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Author: Victor Montejo Publisher: State University of New York Press ISBN: 1438485778 Category : Literary Criticism Languages : en Pages : 345
Book Description
In Mayalogue, Native Mayan scholar Victor Montejo provides an alternative reading and interpretation of cultures, challenging Western ethnocentric approaches that have marginalized Native knowledge and worldviews in the past. He proposes instead a methodology for studying culture as a unified whole, a radical departure from the compartmentalized sections of knowledge recognized by Western scientific tradition. Offering a strong critique of traditional anthropological studies, with its terms and categories that have denigrated Indigenous cultures throughout the centuries, Montejo's postcolonial work aims to dismantle the colonialist construction of Indigenous cultures, giving way to a Native approach that balances insider and outsider descriptions of a particular culture. Developed from an Indigenous Maya perspective, Mayalogue is a contribution to the dialogue between Indigenous and non-Indigenous scholars, students, and general audiences in the social sciences and humanities, and will be an essential text in decolonizing the minds of those who engage in the study of cultures anywhere in the world in the twenty-first century.
Author: Victor Montejo Publisher: State University of New York Press ISBN: 1438485778 Category : Literary Criticism Languages : en Pages : 345
Book Description
In Mayalogue, Native Mayan scholar Victor Montejo provides an alternative reading and interpretation of cultures, challenging Western ethnocentric approaches that have marginalized Native knowledge and worldviews in the past. He proposes instead a methodology for studying culture as a unified whole, a radical departure from the compartmentalized sections of knowledge recognized by Western scientific tradition. Offering a strong critique of traditional anthropological studies, with its terms and categories that have denigrated Indigenous cultures throughout the centuries, Montejo's postcolonial work aims to dismantle the colonialist construction of Indigenous cultures, giving way to a Native approach that balances insider and outsider descriptions of a particular culture. Developed from an Indigenous Maya perspective, Mayalogue is a contribution to the dialogue between Indigenous and non-Indigenous scholars, students, and general audiences in the social sciences and humanities, and will be an essential text in decolonizing the minds of those who engage in the study of cultures anywhere in the world in the twenty-first century.
Author: James Cuno Publisher: Getty Publications ISBN: 1606068083 Category : Political Science Languages : en Pages : 776
Book Description
A pathbreaking call to halt the intertwined crises of cultural heritage attacks and mass atrocities and mobilize international efforts to protect people and cultures. Intentional destruction of cultural heritage has a long history. Contemporary examples include the Bamiyan Buddhas in Afghanistan, mosques in Xinjiang, mausoleums in Timbuktu, and Greco-Roman remains in Syria. Cultural heritage destruction invariably accompanies assaults on civilians, making heritage attacks impossible to disentangle from the mass atrocities of genocide, war crimes, crimes against humanity, and ethnic cleansing. Both seek to eliminate people and the heritage with which they identify. Cultural Heritage and Mass Atrocities assembles essays by thirty-eight experts from the heritage, social science, humanitarian, legal, and military communities. Focusing on immovable cultural heritage vulnerable to attack, the volume's guiding framework is the Responsibility to Protect (R2P), a United Nations resolution adopted unanimously in 2005 to permit international intervention against crimes of war or genocide. Based on the three pillars of prevent, react, and rebuild, R2P offers today's policymakers a set of existing laws and international norms that can and—as this book argues—must be extended to the protection of cultural heritage. Contributions consider the global value of cultural heritage and document recent attacks on people and sites in China, Guatemala, Iraq, Mali, Sri Lanka and Afghanistan, Syria, and Yemen. Comprehensive sections on vulnerable populations as well as the role of international law and the military offer readers critical insights and point toward research, policy, and action agendas to protect both people and cultural heritage. A concise abstract of each chapter is offered online in Arabic, Chinese, French, Russian, and Spanish to facilitate robust, global dissemination of the strategies and tactics offered in this pathbreaking call to action. The free online edition of this publication is available at getty.edu/publications/cultural-heritage-mass-atrocities. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
Author: Silvia Soto Publisher: University of Arizona Press ISBN: 0816547556 Category : Literary Criticism Languages : en Pages : 202
Book Description
This book focuses on the analysis of the contemporary literary movement of Maya writers of Chiapas. At the heart of this examination is a journey into the trajectory of this literary movement and its connection to the Zapatista Army of National Liberation (or EZLN) insurgency. This work shows two movements that are rooted in shared visions of rescuing, reclaiming, and recentering Maya worldviews.
Author: Adam W. Coon Publisher: State University of New York Press ISBN: 1438497792 Category : Literary Criticism Languages : en Pages : 301
Book Description
The Serpent's Plumes analyzes contemporary Nahua cultural production, principally bilingual Nahuatl-Spanish xochitlajtoli, or "poetry," written from the 1980s to the present. Adam W. Coon draws on Nahua perspectives as a decolonizing theoretical framework to argue that Nahua writers deploy unique worldviews—namely, ixtlamatilistli ("knowledge with the face," which highlights the value of personal experiences); yoltlajlamikilistli ("knowledge with the heart," which underscores the importance of affective intelligence); and tlaixpan ("that which is in front," which presents the past as lying ahead of a subject rather than behind). The views of ixtlamatilistli, yoltlajlamikilistli, and tlaixpan are key in Nahua struggles and effectively challenge those who attempt to marginalize Native knowledge production.
Author: Sharonah Esther Fredrick Publisher: U of Nebraska Press ISBN: 1496238737 Category : History Languages : en Pages : 349
Book Description
This groundbreaking work in literature, cultural studies, and history compares the two greatest epics of the Indigenous peoples of Latin America: the Popul Vuh of the Quiché Maya of Guatemala and the Huarochiri Manuscript of Peru’s lower Andean regions.
Author: Kelly S. McDonough Publisher: University of Arizona Press ISBN: 0816550387 Category : History Languages : en Pages : 329
Book Description
Indigenous Science and Technology focuses on how Nahuas have explored, understood, and explained the world around them in pre-invasion, colonial, and contemporary time periods.
Author: Edward F. Fischer Publisher: Univ of California Press ISBN: 0520386957 Category : History Languages : en Pages : 305
Book Description
"This book takes a behind-the-scenes look at the world of Third Wave coffee to uncover what makes a great coffee. Traders stress the material conditions of terroir and botany, but just as important are the social, moral, and political values that farmers, roasters, and consumers attach to the beans. Third Wave roasters earnestly pursue a craft, searching for new flavors, while smallholding Maya farmers in Guatemala see coffee as part of a cycle of agricultural regeneration, as well as a source of extra income. This book connects the quest for quality among Third Wave tastemakers in the United States to the lives and internet-fueled aspirations of Maya producers, showing how profits are made by artfully combining coffee's material and symbolic qualities"--
Author: Víctor Montejo Publisher: University of Arizona Press ISBN: 0816552606 Category : Social Science Languages : en Pages : 176
Book Description
Víctor Montejo’s story recounts the near-death experience of his grandfather, Antonyo Mekel Lawuxh (Antonio Esteban), who fell gravely ill in Guatemala in the late 1920s but survived to tell his family and community what he had witnessed of the afterlife. Narrated from Antonio’s perspective, the reader follows along on a journey to the Maya underworld of Xibalba, accompanied by two spirit guides. Antonio traverses Xibalba’s levels of heaven and hell, encountering instructive scenes of punishment and reward: in one chapter, conquistadors are perpetually submerged in a pool of their victims’ blood; in another, the souls of animal abusers are forever unable to cross a crocodile-infested river. Infused with memory, the author illustrates Guatemala’s unique religious syncretism, exploring conceptions of heaven and hell shared between Catholicism and Indigenous Maya spirituality. In the tradition of both the Popol Vuh and the Divine Comedy, Montejo’s narrative challenges easy categorization—this is a work of family history, religious testimony, political allegory, and sacred literature.
Author: Fred Dervin Publisher: Taylor & Francis ISBN: 1000844781 Category : Education Languages : en Pages : 125
Book Description
Offering a unique reading experience, this book examines the epistemologies of interculturality and explores potential routes to review and revisit the notion anew. Grounded in different sociocultural, economic and political perspectives around the world, interculturality in education and research bears a paradoxical attribute of 'contradictions' and 'inconsistencies', making it a polysemous and flexible notion that has no definitive diagnosis and requires constant unthinking and rethinking. The author provides a toolbox of 'out-of-box ideas' in the form of fragmental yet standalone writings and follow-up questions concerning stereotypes about the very notion of interculturality and conceptual and methodological flaws in the way it is used. Readers are encouraged to critically reflect about interculturality as it stands today in global research and education. In identifying the paradoxes of interculturality and proposing alternative directions, the book stimulates a diversity of thoughts about the notion that goes beyond the 'West'. The book will be an essential reading for scholars, students and educators interested in education philosophy, applied linguistics and the broad field of intercultural communication education. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license. Funded by University of Helsinki
Author: Kyle T. Mays Publisher: SUNY Press ISBN: 1438469454 Category : Social Science Languages : en Pages : 196
Book Description
Argues that Indigenous hip hop is the latest and newest assertion of Indigenous sovereignty throughout Indigenous North America. Expressive culture has always been an important part of the social, political, and economic lives of Indigenous people. More recently, Indigenous people have blended expressive cultures with hip hop culture, creating new sounds, aesthetics, movements, and ways of being Indigenous. This book documents recent developments among the Indigenous hip hop generation. Meeting at the nexus of hip hop studies, Indigenous studies, and critical ethnic studies, Hip Hop Beats, Indigenous Rhymes argues that Indigenous people use hip hop culture to assert their sovereignty and challenge settler colonialism. From rapping about land and water rights from Flint to Standing Rock, to remixing traditional beading with hip hop aesthetics, Indigenous people are using hip hop to challenge their ongoing dispossession, disrupt racist stereotypes and images of Indigenous people, contest white supremacy and heteropatriarchy, and reconstruct ideas of a progressive masculinity. In addition, this book carefully traces the idea of authenticity; that is, the common notion that, by engaging in a Black culture, Indigenous people are losing their traditions. Indigenous hip hop artists navigate the muddy waters of the politics of authenticity by creating art that is not bound by narrow conceptions of what it means to be Indigenous; instead, they flip the notion of tradition and create alternative visions of what being Indigenous means today, and what that might look like going forward. This book is incredibly important and will change the fields of Native American, African American, gender, and sound studies. It is the first full-length monograph on the rich, diverse, and complex field of Indigenous hip hop. This is the text against which all other studies in the field will be compared. Michelle Raheja, University of California, Riverside
Author: Victor Montejo
Author: Victor Montejo
Author: James Cuno
Author: Silvia Soto
Author: Adam W. Coon
Author: Sharonah Esther Fredrick
Author: Kelly S. McDonough
Author: Edward F. Fischer
Author: Víctor Montejo
Author: Fred Dervin
Author: Kyle T. Mays