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Author: Sara Martín Publisher: Routledge ISBN: 1000763315 Category : Literary Criticism Languages : en Pages : 234
Book Description
Masculinity and Patriarchal Villainy in the British Novel: From Hitler to Voldemort sits at the intersection of literary studies and masculinity studies, arguing that the villain, in many works of contemporary British fiction, is a patriarchal figure that embodies an excess of patriarchal power that needs to be controlled by the hero. The villains' stories are enactments of empowerment fantasies and cautionary tales against abusing patriarchal power. While providing readers with in-depth studies of some of the most popular contemporary fiction villans, Sara Martín shows how current representations of the villain are not only measured against previous literary characters but also against the real-life figure of the archvillain Adolf Hitler.
Author: Sara Martín Publisher: Routledge ISBN: 1000763315 Category : Literary Criticism Languages : en Pages : 234
Book Description
Masculinity and Patriarchal Villainy in the British Novel: From Hitler to Voldemort sits at the intersection of literary studies and masculinity studies, arguing that the villain, in many works of contemporary British fiction, is a patriarchal figure that embodies an excess of patriarchal power that needs to be controlled by the hero. The villains' stories are enactments of empowerment fantasies and cautionary tales against abusing patriarchal power. While providing readers with in-depth studies of some of the most popular contemporary fiction villans, Sara Martín shows how current representations of the villain are not only measured against previous literary characters but also against the real-life figure of the archvillain Adolf Hitler.
Author: Sara Martin Alegre Publisher: Routledge Interdisciplinary Perspectives on Literature ISBN: 9780367441463 Category : Languages : en Pages : 288
Book Description
Masculinity and Patriarchal Villainy in the British Novel: From Hitler to Voldemort sits at the intersection of literary studies and masculinity studies, arguing that the villain, in many works of contemporary British fiction, is a patriarchal figure that embodies an excess of patriarchal power that needs to be controlled by the hero. The villains' stories are enactments of empowerment fantasies and cautionary tales against abusing patriarchal power. While providing readers with in-depth studies of some of the most popular contemporary fiction villans, Sara Martín shows how current representations of the villain are not only measured against previous literary characters but also against the real-life figure of the archvillain Adolf Hitler.
Author: Charlotte Beyer Publisher: Cambridge Scholars Publishing ISBN: 152759159X Category : Literary Criticism Languages : en Pages : 234
Book Description
Intersectionality and decolonisation are prominent themes in contemporary British crime fiction. Through an in-depth critical and contextual analysis of selected contemporary British crime fiction novels from the 1990s to 2018, this distinctive book examines representations of race, class, sexuality, and gender by John Harvey, Stella Duffy, M.Y. Alam, and Dorothy Koomson. It argues that contemporary British crime fiction is a field of contestation where urgent cultural and social questions are debated and the politics of representation explored. A significant resource which will be valuable to researchers and scholars of the crime genre, as well as British literature, this book offers timely critical engagement with intersectionality and decolonisation and their representation in contemporary British crime fiction.
Author: Sara Martín Publisher: Springer Nature ISBN: 3031221443 Category : Literary Criticism Languages : en Pages : 308
Book Description
This edited volume rethinks Masculinity Studies by breaking away from the notion of the perpetual crisis of masculinity. It argues that not enough has been done to distinguish patriarchy from masculinity and proposes to detox masculinity by offering a collection of positive representations of men in fictional and non-fictional texts. The editors show how ideas of hegemonic and toxic masculinity have been too fixed on the exploration of dominance and subservience, and too little on the men (and the male characters in fiction) who behave following other ethical, personal and socially accepted patterns. Bringing together research from different periods and genres, this collection provides broad, multidisciplinary insights into alternative representations of masculinity.
Author: Natalie Le Clue Publisher: Emerald Group Publishing ISBN: 1837537887 Category : Social Science Languages : en Pages : 257
Book Description
Putting Prince Charming in the academic spotlight, this collection examines the evolution of male fairy tale characters across modern series and films to bridge a gap that afflicts multiple disciplines.
Author: Susan Mooney Publisher: Springer Nature ISBN: 3030991466 Category : Literary Criticism Languages : en Pages : 356
Book Description
This book shows how diverse, critical modern world narratives in prose fiction and film emphasize masculine subjectivities through affects and ethics. Highlighting diverse affects and mental states in subjective voices and modes, modern narratives reveal men as feeling, intersubjective beings, and not as detached masters of master narratives. Modern novels and films suggest that masculine subjectivities originate paradoxically from a combination of copying and negation, surplus and lack, sameness and alterity: among fathers and sons, siblings and others. In this comparative study of more than 30 diverse world narratives, Mooney deftly uses psychoanalytic thought, narrative theories of first- and third-person narrators, and Levinasian and feminist ethics of care, creativity, honor, and proximity. We gain a nuanced picture of diverse postpaternal postgentlemen emerging out of older character structures of the knight and gentleman.
Author: Heinz Tschachler Publisher: McFarland ISBN: 1476645078 Category : Literary Criticism Languages : en Pages : 286
Book Description
Washington Irving remains one of the most recognized American authors of the 19th century, remembered for short stories like Rip van Winkle and The Legend of Sleepy Hollow. He also accomplished other writing feats, including penning George Washington's biography and other life stories. Throughout his life, Irving was at odds with socially-approved ways of "being a man." Irving purportedly saw himself and was seen by others as feminine, shy, and non-confrontational. Likely related to this, he chose to engage with other men's fortunes and adventures by writing, defining his male identity vicariously, through masculine archetypes both fictional and non-fictional. Sitting at the intersection of literary studies and masculinity studies, this reading reconstructs Irving's life-long struggle to somehow win a place among other men. Readers will recognize masculine themes in his tales from the Spanish period, his western adventures, as well as in historical biographies of Columbus, Mahomet, and Washington. In many writings by Irving, especially Sleepy Hollow, readers will observe themes dominated by masculinity. The book is the first of its kind to encompass and examine Irving's writings.
Author: David Owen Publisher: Cambridge Scholars Publishing ISBN: 1527565033 Category : Literary Criticism Languages : en Pages : 255
Book Description
It is a commonplace belief that history is written by the victorious. However, less recognised but equally common is the idea that the defeated also write history, even if their particular account is rather different. This collection looks at these matters from a novel and distinct perspective. It essentially presents the idea that victors often perceive themselves as defeated, by examining the ways in which the idea of defeat comes to dominate the victors’ own sense of superiority and achievement, thereby undermining the certainties that victory is conventionally thought to create. The contributions here discuss fiction (mostly UK and US) published since the First World War. Through the frameworks of experience, memory and post-memory, they examine this subliminal defeat, basically as seen in conflict itself, in the societies that it affects, and in the individual lives of those who it destroys. The result is an innovative literary account of the victorious-yet-somehow-defeated.
Author: Sara Martín Publisher: Taylor & Francis ISBN: 1000875806 Category : Performing Arts Languages : en Pages : 178
Book Description
Most documentaries deal with men, but what do they actually say about masculinity? In this groundbreaking volume Sara Martín analyses more than forty 21st-century documentaries to explore how they represent American men and masculinity. From Jennifer Siebel Newsom’s The Mask You Live In to Raoul Peck’s I Am Not Your Negro, this volume explores sixteen different faces of American masculinity: the good man, the activist, the politician, the whistleblower, the criminal, the sexual abuser, the wrongly accused, the dependent man, the soldier, the capitalist, the adventurer, the sportsman, the architect, the photographer, the musician, and the writer. The collective portrait drawn by the documentaries discloses a firm critical stance against the contradictions inherent in patriarchy, which makes American men promises of empowerment it cannot fulfill. The filmmakers’ view of American masculinity emphasizes the vulnerability of disempowered men before the abuses of the patriarchal system run by hegemonic men and a loss of bearings about how to be a man after the impact of feminism, accompanied nonetheless by a celebration of resilient masculinity and of the good American man. Firmly positioning documentaries as an immensely flexible, relevant tool to understand 21st-century American men and masculinity, their past, present, and future, this book will interest students and scholars of film studies, documentary film, American cultural studies, gender, and masculinity.
Author: Lisa Yaszek Publisher: Taylor & Francis ISBN: 1000826287 Category : Social Science Languages : en Pages : 568
Book Description
The Routledge Companion to Gender and Science Fiction is the first large-scale reference work of its kind, critically assessing the relations of gender and genre in science fiction (SF) especially—but not exclusively—as explored in speculative art by women and LGBTQ+ artists across the world. This global volume builds upon the traditions of interdisciplinary inquiry by connecting established topics in gender studies and science fiction studies with emergent ideas from researchers in different media. Taken together, they challenge conventional generic boundaries; provide new ways of approaching familiar texts; recover lost artists and introduce new ones; connect the revival of old, hate-based politics with the increasing visibility of imagined futures for all; and show how SF stories about new kinds of gender relations inspire new models of artistic, technoscientific, and political practice. Their chapters are grouped into five conversations—about the history of gender and genre, theoretical frameworks, subjectivities, medias and transmedialities, and transtemporalities—that are central to discussions of gender and SF in the current moment. A range of both emerging and established names in media, literature, and cultural studies engage with a huge diversity of topics including eco-criticism, animal studies, cyborg and posthumanist theory, masculinity, critical race studies, Indigenous futurisms, Black girlhood, and gaming. This is an essential resource for students and scholars studying gender, sexuality, and/or science fiction.