Master Paintings PDF Download

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 50

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Author: Phillips Collection
Publisher:
ISBN: 9780983769408
Category : Painting
Languages : en
Pages : 224

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Book Description
The Phillips Collection, America's first museum of modern art, was founded in 1921 by Duncan Phillips (1886-1966), a Washington DC collector who played a vital role in introducing America to contemporary art. Unusually for his time, Phillips saw American artists as fully equal to their European counterparts, often hanging their works side by side. Moreover, Phillips chose to buy and exhibit works according to stylistic continuities and affinities, reflecting the visual connections between various artistic expressions, past and present. Master Paintings from The Phillips Collection highlights 108 masterworks from the Phillips's permanent collection and offers insight into the creation of one of the greatest private collections of modern art in the world. -- Book Description.

Author: Eleanor Green Green
Publisher:
ISBN: 9789605574581
Category :
Languages : en
Pages : 224

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Author: Phillips Collection
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 252

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Author: Phillips Collection
Publisher: Giles
ISBN: 9781904832928
Category : Art
Languages : en
Pages : 0

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Offers a unique insight into the creation of one of the world's greatest private collections of modern art.

Author: Adrienne L. Childs
Publisher: Rizzoli Publications
ISBN: 0847866645
Category : Art
Languages : en
Pages : 210

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A timely consideration of African-American artists' rich engagement with the history of art from the twentieth century, this book is the winner of the James A. Porter and David C. Driskell Book Award for African American Art History. Riffs and Relations: African American Artists and the European Modernist Tradition presents works by African American artists of the twentieth and twenty-first centuries together with works by the early-twentieth-century European artists with whom they engaged. Black artists have investigated, interrogated, invaded, entangled, annihilated, or immersed themselves in the aesthetics, symbolism, and ethos of European art for more than a century. The powerful push and pull of this relationship constitutes a distinct tradition for many African American artists who source the master narratives of art history to critique, embrace, or claim their own space. This groundbreaking catalog--accompanying a major exhibition at the Phillips Collection in Washington, D.C.--explores the connections and frictions around modernism in the works of artists such as Romare Bearden, Pablo Picasso, Faith Ringgold, Renee Cox, Robert Colescott, Norman Lewis, Hank Willis Thomas, Carrie Mae Weems and Henri Matisse. The volume explores how blackness has often been conceived from the standpoint of these international and intergenerational connections and presents the divergent and complex works born of these important dialogues.

Author: Flavio Fergonzi
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136

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Giorgio Morandi (1890-1964) built his visual lexicon from the most minimal of props--dust-covered bottles, bowls, vases, pitchers, tins and boxes. From it, he composed delicious permutations of quiet still lifes, in the most muted yet luminous of palettes, transforming the genre of still life into a cosmos. The composer Morton Feldman once wrote that in his own work he was "interested in getting to Time in its unstructured existence... How Time exists before we put our paws on it," and in this sense Morandi may be his counterpart in paint: his painted objects seem to possess a subtle self-sufficiency and interiority. Accompanying a recent exhibition at the Phillips Collection, Washington D.C., this beautifully designed catalogue contains a selection of reproductions buttressed with two essays by Morandi experts: Flavio Fergonzi appraises the myths that have attached to Morandi, the history of his critical reception and the cities with which the artist was particularly associated; Elisabetta Barisoni discusses Morandi's reception in America.

Author: Elsa Smithgall
Publisher: Yale University Press
ISBN: 0300206267
Category : Art
Languages : en
Pages : 249

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A landmark retrospective that examines William Merritt Chase and his lasting contribution to the history of modern art The history of modern art owes a great debt to William Merritt Chase (1849-1916), one of America's influential artists and educators. Chase was a leading member of the international artistic avant-garde and was best known for his mastery of a wide range of subjects in oil and pastel, including figures, landscapes, urban park scenes, interiors, and portraits. As a teacher and founder of the Shinnecock Summer School of Art and the New York School of Art, Chase mentored a new generation of modernists, including Edward Hopper, Georgia O'Keeffe, and Joseph Stella. A century after his death, the breadth and richness of Chase's career are celebrated in this beautifully illustrated publication. Five essays by prominent scholars of American art offer new insights into Chase's multi-faceted artistic practice and his position in the international cultural climate at the turn of the 20th century.

Author: Dorothy M. Kosinski
Publisher: GILES
ISBN: 9781907804601
Category : Art
Languages : en
Pages : 0

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Book Description
Showcases two stunning collections of early twentieth-century art, with works by Picasso, Van Gogh, Cezanne and Gauguin, amongst many others.

Author: David C. Driskell
Publisher: Giles
ISBN: 9781911282761
Category : Art
Languages : en
Pages : 360

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Book Description
An expansive collection catalogue that offers a multiplicity of fresh perspectives on recent modern and contemporary art acquisitions in The Phillips Collection