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Metaphor, Allegory, and the Classical Tradition

Metaphor, Allegory, and the Classical Tradition PDF Author: G. R. Boys-Stones
Publisher: Oxford University Press, USA
ISBN: 0199240051
Category : History
Languages : en
Pages : 316

Book Description
According to the theoretical accounts which survive in the rhetorical handbooks of antiquity, allegory is extended metaphor, or an extended series of metaphors. This volume provides a critical discussion of ancient definitions of allegory and metaphor as merely ornamental 'tropes'. They examine metaphor and allegory from a variety of perspectives and compare theory with ancient literary practice.

Metaphor, Allegory, and the Classical Tradition

Metaphor, Allegory, and the Classical Tradition PDF Author: G. R. Boys-Stones
Publisher: Oxford University Press, USA
ISBN: 0199240051
Category : History
Languages : en
Pages : 316

Book Description
According to the theoretical accounts which survive in the rhetorical handbooks of antiquity, allegory is extended metaphor, or an extended series of metaphors. This volume provides a critical discussion of ancient definitions of allegory and metaphor as merely ornamental 'tropes'. They examine metaphor and allegory from a variety of perspectives and compare theory with ancient literary practice.

Metaphor, Allegory, and the Classical Tradition

Metaphor, Allegory, and the Classical Tradition PDF Author: G. R. Boys-Stones
Publisher:
ISBN:
Category :
Languages : en
Pages : 305

Book Description
Allegory and metaphor are linguistic 'tropes' : they are essentially ornamental. These essays discuss this from a variety of perspectives, examining the origin and meaning of the term 'metaphor' and comparing theory with practice.

Allegorical Poetics and the Epic

Allegorical Poetics and the Epic PDF Author: Mindele Anne Treip
Publisher: University Press of Kentucky
ISBN: 0813161665
Category : Poetry
Languages : en
Pages : 387

Book Description
Literary allegory has deep roots in early reading and interpretation of Scripture and classical epic and myth. In this substantial study, Mindele Treip presents an overview of the history and theory of allegorical exegesis upon Scripture, poetry, and especially the epic from antiquity to the seventeenth and early eighteenth centuries, with close focus on the Renaissance and on the triangular literary relationship of Tasso, Spenser, and Milton. Exploring the different ways in which the term allegory has been understood, Treip finds significant continuities-within-differences in a wide range of critical writings, including texts of postclassical, patristic and rabbinical writers, medieval writers, notably Dante, Renaissance theorists such as Coluccio Salutati, Bacon, Sidney, John Harrington and rhetoricians and mythographers, and the neoclassical critics of Italy, England and France, including Le Bossu. In particular, she traces the evolving theories on allegory and the epic of Torquato Tasso through a wide spectrum of his major discourses, shorter tracts and letters, giving full translations. Treip argues that Milton wrote, as in part did Spenser, within the definitive framework of the mixed historical-allegorical epic erected by Tasso, and she shows Spenser's and Milton's epics as significantly shaped by Tasso's formulations, as well as by his allegorical structures and images in the Gerusalemme liberata. In the last part of her study Treip addresses the complex problematics of reading Paradise Lost as both a consciously Reformation poem and one written within the older epic allegorical tradition, and she also illustrates Milton's innovative use of biblical "Accommodation" theory so as to create a variety of radical allegorical metaphors in his poem. This study brings together a wide range of critical issues—the Homeric-Virgilian tradition of allegorical reading of epic; early Renaissance theory of all poetry as "translation" or allegorical metaphor; midrashic linguistic techniques in the representation of the Word; Milton's God; neoclassical strictures on Milton's allegory and allegory in general—all of these are brought together in new and comprehensive perspective.

Metaphor and the Ancient Novel

Metaphor and the Ancient Novel PDF Author: S. J. Harrison
Publisher: Barkhuis
ISBN: 9077922032
Category : History
Languages : en
Pages : 299

Book Description
This thematic fourth Supplementum to Ancient Narrative, entitled Metaphor and the Ancient Novel, is a collection of revised versions of papers originally read at the Second Rethymnon International Conference on the Ancient Novel (RICAN 2) under the same title, held at the University of Crete, Rethymnon, on May 19-20, 2003.Though research into metaphor has reached staggering proportions over the past twenty-five years, this is the first volume dedicated entirely to the subject of metaphor in relation to the ancient novel. Not every contributor takes into account theoretical discussions of metaphor, but the usefulness of every single paper lies in the fact that they explore actual texts while sometimes theorists tend to work out of context.

Allegory and Enchantment

Allegory and Enchantment PDF Author: Jason Crawford
Publisher: Oxford University Press
ISBN: 0191092126
Category : Literary Collections
Languages : en
Pages : 287

Book Description
What is modernity? Where are modernitys points of origin? Where are its boundaries? And what lies beyond those boundaries? Allegory and Enchantment explores these broad questions by considering the work of English writers at the threshold of modernity, and by considering,in particular, the cultural forms these writers want to leave behind. From the fourteenth to the seventeenth centuries, many English writers fashion themselves as engaged in breaking away from an array of old idols: magic, superstition, tradition, the sacramental, the medieval. Many of these writers persistently use metaphors of disenchantment, of awakening from a broken spell, to describe their self-consciously modern orientation toward a medieval past. And many of them associate that repudiated past with the dynamics and conventions of allegory. In the hands of the major English practitioners of allegorical narrativeWilliam Langland, John Skelton, Edmund Spenser, and John Bunyanallegory shows signs of strain and disintegration. The work of these writers seems to suggest a story of modern emergence in which medieval allegory, with its search for divine order in the material world, breaks down under the pressure of modern disenchantment. But these four early modern writers also make possible other understandings of modernity. Each of them turns to allegory as a central organizing principle for his most ambitious poetic projects. Each discovers in the ancient forms of allegory a vital, powerful instrument of disenchantment. Each of them, therefore, opens up surprising possibilities: that allegory and modernity are inescapably linked; that the story of modern emergence is much older than the early modern period; and that the things modernity has tried to repudiatethe old enchantmentsare not as alien, or as absent, as they seem.

The Cambridge Companion to Allegory

The Cambridge Companion to Allegory PDF Author: Rita Copeland
Publisher: Cambridge University Press
ISBN: 0521862299
Category : Literary Criticism
Languages : en
Pages : 325

Book Description
Traces the development of allegory in the European and American tradition from antiquity to the modern era.

The Comparable Body - Analogy and Metaphor in Ancient Mesopotamian, Egyptian, and Greco-Roman Medicine

The Comparable Body - Analogy and Metaphor in Ancient Mesopotamian, Egyptian, and Greco-Roman Medicine PDF Author: John Z Wee
Publisher: BRILL
ISBN: 9004356770
Category : Medical
Languages : en
Pages : 457

Book Description
The Comparable Body - Analogy and Metaphor in Ancient Mesopotamian, Egyptian, and Greco-Roman Medicine explores how analogy and metaphor illuminate and shape conceptions about the human body and disease, through 11 case studies from ancient Mesopotamian, Egyptian, and Greco-Roman medicine. Topics address the role of analogy and metaphor as features of medical culture and theory, while questioning their naturalness and inevitability, their limits, their situation between the descriptive and the prescriptive, and complexities in their portrayal as a mutually intelligible medium for communication and consensus among users.

Landscape and the Spaces of Metaphor in Ancient Literary Theory and Criticism

Landscape and the Spaces of Metaphor in Ancient Literary Theory and Criticism PDF Author: Nancy Worman
Publisher: Cambridge University Press
ISBN: 131639526X
Category : Literary Collections
Languages : en
Pages : 381

Book Description
This study explores a previously uncharted area of ancient literary theory and criticism: the ancient landscapes (such as the Ilissus river in Athens and Mount Helicon) that generate metaphors for distinguishing styles, which dovetail with ancient conceptions of metaphor as itself spatial and mobile. Ancient writers most often coordinate stylistic features with country settings, where authoritative performers such as Muses, poets, and eventually critics or theorists view, appropriate, and emulate their bounties (for example springs, flowers, rivers, paths). These spaces of metaphor and their elaborations provide poets and critics with a vivid means of distinguishing among styles and an influential vocabulary. Together these figurative terrains shape critical and theoretical discussions in Greece and beyond. Since this discourse has a remarkably wide reach, the book is broad in scope, ranging from archaic Greek poetry through Roman oratory and 'Longinus' to the reception of critical imagery in Proust and Derrida.

Metaphors of Invention and Dissension

Metaphors of Invention and Dissension PDF Author: Rajeshwari S. Vallury
Publisher: Rowman & Littlefield
ISBN: 1786603187
Category : Philosophy
Languages : en
Pages : 282

Book Description
Metaphors of Invention and Dissension explores the relationship between aesthetics and politics in the postcolonial Algerian novel, examining six novels written by two Algerian authors of French expression, Tahar Djaout and Rachid Mimouni. Rajeshwari S. Vallury argues that postcolonial literature demonstrates a conscious, rational, and deliberate engagement with the question of democracy. The author shows how the metaphors of literature invent an arena or platform for the enactment of democratic dissension. Postcolonial texts stage contentious debates about the principles that can and must sustain a life of the common. The capacity of the poetic word to regenerate and recreate forms of thinking, being, saying, and doing lies at the heart of the political power of literature. In the case of Algeria, the dual forces of military rule and radical Islamism have not succeeded in stifling the revolutionary will of the people, which continues to find self-expression in the idea of the nation, the concept of universal human rights, the notion of civility, and the philosophical traditions of pluralism and toleration within Islam. This book argues that postcolonial literature attests to the dissonance of democracy by staging the nation as the space of a universal equality and civility.

Metaphor

Metaphor PDF Author: Denis Donoghue
Publisher: Harvard University Press
ISBN: 0674419472
Category : Literary Criticism
Languages : en
Pages : 241

Book Description
Denis Donoghue turns his attention to the practice of metaphor and to its lesser cousins, simile, metonym, and synecdoche. Metaphor (“a carrying or bearing across”) supposes that an ordinary word could have been used in a statement but hasn’t been. Instead, something else, something unexpected, appears. The point of a metaphor is to enrich the reader’s experience by bringing different associations to mind. The force of a good metaphor is to give something a different life, a new life. The essential character of metaphor, Donoghue says, is prophetic. Metaphors intend to change the world by changing our sense of it. At the center of Donoghue’s study is the idea that metaphor permits the greatest freedom in the use of language because it exempts language from the local duties of reference and denotation. Metaphors conspire with the mind in its enjoyment of freedom. Metaphor celebrates imaginative life par excellence, from Donoghue’s musings on Aquinas’ Latin hymns, interspersed with autobiographical reflection, to his agile and perceptive readings of Wallace Stevens. When Donoghue surveys the history of metaphor and resistance to it, going back to Aristotle and forward to George Lakoff, he is a sly, cogent, and persuasive companion. He also addresses the question of whether or not metaphors can ever truly die. Reflected on every page of Metaphor are the accumulated wisdom of decades of reading and a sheer love of language and life.