as well as an invaluable guide for anyone interested in Bartók's only opera.

Author: Nigel McLoughlin
Publisher: Bloomsbury Publishing
ISBN: 1137605960
Category : Language Arts & Disciplines
Languages : en
Pages : 240

View

Book Description
This book explores the art of poetry writing from a practice-based perspective, showing how form, trope and theory inform the practical craft of writing poems. It is divided into three key sections: - Form and structure, covering sonnets, ballads, blank verse and more - Trope and device, introducing topics such as irony, imagery and voice - Poetics and practice, which discusses the writing of poets such as Robert Frost, Amy Lowell and Frank O'Hara Each chapter unpacks a particular concept or form, using examples to display it in practice. The book is filled with exercises to get you writing, and hints and tips for effective re-writing and for avoiding common pitfalls. Written by published poets, many of whom teach writing or literature, The Portable Poetry Workshop will push you to explore beyond your creative writing boundaries.