Author: Library of CongressPublisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1094
Book Description
Catalogue of the Library of Congress
Author: Library of CongressPublisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1094
Book Description
Harlequin Empire
Author: David WorrallPublisher: Routledge
ISBN: 1317315499
Category : History
Languages : en
Pages : 272
Book Description
Under the 1737 Licensing Act, Covent Garden, Dury Lane and regional Theatres Royal held a monopoly on the dramatic canon. This work explores the presentation of foreign cultures and ethnicities on the popular British stage from 1750 to 1840. It argues that this illegitimate stage was the site for a plebeian Enlightenment.
Essays on the Eighteenth-Century English Stage
Author: Kenneth R. RichardsPublisher: Routledge
ISBN: 1000030865
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
The eighteenth century produced more inventive actors than fine dramatists, and it displayed its actors to increasing advantage as theatre management became more expert, and stage design more ambitious. First published in 1972, the eleven papers collected in The Eighteenth-Century English Stage, originally read at a Manchester University Symposium in July 1971, follow this historical emphasis. Two papers are centred on dramatists, four on actors, three on managers, and two on designers. Malcolm Kelsall analyses Steele’s debt to Terence, using his classical scholarship as illuminatingly as Edgar Roberts uses his musical scholarship in writing about the songs in Fielding’s plays. George Taylor compares and evaluates a number of theories of acting, and speculates on the likely relevance of the best-known books on rhetoric, whilst Kathleen Barker, Arnold Hare, and David Rostron consider the work of individual actors – Powell, Cooke, and John Kemble. Theatre managers are represented by John Rich in Paul Sawyer’s sympathetic account, Thomas Harris, who is given new life in the recent researches of Cecil Price, and Stephen Kemble, fixed by Kenneth Robinson in canny control of the Newcastle theatre circuit. Finally, Graham Barlow reaches some controversial conclusions about the dimensions of the Theatre Royal, Drury Lane, by subjecting Thornhill’s sketches to a practising designer’s statistical examination, and Sybil Rosenfeld carries a stage further her pioneering work on eighteenth-century scene-painting and design. The two last are attractively illustrated by 8 pages of plates. This book’s particular value lies in its bringing together several simply presented but deeply informed explorations of often neglected aspects of the eighteenth-century theatre. The papers, with their general sense of enthusiasm and concern for their subject, will interest all students of the eighteenth century, and theatre enthusiasts in particular.
Catalogue of the valuable library of the late J. Morice, which will be sold by auction. [With a MS. list of prices and purchasers.]
![Catalogue of the valuable library of the late J. Morice, which will be sold by auction. [With a MS. list of prices and purchasers.] PDF](https://books.google.com/books/content/images/frontcover/atNCp8GPXPcC?fife=w80-h100)
Author: John MORICECatalogue of the ... library of ... John Morice ... which will be sold by auction
Author: John MoriceThe Life of John André
Author: D. A. B. RonaldPublisher: Casemate Publishers
ISBN: 1612005225
Category : Biography & Autobiography
Languages : en
Pages : 368
Book Description
This biography of Britain’s spy chief during the Revolutionary War sheds new light on his conspiracy with Benedict Arnold—and his mysterious capture. John André was head of the British Army’s Secret Service in North America as the Revolutionary War entered its most decisive phase. In 1780, he masterminded the defection of the high-ranking American general Benedict Arnold. As the commander of West Point, Arnold agreed to turn the strategically vital fort over to the British. André and Arnold also conspired to kidnap George Washington. The secret negotiations between Arnold and André were protracted and fraught with danger. Arnold’s wife Peggy acted as go-between until September 21st, 1780, when the two men met face to face in no-man’s-land. But then André was captured forty-eight hours later, having broken every condition set by his commanding officer: he was within American lines, wearing civilian clothes, and carrying maps of West Point in his boots. When he announced himself as a spy, the Americans had no recourse. Tried by a military tribunal, he was convicted and hanged. André’s motives for his apparent sacrifice have baffled historians for generations. This biography provides a provocative answer to this mystery—explaining not only why he acted as he did, but how he wished others to see his actions.
British Theatre and the Other Arts, 1660-1800
Author: Shirley Strum KennyPublisher: Associated University Presses
ISBN: 9780918016652
Category : Performing Arts
Languages : en
Pages : 322
Book Description
Fifteen outstanding scholars of theater, music, art, and literature explore the interrelations of eighteenth-century British theater and the various art forms that it incorporated into itself. The essays examine the theater's increasing reliance on set designers, costumers, musicians and composers, poets, dramatists, and librettists, focusing on the ways in which this dependence fundamentally changed the theater. Illustrated.
Shakespeare, Music and Performance
Author: Bill BarclayPublisher: Cambridge University Press
ISBN: 1108210821
Category : Literary Criticism
Languages : en
Pages : 447
Book Description
Music has been an essential constituent of Shakespeare's plays from the sixteenth century to the present day, yet its significance has often been overlooked or underplayed in the history of Shakespearean performance. Providing a long chronological sweep, this collection of essays traces the different uses of music in the theatre and in film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers a wide range of voices, from scholars to contemporary practitioners (including an interview with the critically acclaimed composer Stephen Warbeck), and thus provides a rich exploration of this fascinating history from diverse perspectives.
David Garrick, Director
Author: Kalman A. BurnimPublisher: SIU Press
ISBN: 9780809306251
Category : Biography & Autobiography
Languages : en
Pages : 276
Book Description
The life of this actor, manager, playwright, and eighteenth-century gentleman is here refracted through the volurninous correspondence and analyses of roles, plays, and performances in this, no doubt final, biography of David Garrick. As the direct result of modern scholarship accessible only since the 1960s, it is now possible to appraise fully the life of this remarkable person who was born in Lichfield 19February 1717, a childhood friend of Samuel Johnson, who became the greatest English theatrical luminary who ever lived, and who when he died 20 January 1779was mourned by the nation and eulogized by Dr. Johnson as one whose death "eclipsed the gaiety of nations." For twenty-nine years (1747-1776) Garrick managed Drury Lane theatre, caring passionately for its well-being. His own acting set the pace for the performances, his discipline carried it on, and his theatrical innovations attracted the audiences on which the lives, hopes, and families of some 140actors, actresses, singers, dancers, and others depended. In addition, he wrote, adapted, or altered some 49 plays and wrote nearly 100 prologues. What emerges from this big, new critical biography is a fully drawn portrait of an eighteenth-century gentleman, with a wide range of acquaintances, elegant socially, morally, and personally, and an engaging conversationalist with and respecter of women of mark and with his closest friends. He was also, as the evidence now shows, the solid link with his own age and the great dramatic artists of the past, from the Restoration playwrights to Massinger, Jonson, Shakespeare, and early English dramatists.
Rehearsal from Shakespeare to Sheridan
Author: Tiffany SternPublisher: Clarendon Press
ISBN: 0191567183
Category : Drama
Languages : en
Pages : 354
Book Description
Up until now, facts about theatrical rehearsal have been considered irrecoverable. But in this groundbreaking new study, Tiffany Stern gathers together two centuries' worth of historical material which shows how actors received and responded to their parts, and how rehearsal affected the creation and revision of plays. Plotting theatrical change over time, from the mid-sixteenth to the late eighteenth century, this book will revolutionize the fields of textual and theatre history alike.