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Author: Stephen R. Shaver Publisher: Oxford University Press ISBN: 0197580807 Category : Language Arts & Disciplines Languages : en Pages : 305
Book Description
"One of the most challenging questions for Christian ecumenical theology is how the relationship between the eucharistic bread and wine and Jesus Christ's body and blood can be appropriately described. This book takes a new approach to controverted questions of eucharistic presence by drawing on cognitive linguistics. Arguing that human cognition is grounded in sensorimotor experience and that phenomena such as metaphor and conceptual blending are basic building blocks of thought, the book proposes that inherited models of eucharistic presence are not necessarily mutually exclusive but can serve as complementary members of a shared ecumenical repertoire. The central element of this repertoire is the motif of identity, grounded in the Synoptic and Pauline institution narratives. The book argues that the statement "The eucharistic bread and wine are the body and blood of Christ" can be understood both as figurative and as true in the proper sense, thus resolving a church-dividing dichotomy. The identity motif is complemented by four major non-scriptural motifs: representation, change, containment, and conduit. Each motif with its entailments is explored in depth and suggestions for ecumenical reconciliation in both doctrine and practices are offered. The book also provides an introduction to cognitive linguistics and offers suggestions for further reading in that field"--
Author: Stephen R. Shaver Publisher: Oxford University Press ISBN: 0197580807 Category : Language Arts & Disciplines Languages : en Pages : 305
Book Description
"One of the most challenging questions for Christian ecumenical theology is how the relationship between the eucharistic bread and wine and Jesus Christ's body and blood can be appropriately described. This book takes a new approach to controverted questions of eucharistic presence by drawing on cognitive linguistics. Arguing that human cognition is grounded in sensorimotor experience and that phenomena such as metaphor and conceptual blending are basic building blocks of thought, the book proposes that inherited models of eucharistic presence are not necessarily mutually exclusive but can serve as complementary members of a shared ecumenical repertoire. The central element of this repertoire is the motif of identity, grounded in the Synoptic and Pauline institution narratives. The book argues that the statement "The eucharistic bread and wine are the body and blood of Christ" can be understood both as figurative and as true in the proper sense, thus resolving a church-dividing dichotomy. The identity motif is complemented by four major non-scriptural motifs: representation, change, containment, and conduit. Each motif with its entailments is explored in depth and suggestions for ecumenical reconciliation in both doctrine and practices are offered. The book also provides an introduction to cognitive linguistics and offers suggestions for further reading in that field"--
Author: Robert Sokolowski Publisher: ISBN: Category : Religion Languages : en Pages : 270
Book Description
In this insightful, interdisciplinary study, Robert Sokolowski uses the methods of phenomenology to examine Christian religious beliefs, particularly the sacrament of the Eucharist. In so doing, he comes to terms with many theological and cultural issues raised by modernity. Although the Eucharist is the center of focus, other issues in Christian faith are also examined, such as the Christian understanding of God, Creation, the Incarnation, Redemption, and biblical Revelation. Sokolowski employs a method that he calls ""the theology of disclosure,"" which studies the structures of appearance and should be distinguished from both positive and scholastic theology. He takes appearances as objective disclosures, not as mere psychological events. When discussing the Eucharist, he shows how it uses the form of quotation and how it draws on various temporal dimensions of human existence as it reenacts the sacrifice of Christ before the eternal Father. The author also considers how Christian belief differs from other forms of religion and from modern atheism. By demonstrating how the Christian understanding of God differs from other ways of understanding the divine, he attempts to show that Christianity is not simply one religion among many but the truth of religion. These deeper themes are explored as necessary contexts for the Eucharist, which could not be properly understood except against the background of the Christian understanding of God as eternal and as Creator and Redeemer. The author provides a comprehensive theological treatment of major issues in Christian faith and does so with categories that are appropriate to our present intellectual and cultural world. This study, which draws upon the work of many classical and contemporary theologians, especially Hans Urs von Balthasar, contributes significantly to speculative theology and to Eucharistic studies. It will be of great use to theologians and philosophers, as well as to students of Christian philosophy and sacramental theology. Robert Sokolowski, a priest of the Archdiocese of Hartford, has taught philosophy at The Catholic University of America since 1963. He has written six books and numerous articles dealing with phenomenology, philosophy and Christian faith, moral philosophy, and issues in contemporary science. He has been an auxiliary chaplain at Bolling Air Force Base in Washington, D.C., since 1976 and was named monsignor in 1993. ------------------------------------------------------------------------------------------------------------------------------------------------ ""Indispensable for graduate and divinity programs with interests in Catholic theology and phenomenology of religions.--Religious Studies Review ""Intellectually stimulating. . . . The author contributes many insights to the theology of the Eucharist, some of which I had never seen before and found enlightening and moving. The depth of his scholarship is obvious.""--Rev. James T. O'Connor, St. Joseph's Seminary, New York ""A careful reading of this profound analysis of the Holy Eucharist will be rewarded with a more fruitful participation at Mass. Here we find a modern model of the Catholic theologian who shows us in the concrete how to practice 'faith seeking understanding.'""--Kenneth Baker, S.J., Editor, Homiletic and Pastoral Review
Author: Micah E. Chung Publisher: Wipf and Stock Publishers ISBN: Category : Religion Languages : en Pages : 253
Book Description
People love their metaphors for the Bible. The Bible is a sword, a mirror, a script, a score, a cathedral, a rule book, a user’s manual, a lamp, a love letter. But how did metaphor, which in the eighteenth century was seen as a deceptive rhetorical trick, become such a prominent tool for speaking of Scripture? And how does one judge between a good metaphor and a bad one? This book explores the theological use of metaphor to describe the nature and interpretation of Scripture. It interrogates three such models—the Bible as musical score (Anthony Thiselton), the Bible as theo-dramatic script (Kevin Vanhoozer), and the Bible as light (John Feinberg)—seeking to evaluate their faithfulness to Scripture and church tradition, their fittingness to the current culture, and their fruitfulness for understanding and practicing the biblical text. The author then proposes and explores what he considers a better model, one drawn from the Bible itself, namely that of Scripture as food.
Author: Torrance Kirby Publisher: Cambridge Scholars Publishing ISBN: 1443863386 Category : Art Languages : en Pages : 302
Book Description
In recent years, writing on early-modern culture has turned from examining the upheavals of the Reformation as the ruptured birth of early modernity out of the late medieval towards a striking emphasis on processes of continuity, transition, and adaptation. No longer is the ‘religious’ seen as institutional or doctrinaire, but rather as a cultural and social phenomenon that exceeds the rigid parameters of modern definition. Recent analyses of early-modern cultures offer nuanced accounts that move beyond the limits of traditional historiography, and even the bounds of religious studies. At their centre is recognition that the scope of the religious can never be extricated from early-modern culture. Despite its many conflicts and tensions, the lingua franca for cultural self-understanding of the early-modern period remains ineluctably religious. The early-modern world wrestled with the radical challenges concerning the nature of belief within the confines of church or worship, but also beyond them. This process of negotiation was complex and fuelled European social dynamics. Without religion we cannot begin to comprehend the myriad facets of early-modern life, from markets, to new forms of art, to public and private associations. In discussions of images, the Eucharist, suicide, music, street lighting, or whether or not the sensible natural world represented an otherworldly divine, religion was the fundamental preoccupation of the age. Yet, even in contexts where unbelief might be considered, we find the religious providing the fundamental terminology for explicating the secular theories and views which sought to undermine it as a valid aspect of human life. This collection of essays takes up these themes in diverse ways. We move from the 15th century to the 18th, from the core problem of sacramental mediation of the divine within the strict parameters of eucharistic and devotional life, through discussion of images and iconoclasm, music and word, to more blurred contexts of death, street life, and atheism. Throughout the early-modern period, the very processes of adaption – even change itself – were framed by religious concepts and conceits.
Author: James F. White Publisher: Abingdon Press ISBN: 1426722850 Category : Religion Languages : en Pages : 220
Book Description
Introduction to Christian Worship, Third Edition traces the development of the major forms of Christian worship, and includes discussion of the newest service books of the principal churches of North America and the British Isles. This staple of liturgical history is used widely in Protestant seminaries and is read by clergy and laity alike as an accurate, informative, and accessible introduction to all aspects of Christian worship. This revision keeps pace with the latest scholarship and includes more maps, tables, woodcuts, and photographs.
Author: Marco Nievergelt Publisher: Oxford University Press ISBN: 0192849212 Category : Literary Criticism Languages : en Pages : 577
Book Description
In Medieval Allegory as Epistemology, Marco Nievergelt argues that late medieval dream-poetry was able to use the tools of allegorical fiction to explore a set of complex philosophical questions regarding the nature of human knowledge. The focus is on three of the most widely read and influential poems of the later Middle Ages: Jean de Meun's Roman de la Rose; the Pélerinages trilogy of Guillaume de Deguileville; and William Langland's vision of Piers Plowman in its various versions. All three poets grapple with a collection of shared, closely related epistemological problems that emerged in Western Europe during the thirteenth century, in the wake of the reception of the complete body of Aristotle's works on logic and the natural sciences. This study therefore not only examines the intertextual and literary-historical relations linking the work of the three poets, but takes their shared interest in cognition and epistemology as a starting point to assess their wider cultural and intellectual significance in the context of broader developments in late medieval philosophy of mind, knowledge, and language. Vernacular literature more broadly played an extremely important role in lending an enlarged cultural resonance to philosophical ideas developed by scholastic thinkers, but it is also shown that allegorical narrative could prompt philosophical speculation on its own terms, deliberately interrogating the dominance and authority of scholastic discourses and institutions by using first-person fictional narrative as a tool for intellectual speculation.
Author: Stephen R. Shaver
Author: Stephen R. Shaver
Author: Stephen R. Shaver
Author: Robert Sokolowski
Author: Samuel BUEL
Author: Micah E. Chung
Author: Torrance Kirby
Author: George Edward BIBER
Author: Latkovich, Sallie
Author: James F. White
Author: Marco Nievergelt