Author: Emily Apter
Publisher: University of Chicago Press
ISBN: 9780226023502
Category : Education
Languages : en
Pages : 322
Book Description
From xenophobic appropriations of Joan of Arc to Afro-futurism and cyberpunk, the "national" characters of the colonial era often seem to be dissolving into postnational and virtual subjects. In Continental Drift, Emily Apter deftly analyzes the French colonial and postcolonial experience as a case study in the erosion of belief in national destiny and the emergence of technologically mediated citizenship. Among the many topics Apter explores are the fate of national literatures in an increasingly transnational literary climate; the volatile stakes of Albert Camus's life and reputation against the backdrop of Algerian civil strife; the use of literary and theatrical productions to "script" national character for the colonies; belly-dancing and aesthetic theory; and the impact of new media on colonial and postcolonial representation, from tourist photography to the videos of Digital Diaspora. Continental Drift advances debates not just in postcolonial studies, but also in gender, identity, and cultural studies; ethnography; psychoanalysis; and performance studies.
Continental Drift
Author: Emily Apter
Publisher: University of Chicago Press
ISBN: 9780226023502
Category : Education
Languages : en
Pages : 322
Book Description
From xenophobic appropriations of Joan of Arc to Afro-futurism and cyberpunk, the "national" characters of the colonial era often seem to be dissolving into postnational and virtual subjects. In Continental Drift, Emily Apter deftly analyzes the French colonial and postcolonial experience as a case study in the erosion of belief in national destiny and the emergence of technologically mediated citizenship. Among the many topics Apter explores are the fate of national literatures in an increasingly transnational literary climate; the volatile stakes of Albert Camus's life and reputation against the backdrop of Algerian civil strife; the use of literary and theatrical productions to "script" national character for the colonies; belly-dancing and aesthetic theory; and the impact of new media on colonial and postcolonial representation, from tourist photography to the videos of Digital Diaspora. Continental Drift advances debates not just in postcolonial studies, but also in gender, identity, and cultural studies; ethnography; psychoanalysis; and performance studies.
Publisher: University of Chicago Press
ISBN: 9780226023502
Category : Education
Languages : en
Pages : 322
Book Description
From xenophobic appropriations of Joan of Arc to Afro-futurism and cyberpunk, the "national" characters of the colonial era often seem to be dissolving into postnational and virtual subjects. In Continental Drift, Emily Apter deftly analyzes the French colonial and postcolonial experience as a case study in the erosion of belief in national destiny and the emergence of technologically mediated citizenship. Among the many topics Apter explores are the fate of national literatures in an increasingly transnational literary climate; the volatile stakes of Albert Camus's life and reputation against the backdrop of Algerian civil strife; the use of literary and theatrical productions to "script" national character for the colonies; belly-dancing and aesthetic theory; and the impact of new media on colonial and postcolonial representation, from tourist photography to the videos of Digital Diaspora. Continental Drift advances debates not just in postcolonial studies, but also in gender, identity, and cultural studies; ethnography; psychoanalysis; and performance studies.
Ottoman-Turkish Conversation-grammar
Author: V. H.. Hagopian
Publisher:
ISBN:
Category : Turkish language
Languages : en
Pages : 550
Book Description
Publisher:
ISBN:
Category : Turkish language
Languages : en
Pages : 550
Book Description
Isabelle Eberhardt and North Africa
Author: Lynda Chouiten
Publisher: Lexington Books
ISBN: 0739185934
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
As a woman who traversed the North African Orient in male costume, who spoke Arabic as well as French, and who professed Islam while transgressing many of its instructions, Isabelle Eberhardt seems to fit within Mikhail Bakhtin’s definition of the carnivalesque as the impulse to blend that which is usually kept separate by artificial boundaries and hierarchies. Nevertheless, this study demonstrates that her evolution in the Maghreb is carnivalesque only in appearance. Despite her transvestism, the writer left unquestioned the traditional definitions of masculinity and femininity; it is her subscription to the patriarchal equation of maleness with power and womanhood with weakness which makes her borrow a masculine identity. In a similar way, her appropriation of several elements of Oriental culture does not prevent her from reproducing age-old Orientalist stereotypes. As portrayed in her texts, the natives are either aestheticized as picturesque figures from a bygone age or denigrated as uncivilized, dark-minded creatures. And because Orientalism, as Edward Said has famously argued, is but a textual manifestation of colonialism, Eberhardt’s Orientalist texts make her the accomplice of the colonialist project, a project which she also served by acting as a mediator between General Lyautey and native tribes. In discussing Eberhardt’s involvement in the colonial mission and her perpetuation of the patriarchal and Orientalist traditions, this study questions the image of rebel-figure that is usually assigned to her. Instead, it shows the writer’s literary and political gestures to be embedded in a marked quest for empowerment through the double (literary and political) conquest of the Orient.
Publisher: Lexington Books
ISBN: 0739185934
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
As a woman who traversed the North African Orient in male costume, who spoke Arabic as well as French, and who professed Islam while transgressing many of its instructions, Isabelle Eberhardt seems to fit within Mikhail Bakhtin’s definition of the carnivalesque as the impulse to blend that which is usually kept separate by artificial boundaries and hierarchies. Nevertheless, this study demonstrates that her evolution in the Maghreb is carnivalesque only in appearance. Despite her transvestism, the writer left unquestioned the traditional definitions of masculinity and femininity; it is her subscription to the patriarchal equation of maleness with power and womanhood with weakness which makes her borrow a masculine identity. In a similar way, her appropriation of several elements of Oriental culture does not prevent her from reproducing age-old Orientalist stereotypes. As portrayed in her texts, the natives are either aestheticized as picturesque figures from a bygone age or denigrated as uncivilized, dark-minded creatures. And because Orientalism, as Edward Said has famously argued, is but a textual manifestation of colonialism, Eberhardt’s Orientalist texts make her the accomplice of the colonialist project, a project which she also served by acting as a mediator between General Lyautey and native tribes. In discussing Eberhardt’s involvement in the colonial mission and her perpetuation of the patriarchal and Orientalist traditions, this study questions the image of rebel-figure that is usually assigned to her. Instead, it shows the writer’s literary and political gestures to be embedded in a marked quest for empowerment through the double (literary and political) conquest of the Orient.
Maghrebs in Motion
Author: Suzanne Gauch
Publisher: Oxford University Press
ISBN: 0190493577
Category : Performing Arts
Languages : en
Pages : 257
Book Description
Exploring films made in Tunisia, Morocco, and Algeria from 1985 to 2009, Suzanne Gauch illustrates how late post-independence and early twenty-first century North African cinema prefigured many of the transformations in perception and relation that stunned both participants and onlookers during the remarkable uprisings of the 2011 Arab Spring. Through multifaceted examinations of key films by nine filmmakers--Farida Benlyazid, Mohamed Chouikh, Nacer Khemir, Nabil Ayouch, Lyès Salem, Nadia El Fani, Tariq Teguia, Faouzi Bensaïdi, and Nejib Belkadhi--Gauch delineates the shifting relation of politics to film in the era of neoliberal globalization. Each work, she argues, taps the power inherent in cinema to destabilize patterns of perception and judgment while taking film's role as popular entertainment in new directions. Highlighting how each film taps into the mobility at the core of cinema to break through the boundaries that have long circumscribed filmmaking from North Africa, Gauch shows how this cinema continues to forge and reflect unexpected trajectories for itself and its audiences.
Publisher: Oxford University Press
ISBN: 0190493577
Category : Performing Arts
Languages : en
Pages : 257
Book Description
Exploring films made in Tunisia, Morocco, and Algeria from 1985 to 2009, Suzanne Gauch illustrates how late post-independence and early twenty-first century North African cinema prefigured many of the transformations in perception and relation that stunned both participants and onlookers during the remarkable uprisings of the 2011 Arab Spring. Through multifaceted examinations of key films by nine filmmakers--Farida Benlyazid, Mohamed Chouikh, Nacer Khemir, Nabil Ayouch, Lyès Salem, Nadia El Fani, Tariq Teguia, Faouzi Bensaïdi, and Nejib Belkadhi--Gauch delineates the shifting relation of politics to film in the era of neoliberal globalization. Each work, she argues, taps the power inherent in cinema to destabilize patterns of perception and judgment while taking film's role as popular entertainment in new directions. Highlighting how each film taps into the mobility at the core of cinema to break through the boundaries that have long circumscribed filmmaking from North Africa, Gauch shows how this cinema continues to forge and reflect unexpected trajectories for itself and its audiences.
Provocauteurs and Provocations
Author: Maria San Filippo
Publisher: Indiana University Press
ISBN: 0253052130
Category : Performing Arts
Languages : en
Pages : 442
Book Description
Twenty-first century media has increasingly turned to provocative sexual content to generate buzz and stand out within a glut of programming. New distribution technologies enable and amplify these provocations, and encourage the branding of media creators as "provocauteurs" known for challenging sexual conventions and representational norms. While such strategies may at times be no more than a profitable lure, the most probing and powerful instances of sexual provocation serve to illuminate, question, and transform our understanding of sex and sexuality. In Provocauteurs and Provocations, award-winning author Maria San Filippo looks at the provocative in films, television series, web series and videos, entertainment industry publicity materials, and social media discourses and explores its potential to create alternative, even radical ways of screening sex. Throughout this edgy volume, San Filippo reassesses troubling texts and divisive figures, examining controversial strategies—from "real sex" scenes to scandalous marketing campaigns to full-frontal nudity—to reveal the critical role that sexual provocation plays as an authorial signature and promotional strategy within the contemporary media landscape.
Publisher: Indiana University Press
ISBN: 0253052130
Category : Performing Arts
Languages : en
Pages : 442
Book Description
Twenty-first century media has increasingly turned to provocative sexual content to generate buzz and stand out within a glut of programming. New distribution technologies enable and amplify these provocations, and encourage the branding of media creators as "provocauteurs" known for challenging sexual conventions and representational norms. While such strategies may at times be no more than a profitable lure, the most probing and powerful instances of sexual provocation serve to illuminate, question, and transform our understanding of sex and sexuality. In Provocauteurs and Provocations, award-winning author Maria San Filippo looks at the provocative in films, television series, web series and videos, entertainment industry publicity materials, and social media discourses and explores its potential to create alternative, even radical ways of screening sex. Throughout this edgy volume, San Filippo reassesses troubling texts and divisive figures, examining controversial strategies—from "real sex" scenes to scandalous marketing campaigns to full-frontal nudity—to reveal the critical role that sexual provocation plays as an authorial signature and promotional strategy within the contemporary media landscape.
Fountains in the Sand; Rambles Among the Oases of Tunisia
Author: Norman Douglas
Publisher: BoD – Books on Demand
ISBN: 3387315767
Category : Fiction
Languages : en
Pages : 205
Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Publisher: BoD – Books on Demand
ISBN: 3387315767
Category : Fiction
Languages : en
Pages : 205
Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Case Studies in Interdisciplinary Research
Author: Allen F. Repko
Publisher: SAGE
ISBN: 1452235988
Category : Social Science
Languages : en
Pages : 369
Book Description
Self-contained case studies teach students best practices in interdisciplinary research Interdisciplinary research is a burgeoning field, largely due to its ability to tackle complex problems facing humanity that extend beyond a single disciplinary perspective and require interdisciplinary thinking and research for their resolution. Case Studies in Interdisciplinary Research successfully applies the model of the interdisciplinary research process outlined by author Allen F. Repko in Interdisciplinary Research, (SAGE ©2008) to a wide spectrum of challenging research questions. Self-contained case studies, written by leaders in interdisciplinary research, and utilizing best-practice techniques in conducting interdisciplinary research shows students how to apply the interdisciplinary research process to a variety of problems.
Publisher: SAGE
ISBN: 1452235988
Category : Social Science
Languages : en
Pages : 369
Book Description
Self-contained case studies teach students best practices in interdisciplinary research Interdisciplinary research is a burgeoning field, largely due to its ability to tackle complex problems facing humanity that extend beyond a single disciplinary perspective and require interdisciplinary thinking and research for their resolution. Case Studies in Interdisciplinary Research successfully applies the model of the interdisciplinary research process outlined by author Allen F. Repko in Interdisciplinary Research, (SAGE ©2008) to a wide spectrum of challenging research questions. Self-contained case studies, written by leaders in interdisciplinary research, and utilizing best-practice techniques in conducting interdisciplinary research shows students how to apply the interdisciplinary research process to a variety of problems.
Making Up
Author: Graeme Harper
Publisher: Cambridge Scholars Publishing
ISBN: 1527551563
Category : Language Arts & Disciplines
Languages : en
Pages : 185
Book Description
Not so many years ago, Making Up: Research in Creative Writing could not have existed. It could not have existed because at the time of its conception in the countries most influencing its birth – that is, in Britain and in Australia – even the mere notion of research through and in creative writing did not formally exist. Since the early 1990s, such research has grown, and it has developed strongly, worldwide. What we value in works of creative writing has long been the subject of discussion. We might value the diversion a work provides. We might feel personally engaged with a work of creative writing because it relates to an emotional state with which we are familiar or one about which we are newly curious. We might value the insights a work of creative writing provides – whether it is knowledge of our own emotional state, or knowledge about medicine, dancing or mechanical engineering, or whatever else. But research through and in creative writing is not only about the works this research produces, it is also, and often primarily, about the explorations a creative writer undertakes. To explore, through creative writing, ideas, a state of mind, concepts, personal or public ideals – research in and through creative writing, such as that seen here in Making Up: Research in Creative Writing, does this and more.
Publisher: Cambridge Scholars Publishing
ISBN: 1527551563
Category : Language Arts & Disciplines
Languages : en
Pages : 185
Book Description
Not so many years ago, Making Up: Research in Creative Writing could not have existed. It could not have existed because at the time of its conception in the countries most influencing its birth – that is, in Britain and in Australia – even the mere notion of research through and in creative writing did not formally exist. Since the early 1990s, such research has grown, and it has developed strongly, worldwide. What we value in works of creative writing has long been the subject of discussion. We might value the diversion a work provides. We might feel personally engaged with a work of creative writing because it relates to an emotional state with which we are familiar or one about which we are newly curious. We might value the insights a work of creative writing provides – whether it is knowledge of our own emotional state, or knowledge about medicine, dancing or mechanical engineering, or whatever else. But research through and in creative writing is not only about the works this research produces, it is also, and often primarily, about the explorations a creative writer undertakes. To explore, through creative writing, ideas, a state of mind, concepts, personal or public ideals – research in and through creative writing, such as that seen here in Making Up: Research in Creative Writing, does this and more.
A Companion to African Cinema
Author: Kenneth W. Harrow
Publisher: John Wiley & Sons
ISBN: 1119099854
Category : Performing Arts
Languages : en
Pages : 525
Book Description
An authoritative guide to African cinema with contributions from a team of experts on the topic A Companion to African Cinema offers an overview of critical approaches to African cinema. With contributions from an international panel of experts, the Companion approaches the topic through the lens of cultural studies, contemporary transformations in the world order, the rise of globalization, film production, distribution, and exhibition. This volume represents a new approach to African cinema criticism that once stressed the sociological and sociopolitical aspects of a film. The text explores a wide range of broad topics including: cinematic economics, video movies, life in cinematic urban Africa, reframing human rights, as well as more targeted topics such as the linguistic domestication of Indian films in the Hausa language and the importance of female African filmmakers and their successes in overcoming limitations caused by gender inequality. The book also highlights a comparative perspective of African videoscapes of Southern Nigeria, Ethiopia, and Côte d’Ivoire and explores the rise of Nairobi-based Female Filmmakers. This important resource: Puts the focus on critical analyses that take into account manifestations of the political changes brought by neocolonialism and the waning of the cold war Explores Examines the urgent questions raised by commercial video about globalization Addresses issues such as funding, the acquisition of adequate production technologies and apparatuses, and the development of adequately trained actors Written for film students and scholars, A Companion to African Cinema offers a look at new critical approaches to African cinema.
Publisher: John Wiley & Sons
ISBN: 1119099854
Category : Performing Arts
Languages : en
Pages : 525
Book Description
An authoritative guide to African cinema with contributions from a team of experts on the topic A Companion to African Cinema offers an overview of critical approaches to African cinema. With contributions from an international panel of experts, the Companion approaches the topic through the lens of cultural studies, contemporary transformations in the world order, the rise of globalization, film production, distribution, and exhibition. This volume represents a new approach to African cinema criticism that once stressed the sociological and sociopolitical aspects of a film. The text explores a wide range of broad topics including: cinematic economics, video movies, life in cinematic urban Africa, reframing human rights, as well as more targeted topics such as the linguistic domestication of Indian films in the Hausa language and the importance of female African filmmakers and their successes in overcoming limitations caused by gender inequality. The book also highlights a comparative perspective of African videoscapes of Southern Nigeria, Ethiopia, and Côte d’Ivoire and explores the rise of Nairobi-based Female Filmmakers. This important resource: Puts the focus on critical analyses that take into account manifestations of the political changes brought by neocolonialism and the waning of the cold war Explores Examines the urgent questions raised by commercial video about globalization Addresses issues such as funding, the acquisition of adequate production technologies and apparatuses, and the development of adequately trained actors Written for film students and scholars, A Companion to African Cinema offers a look at new critical approaches to African cinema.
Ring Roads
Author: Patrick Modiano
Publisher: Bloomsbury Publishing
ISBN: 140886794X
Category : Fiction
Languages : en
Pages : 111
Book Description
The third novel by the winner of the Nobel Prize for Literature 2014, which with The Night Watch and La Place de l'Étoile forms a trilogy of the Occupation 'A Marcel Proust of our time' Peter Englund, permanent secretary of the Swedish Academy 'Modiano is the poet of the Occupation and a spokesman for the disappeared, and I am thrilled that the Swedish Academy has recognised him' Rupert Thomson, Guardian Ring Roads, for which Modiano was awarded the French Academy's Grand Prix du Roman, is the story of a young Jew, Serge, in search of his father, Chalva, who disappeared from his life ten years earlier. He finds him trying to survive the war years in the unlikely company of black marketeers, anti-Semites and prostitutes, putting his meagre and not entirely orthodox business skills at the service of those who have no interest in him or his survival. Ring Roads is a brilliant, almost hallucinatory evocation of the uneasy, corrupt years of the Occupation and like The Night Watch is both cruel and tender – savage in its depiction of the anti-Semitic newspaper editor, the bullying ex-Foreign Legionnaire and the former prostitute, who treat Chalva with ever more threatening contempt; tender in its attempt to understand and identify with the Jew who cannot see the danger he courts.
Publisher: Bloomsbury Publishing
ISBN: 140886794X
Category : Fiction
Languages : en
Pages : 111
Book Description
The third novel by the winner of the Nobel Prize for Literature 2014, which with The Night Watch and La Place de l'Étoile forms a trilogy of the Occupation 'A Marcel Proust of our time' Peter Englund, permanent secretary of the Swedish Academy 'Modiano is the poet of the Occupation and a spokesman for the disappeared, and I am thrilled that the Swedish Academy has recognised him' Rupert Thomson, Guardian Ring Roads, for which Modiano was awarded the French Academy's Grand Prix du Roman, is the story of a young Jew, Serge, in search of his father, Chalva, who disappeared from his life ten years earlier. He finds him trying to survive the war years in the unlikely company of black marketeers, anti-Semites and prostitutes, putting his meagre and not entirely orthodox business skills at the service of those who have no interest in him or his survival. Ring Roads is a brilliant, almost hallucinatory evocation of the uneasy, corrupt years of the Occupation and like The Night Watch is both cruel and tender – savage in its depiction of the anti-Semitic newspaper editor, the bullying ex-Foreign Legionnaire and the former prostitute, who treat Chalva with ever more threatening contempt; tender in its attempt to understand and identify with the Jew who cannot see the danger he courts.