Author: Ben Jonson
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
The masque of queenes celebrated from the house of fame
The Politics of the Stuart Court Masque
Author: David Bevington
Publisher: Cambridge University Press
ISBN: 9780521594363
Category : Drama
Languages : en
Pages : 358
Book Description
A 1998 collection which takes an alternative look at the courtly masque in early seventeenth-century England.
Publisher: Cambridge University Press
ISBN: 9780521594363
Category : Drama
Languages : en
Pages : 358
Book Description
A 1998 collection which takes an alternative look at the courtly masque in early seventeenth-century England.
The Court Masque
Author: Enid Welsford
Publisher: Cambridge, [Eng.] : University Press
ISBN:
Category : English drama
Languages : en
Pages : 486
Book Description
Publisher: Cambridge, [Eng.] : University Press
ISBN:
Category : English drama
Languages : en
Pages : 486
Book Description
Masques of Difference
Author: Ben Jonson
Publisher: Manchester University Press
ISBN: 9780719057540
Category : Drama
Languages : en
Pages : 228
Book Description
Masques of Difference presents an annotated edition of four seventeenth-century entertainments written by Ben Jonson for the court of James I. These masques reflect both the confidence and the anxieties of the English aristocracy at a time when notions of monarchy, empire, and national identity were being radically redefined. All four masques reflect the royal court's self-representation as moral, orderly, and just, in contrast to stylized images of chaotically (and exotically) "othered" groups: Africans, the Irish, witches, and the homoeroticised figure of the Gypsy.
Publisher: Manchester University Press
ISBN: 9780719057540
Category : Drama
Languages : en
Pages : 228
Book Description
Masques of Difference presents an annotated edition of four seventeenth-century entertainments written by Ben Jonson for the court of James I. These masques reflect both the confidence and the anxieties of the English aristocracy at a time when notions of monarchy, empire, and national identity were being radically redefined. All four masques reflect the royal court's self-representation as moral, orderly, and just, in contrast to stylized images of chaotically (and exotically) "othered" groups: Africans, the Irish, witches, and the homoeroticised figure of the Gypsy.
The Alchemist of Souls
Author: Anne Lyle
Publisher: Watkins Media Limited
ISBN: 0857662155
Category : Fiction
Languages : en
Pages : 515
Book Description
When Tudor explorers returned from the New World, they brought back a name out of half-forgotten Viking legend: skraylings. Red-sailed ships followed in the explorers’ wake, bringing Native American goods--and a skrayling ambassador--to London. But what do these seemingly magical beings really want in Elizabeth I’s capital? Mal Catlyn, a down-at-heel swordsman, is seconded to the ambassador's bodyguard, but assassination attempts are the least of his problems. What he learns about the skraylings and their unholy powers could cost England her new ally--and Mal his soul. File Under: Fantasy [ Midsummer Magic | Skraylings | Double Trouble | Comedy of Terrors ] e-book ISBN: 978-0-85766-215-6
Publisher: Watkins Media Limited
ISBN: 0857662155
Category : Fiction
Languages : en
Pages : 515
Book Description
When Tudor explorers returned from the New World, they brought back a name out of half-forgotten Viking legend: skraylings. Red-sailed ships followed in the explorers’ wake, bringing Native American goods--and a skrayling ambassador--to London. But what do these seemingly magical beings really want in Elizabeth I’s capital? Mal Catlyn, a down-at-heel swordsman, is seconded to the ambassador's bodyguard, but assassination attempts are the least of his problems. What he learns about the skraylings and their unholy powers could cost England her new ally--and Mal his soul. File Under: Fantasy [ Midsummer Magic | Skraylings | Double Trouble | Comedy of Terrors ] e-book ISBN: 978-0-85766-215-6
The Early Stuart Masque
Author: Barbara Ravelhofer
Publisher: OUP Oxford
ISBN: 0191515981
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
The Early Stuart Masque: Dance, Costume, and Music studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. Drawing on a massive amount of documentary evidence relating to English productions as well as spectacle in France, Italy, Germany, and the Ottoman Empire, the book elucidates professional ballet, theatre management, and dramatic performance at the early Stuart court. Individual studies take a fresh look at works by Ben Jonson, Samuel Daniel, Thomas Carew, John Milton, William Davenant, and others, showing how court poets collaborated with tailors, designers, technicians, choreographers, and aristocratic as well as professional performers to create a dazzling event. Based on extensive archival research on the households of Queen Anne and Queen Henrietta Maria, special chapters highlight the artistic and financial control of Stuart queens over their masques and pastorals. Many plates and figures from German, Austrian, French, and English archives illustrate accessibly-written introductions to costume conventions, early dance styles, male and female performers, the dramatic symbolism of colours, and stage design in performance. With splendid costumes and choreographies, masques once appealed to the five senses. A tribute to their colourful brilliance, this book seeks to recover a lost dimension of performance culture in early modern England.
Publisher: OUP Oxford
ISBN: 0191515981
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
The Early Stuart Masque: Dance, Costume, and Music studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. Drawing on a massive amount of documentary evidence relating to English productions as well as spectacle in France, Italy, Germany, and the Ottoman Empire, the book elucidates professional ballet, theatre management, and dramatic performance at the early Stuart court. Individual studies take a fresh look at works by Ben Jonson, Samuel Daniel, Thomas Carew, John Milton, William Davenant, and others, showing how court poets collaborated with tailors, designers, technicians, choreographers, and aristocratic as well as professional performers to create a dazzling event. Based on extensive archival research on the households of Queen Anne and Queen Henrietta Maria, special chapters highlight the artistic and financial control of Stuart queens over their masques and pastorals. Many plates and figures from German, Austrian, French, and English archives illustrate accessibly-written introductions to costume conventions, early dance styles, male and female performers, the dramatic symbolism of colours, and stage design in performance. With splendid costumes and choreographies, masques once appealed to the five senses. A tribute to their colourful brilliance, this book seeks to recover a lost dimension of performance culture in early modern England.
The Masque of Stuart Culture
Author: Jerzy Limon
Publisher: University of Delaware Press
ISBN: 9780874133967
Category : Drama
Languages : en
Pages : 254
Book Description
Limon presents an unconventional approach to the Stuart masque, discussing the masque as a form of courtly ritual rather than a truly theatrical performance. As seen from this perspective, the masque is the deepest, most complex, and many-faceted reflection of early Stuart culture.
Publisher: University of Delaware Press
ISBN: 9780874133967
Category : Drama
Languages : en
Pages : 254
Book Description
Limon presents an unconventional approach to the Stuart masque, discussing the masque as a form of courtly ritual rather than a truly theatrical performance. As seen from this perspective, the masque is the deepest, most complex, and many-faceted reflection of early Stuart culture.
Murder at the Queen's Masquerade
Author: Amanda Carmack
Publisher: Penguin
ISBN: 0698196597
Category : Fiction
Languages : en
Pages : 64
Book Description
Queen Elizabeth’s chief musician Kate Haywood must unmask a thief and murderer in this Elizabethan Mystery Novella from the author of Murder at Westminster Abbey… 1560. Whispered speculations drift through the shadows of Windsor Castle. Who are the Queen’s suitors? Who is her heir? To distract her political enemies from gossip, Queen Elizabeth stages a masquerade ball… Tasked with organizing the lavish preparations, Kate, the Queen’s musician, is overjoyed when her dearest friend, Lady Violet, arrives at court, eager and willing to help. Accompanied by her demanding mother-in-law, Violet welcomes any opportunity that will rescue her from the attentions of her husband’s mother. But just days before the masquerade, one of the Queen’s guards is found dead in front of the chamber that holds her most precious jewels. With no sign of foul play, the court believes the man perished from natural causes, but Kate suspects otherwise. And when Her Majesty’s pearl pendant necklace, an heirloom from her mother, Anne Boleyn, disappears on the night of the ball, Kate must once again play sleuth to uncover the culprit’s identity among the aristocratic masked merrymakers… “Amanda Carmack’s talent for creating a richly drawn setting, populating it with fully realized characters, and giving them a tight and engaging narrative is unparalleled.”—New York Times bestselling author Tasha Alexander INCLUDES A PREVIEW OF MURDER AT WHITEHALL
Publisher: Penguin
ISBN: 0698196597
Category : Fiction
Languages : en
Pages : 64
Book Description
Queen Elizabeth’s chief musician Kate Haywood must unmask a thief and murderer in this Elizabethan Mystery Novella from the author of Murder at Westminster Abbey… 1560. Whispered speculations drift through the shadows of Windsor Castle. Who are the Queen’s suitors? Who is her heir? To distract her political enemies from gossip, Queen Elizabeth stages a masquerade ball… Tasked with organizing the lavish preparations, Kate, the Queen’s musician, is overjoyed when her dearest friend, Lady Violet, arrives at court, eager and willing to help. Accompanied by her demanding mother-in-law, Violet welcomes any opportunity that will rescue her from the attentions of her husband’s mother. But just days before the masquerade, one of the Queen’s guards is found dead in front of the chamber that holds her most precious jewels. With no sign of foul play, the court believes the man perished from natural causes, but Kate suspects otherwise. And when Her Majesty’s pearl pendant necklace, an heirloom from her mother, Anne Boleyn, disappears on the night of the ball, Kate must once again play sleuth to uncover the culprit’s identity among the aristocratic masked merrymakers… “Amanda Carmack’s talent for creating a richly drawn setting, populating it with fully realized characters, and giving them a tight and engaging narrative is unparalleled.”—New York Times bestselling author Tasha Alexander INCLUDES A PREVIEW OF MURDER AT WHITEHALL
A Book of Masques
Author: Gerald Eades Bentley
Publisher: Cambridge University Press
ISBN: 9780521054553
Category : Literary Collections
Languages : en
Pages : 526
Book Description
The English court masque was one of the most extravagant and spectacular forms of entertainment ever produced, the most important period being between 1600 and 1640 when the writers included some of the best-known poets and dramatists of the age. This volume, first published in 1967, was the first selection of masques to be published in England in the twentieth century. It consists of fourteen masques, each specially edited with an introduction and commentary by a different scholar, including Ben Jonson, James Shirley, Samuel Daniel, Thomas Campion, Francis Beaumont, William Browne, Thomas Middleton, Thomas Nabbes and William Davenant. Professor Gerald Eades Bentley examines the masque as Jonson conceived it and the clash that took place between Jonson and his collaborator as designer, Inigo Jones. There is also a final essay on the influence of the masque on the drama of the period. A group of 48 plates has been prepared many of them reproducing designs by Inigo Jones.
Publisher: Cambridge University Press
ISBN: 9780521054553
Category : Literary Collections
Languages : en
Pages : 526
Book Description
The English court masque was one of the most extravagant and spectacular forms of entertainment ever produced, the most important period being between 1600 and 1640 when the writers included some of the best-known poets and dramatists of the age. This volume, first published in 1967, was the first selection of masques to be published in England in the twentieth century. It consists of fourteen masques, each specially edited with an introduction and commentary by a different scholar, including Ben Jonson, James Shirley, Samuel Daniel, Thomas Campion, Francis Beaumont, William Browne, Thomas Middleton, Thomas Nabbes and William Davenant. Professor Gerald Eades Bentley examines the masque as Jonson conceived it and the clash that took place between Jonson and his collaborator as designer, Inigo Jones. There is also a final essay on the influence of the masque on the drama of the period. A group of 48 plates has been prepared many of them reproducing designs by Inigo Jones.
Women on the Renaissance Stage
Author: Clare McManus
Publisher: Manchester University Press
ISBN: 9780719062506
Category : Biography & Autobiography
Languages : en
Pages : 292
Book Description
Through detailed historicized and interdisciplinary readings of the performances of Anna Denmark in the Scottish and English Jacobean Courts, Women on the Renaissance Stage fundamentally reassesses women's relationship to early modern performance. It investigates the staging conditions, practices, and gendering of Denmark's performances, and brings current critical theorizations of race, class, gender, space, and performance to bear on the female court of the early 17th century.
Publisher: Manchester University Press
ISBN: 9780719062506
Category : Biography & Autobiography
Languages : en
Pages : 292
Book Description
Through detailed historicized and interdisciplinary readings of the performances of Anna Denmark in the Scottish and English Jacobean Courts, Women on the Renaissance Stage fundamentally reassesses women's relationship to early modern performance. It investigates the staging conditions, practices, and gendering of Denmark's performances, and brings current critical theorizations of race, class, gender, space, and performance to bear on the female court of the early 17th century.